1,721,271 research outputs found
Hemingway’s Robert Jordan: A Karma Yogi
Describes Robert Jordan of For Whom the Bell Tolls as a Karma Yogi due to his unflinching devotion to duty
HEROISM OF ROBERT JORDAN IN THE NOVEL FOR WHOM THE BELL TOLLS
Robert Jordan sang tokoh utama dalam novel For Whom the Bell Tolls karya Ernest Hemingway memunculkan kepahlawannya di dalam keberadaanya selama 70 jam di hutan pinus yang terletak pada suatu bukit, bersama-sama dengan para gerilya lokal berperang melawan kaum Fasis. Hemingway mengetengahkan kepahlawanan tersebut melaului tiga unsur utama yaitu plot, penokohan dan latar. Kesamaan tentang kepahlawanan Robert Jordan dalm setiap unsur tersebut menunjukkan adanya hubungan antara ketiga unsur tersebut. Usaha Robert Jordan untuk meledakkan sebuah jembatan yang sudah menjadi tugasnya
bukanlah pekerjaan yang mudah. Banyak rintangan yang harus dihadapi. Ternyata sang pahlawan dalam novel ini yaitu Robert Jordan berhasil mengatasinya melalui kepahlawannya
The Education of Robert Jordan
He meets the reader with an air of cool detachment, Robert Jordan, who is the central character in Ernest Hemingway' s novel, For Whom The Bell Tolls. Emotionally abandoned as a child, he has become a loner, a man who lives a life of self-imposed isolation, dependent upon no one except himself. He does not feel a sense of community with the rest of the world or a bond with humanity. If he should become involved with mankind, it follows, then, that he should become involved with himself, and accept his own vulnerability and need for relationships with others
Correspondence from Theresa Woodruff to Millicent and Robert Jordan, November 8, 1973
A thank-you note from Theresa Woodruff to Millicent and Robert Jordan. 2 pages
Correspondence from Hale Woodruff to Millicent and Robert Jordan, November 8, 1973
Correspondence from Hale Woodruff to Millicent and Robert Jordan regarding their African Art collection. 3 pages
Erich Fromm's theories and the transition to Robert Jordan in the social development of protagonists in Hemingway's novels
Ernest Hemingway's independent, free-spirited, pleasure-seeking characters in his early novels reflect many principles of secular existentialist freedom. However, his presentation of characters in his later fiction changes dramatically. The protagonist Robert Jordan in For Whom the Bell Tolls (1940) reflects a much more sacrificing, socially responsible orientation toward life, especially in regard to love and to commitment toward others. A more helpful way to understand the values represented by Robert Jordan would be to examine him, and to compare him systematically and thoroughly to other protagonists of other great novels by Hemingway, not only through the secular existentialist principles of Jean-Paul Sartre, but also through the theories of social development presented by social psychologist and psychoanalyst Erich Fromm and, to a lesser extent, by the Christian existentialist principles of Soren Kierkegaard. A deeper understanding of the transition of protagonists toward Jordan may help us to understand better the complexities of Hemingway, both as an author and as an individual
Correspondence from Hale and Theresa Woodruff to Millicent and Robert Jordan, June 28, 1973
Correspondence from Hale and Theresa Woodruff to Millicent and Robert Jordan regarding the receipt of a painting. 3 pages
Bulls and Bells: Their Toll on Robert Jordan
Treatise on the influence of the Spanish countryside and culture on For Whom the Bell Tolls, focusing on the inwardly conflicted and self-doubting hero, Robert Jordan. Broer traces Jordan’s evolving moral sense, identifying his inner struggles against killing as the novel’s moral center. Closes with a discussion of the debilitating effects of the violence of the corrida on Hemingway’s declining postwar morale
Don Roberto and His Gypsies: The Exaltation of Robert Jordan as a
This article tries to analyze the internal mechanisms by which Ernest Hemingway transforms the protagonist of his famous Spanish-war novel For Whom the Bell Tolls in the archetypical literary hero that Robert Jordan represents. My principal thesis consists in the opinion that this heroism has its origin in the difference of delineation that the author carries out upon the American combatant and the Spanish characters that surround him in the novel (by means of a latent contraposition of qualities and abilities from which the outsider will come out always as “better” for the reader). This analytical task will be carried out by approaching the different features (linguistic, physical and psychological) that Hemingway uses for the creation of his characters. Este artículo pretende desentrañar los mecanismos internos a través de los cuales Ernest Hemingway convierte al protagonista de su famosa novela sobre la guerra civil española, For Whom the Bell Tolls, en el arquetípico héroe literario que vendrá a encarnar Robert Jordan. Mi argumento principal es que este ensalzamiento heroico tiene su origen en la diferencia delineadora que el autor efectúa sobre el brigadista americano y los personajes españoles que pueblan la novela (a través de una latente contraposición de características y habilidades de la que siempre resultará favorecido el forastero). Esta tarea analítica se llevará a cabo a través del acercamiento a los diferentes rasgos (físicos, psicológicos y lingüísticos) de los que se sirve Hemingway para la creación y modelación de sus personajes
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