1,721,035 research outputs found
Claude-Jean Bertrand (1995), Les médias aux États-Unis
No full textRoblin Isabelle. Claude-Jean Bertrand (1995), Les médias aux États-Unis. In: Communication. Information Médias Théories, volume 18 n°2, automne 1998. pp. 192-195
Claude-Jean Bertrand (1997), Les médias et l'information aux États-Unis depuis 1945
No full textRoblin Isabelle. Claude-Jean Bertrand (1997), Les médias et l'information aux États-Unis depuis 1945. In: Communication. Information Médias Théories, volume 18 n°2, automne 1998. pp. 196-199
Claude-Jean Bertrand (1997), Les médias et l'information aux États-Unis depuis 1945
No full textRoblin Isabelle. Claude-Jean Bertrand (1997), Les médias et l'information aux États-Unis depuis 1945. In: Communication. Information Médias Théories, volume 18 n°2, automne 1998. pp. 196-199
Atelier Départements Tertiaires 2, GEA, TL
No full textRoblin Isabelle, Thomas Jacqueline. Atelier Départements Tertiaires 2, GEA, TL. In: Cahiers de l'APLIUT, volume 15, numéro 3, 1996. Langues et culture. p. 88
Rewriting (I)
No full textRé-écritures, I reprend les communications faites lors d’une première journée d’études organisée en mai 2002 par l’équipe de recherche « Littératures et Sociétés Anglophones » de la Maison de la Recherche en Sciences Humaines de l’Université de Caen-Basse Normandie et consacrée à divers exemples de ré-écritures contemporaines, britanniques et américaines, de textes canoniques de la littérature anglophone. L’intérêt suscité par le sujet nous a conduit à inclure dans ces annales d’autres intervenants et d’élargir le propos, notamment aux aspects plus théoriques de l’activité de ré-écriture. Ce premier ouvrage collectif sera complété par Ré-écritures, II : Jane Eyre d’hier à aujourd’hui, également basé sur les communications faites lors d’une seconde journée d’études en mai 2004, qui s’est recentrée sur un exemple bien particulier de ré-écritures, celles du roman le plus célèbre de Charlotte Brontë
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
An (Auto)Biofictional (Re-)Writing of a Brontë Classic: Alison Case's "Nelly Dean" (2016): Contribution to the 2023/2024 Neo-Victorian Studies 15:1 special issue on Beyond Biofiction
No full textInternational audienceAlison Case’s Nelly Dean (2016) is in many ways typical of the numerous re-writings of Emily Brontë’s Wuthering Heights (1847). In this contemporary novel, constructed as a monologic epistolary retelling of its famous hypotext, Nelly is given the opportunity to tell Mr. Lockwood her side of the story, as well as to provide new information about her relationships to the other characters, especially Hindley Earnshaw. Moreover, the double interrogation of who exactly Nelly is writing for and why she is writing looms larger and larger as the story develops. This article focuses on the analysis of this self-reflexivity and on the promotion of Nelly Dean from second-hand narrator in Wuthering Heights to writer of her own biography in Case’s eponymous novel.1. From Storyteller to Sole Author/Narrator2. Unexpected Revelations3. The Vexed Question of the Letters’ Addressee4. Conclusion: Nelly Dean, a Tribute to Wuthering Heights</i
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