1,721,002 research outputs found
Notice sur un nouveau témoin de la Mélusine en prose de Jean d'Arras
Full text linkSignalation d'un nouveau fragment du roman de Jean d'Arras dans le ms. Londres, British Library, Cotton Otho D II
Perugi (Maurizio). Saint Alexis, genèse de sa légende et de la Vie française, révisions et nouvelles propositions, accompagnées d’une nouvelle édition critique de la Vie, 2014
No full textRobecchi Marco. Perugi (Maurizio). Saint Alexis, genèse de sa légende et de la Vie française, révisions et nouvelles propositions, accompagnées d’une nouvelle édition critique de la Vie, 2014. In: Revue belge de philologie et d'histoire, tome 95, fasc. 2, 2017. Histoire Médiévale, Moderne et Contemporaine – Middleleeuwse, Moderne en Hedendaagse Geschiedenis. pp. 461-472
"Le mantel mautaillé", edizione critica e commento a cura di Alberto Conte, Modena, Mucchi, 2013; 127 pp., ISBN 978-88-7000-617-9.
Full text linkRecensione positiva dell'edizione del racconto breve antico-francese "Le mantel mautaillé" di materia arturian
Un inedito glossario latino-bergamasco del trecento
No full textL'articolo offre lo studio e l'edizione critica del glossario latino-bergamasco conservato nel codice MAB 29 della Civica Biblioteca di Bergamo, composto tra gli anni '60 e '80 del Trecento come strumento scolastico di sostegno per l'apprendimento del latino, tra "grammatica" e "retorica"
Atti della Giornata di Studi Internazionale «Scripta e spazio». La rappresentazione geografica di dati linguistici medievali / «Scripta und Raum». Zur geographischen Darstellung mittelalterlicher Sprachdaten / «Scripta and space». On the geographical representation of medieval language data (Libera Università di Bolzano, 15–16 maggio 2023).
No full textcuratela alla sezione dedicata alla raccolta degli interventi delle giornate di studio Internazionale «Scripta e spazio». La rappresentazione geografica di dati linguistici medievali / «Scripta und Raum». Zur geographischen Darstellung mittelalterlicher Sprachdaten / «Scripta and space». On the geographical representation of medieval language data (Libera Università di Bolzano, 15–16 maggio 2023
Tracce, memorie, sintomi. Citazione tra filologia, letteratura e linguistica
No full textLa sezione monografica raccoglie contributi sulla citazione nella letteratura dall'antichità al Novecento, sui rapporti tra intertestualità, filologia e storia della cultura scritta, e sulla citazione patologica nel fenomeno dell'ecolali
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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