1,721,112 research outputs found
Robing staff, 1989
No full textPhotograph originally appeared in the 'Staff News', 2nd November 1989. Left to right, Front row: Romdout Buruma, Rita Kyprianou, Michelle Goddard, Dorothy Stirling, Val Stiles; Second row: Marieke Van de Graaff, Jill Mcmahon, Effie Kolovos, Jill O'Neill, Gail Mortinelli. Robing staff, Graduation Ceremony October 1989
Robing Food. El plano vigilancia como herramienta narrativa
No full text[EN] Robing Food is an artistic project based on actions captured by surveillance cameras. It has been made with the collaboration of a work process carried out by a foreigner resident in Brighton, United Kingdom, whose ¿alias¿ is Robing Food. The project involves the theft of food products in establishments in order to return them to their producers, and fight against capital gains existing in such products in a symbolic way. These actions are always performed in front of CCTV, but the face of Robing Food is not recognized due to a device CapLed designed for his cap¿s work, which consists of a series of infrared leds that surveillance cameras read as a single flash of light. In order to know what particular product he should take, in which property is located and to which producer has to be returned, we have designed FollowPeppers, a geolocator embedded into the product, with which we can track coordinates in real time.[ES] Robing Food es un proyecto artístico basado en unas acciones capturadas por cámaras de videovigilancia. Ha sido realizado contando con la colaboración de un extranjero residente en Brighton, Reino Unido, que ha contribuido al proceso de trabajo, y cuyo alias es Robing Food. El proyecto consiste en el hurto de productos alimenticios en establecimientos con el fin de devolverlos a sus productores, y así combatir la alienación generada por el proceso de trabajo y simbólicamente oponerse a la plusvalía. Estas acciones son siempre realizadas delante de CCTV con el fin de dar un valor de verdad a la imagen, pero el rostro de Robing Food no es reconocido gracias a un dispositivo llamado CapLed diseñado para su gorra de trabajo, que consiste en una serie de leds infrarrojos que las cámaras de vigilancia leen como un simple destello de luz. Con el objetivo de saber qué producto concreto debe coger, en que establecimiento se encuentra y a qué productor tiene que ser devuelto, se ha utilizado FollowPeppers, un geolocalizador incrustado en el producto, con el que podemos hacer un seguimiento de las coordenadas en tiempo real.Gómez Ortí, C. (2016). Robing Food. El plano vigilancia como herramienta narrativa. Universitat Politècnica de València. https://riunet.upv.es/handle/10251/77045TFG
Road to Jericho, Jordan, etc. Russian pilgrims robing themselves.
No full textTitle from: Catalogue of photographs & lantern slides ... [1936?].Caption on negative: Russian Pilgrims robing themselves on the banks of the Jordan.On negative sleeve: 12/91.Date from Matson LOT cards.Gift; Episcopal Home; 1978
Remarks on the Dedication of the Robing Room in Honor of Judge Robert Allen Grant
No full textToday, Notre Dame Law School honors one of its most beloved and successful sons by naming in his honor the robing room of the courtroom. Robing Room is really a misnomer for this chamber. It serves a variety of functions for the court, and it is no exaggeration to term it the epicenter of the court\u27s activity. If we take a few moments to review what judges do in this room and reflect on the significance of those activities in the American judicial tradition, it becomes readily apparent why it is particularly appropriate that this room be named in honor of Judge Grant
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Remarks on the Dedication of the Robing Room in Honor of Judge Robert Allen Grant
No full textToday, Notre Dame Law School honors one of its most beloved and successful sons by naming in his honor the robing room of the courtroom. Robing Room is really a misnomer for this chamber. It serves a variety of functions for the court, and it is no exaggeration to term it the epicenter of the court\u27s activity. If we take a few moments to review what judges do in this room and reflect on the significance of those activities in the American judicial tradition, it becomes readily apparent why it is particularly appropriate that this room be named in honor of Judge Grant
Commemoration Week 1985 - The Registrar Mr. F.J. O'Neill, Dr. George Mayo. Robing Room prior to conferring Dr. Mayo
No full textBlack & white photograph. On back of photograph: The Registrar: Mr. F. J. O'Neill, Dr. George Mayo. Robing Room. Commemoration Week 1985 prior to conferring of D. U. (Doctor of the University) on Dr. May
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
No full textWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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