189,694 research outputs found
Poétique de la reconstruction : espace, objet et identité chez Alain Robbe-Grillet
No full textRésumé: Nous essaierons d’analyser la représentation de l’espace et des objets chez Alain Robbe-Grillet dans le cadre d’une problématique sur l’identité. Si le nouveau romancier rompt avec les modalités traditionnelles de représentation de l’univers romanesque, c’est qu’il joue sans cesse avec les signes qui permettent de déterminer l’identité des éléments du décor. Nous exposerons ainsi quelques tensions dialectiques par lesquelles l’auteur perçoit et conçoit l’espace et ses objets, afin de montrer que ses procédés relèvent d’une poétique de la reconstruction. Mots-clés: Alain Robbe-Grillet; poétique; espace; objet; identité.Abstract: We will try to analyze the space’s and the object’s representation in Alain Robbe-Grillet’s works as part of a problem about the identity. If the nouveau romancier breaks with the traditional representation forms of the novel’s universe, it’s because he plays constantly with the signs that enable to determine the identity of the décor’s elements. Thus, we will expose some dialectical tensions by which the author perceive and conceive the space and its objects, in order to show that his techniques constitute a poetics of the reconstruction. Keywords: Alain Robbe-Grillet; poetics; space; object; identity.</p
ALAIN ROBBE-GRILLET'NİN İLK ROMANLARINDAKİ KLASİK UNSURLAR
No full textALAIN ROBBE-GRILLET'NİN İLK ROMANLARINDAKİKLASİK UNSURLAR</p
Alain Robbe-Grillet. Les Sables mouvants du texte
No full textAlain Robbe-Grillet is often regarded as the leader of the French New Novel, a 20th century literary movement breaking with literary realism. A former scientist, Robbe-Grillet invents a new Real, where imagination, memories, fantasies and dreams are given a power somehow superior to that of tangible reality. The text becomes a laboratory, where the author performs experiments with language. Runs, a proliferating intertextuality and constant slidings in the text often mislead the reader. Moreover, and especially since the publishing of three pseudo-autobiographical books, Robbe-Grillet blurs the relation between the concepts of author, narrator and character, making it difficult to seize the Subject at work in an often ironical text. This text appears as a protective and self-defensive envelope of words, and recalls a motherly entity, a fantasy of self-engenderment.Nevertheless, self-defense underlies a feeling of guilt. According to Roland Barthes, writers, handling the mother-tongue, could be regarded as playing with the body of the mother, an activity that criticism often connects to what psycho-analysis calls an OEdipus complex.However controversial the psycho-analytical approach of literature may be, the Robbe-Grillet text invites and justifies such a reading. Sado-erotic fantasies, fetishism, clear allusions to Freudian or Lacanian themes reinforce the idea that psychoanalysis is one of the main threads in the Robbe-Grillet discourse. Meanwhile, many traps in the text tend to deconstruct psycho-analytical criticism. Robbe-Grillet claims he is conscious that he lives in what he calls a "post-freudian society" and denies psycho-analysis as an authority.One could consider psycho-analysis as religion, another target of the Robbe-Grillet text, patriarchal authorities defining a certain number of taboos, among them that of incest. Yet, the attacks against them can be understood as an ultimate attempt to destroy the father-image, and expose a genuine search for the lost paradise of the womb.Through an analysis of the relation to the Real, the function of intertextuality, guilt and the psychoanalytical discourse in Robbe-Grillet's works from Un régicide to Les Derniers Jours de Corinthe, this study tries to establish that the exposition of incest, even under cover of an implicit critique of psychoanalysis, is still a way to keep the fantasy alive; in other words, to go from the couch to the bed and not the opposite.</p
The new novel and phenomenology: ambiguity in robbe-grillet
No full textWhen one reads the theory of Alain Robbe-Grillet, particularly that expounded in Pour un Nouveau Roman, one becomes aware that the descriptions of man in the world are phenomenological. A similar discovery comes when one reads his novels, which he has called the New Novel. I have used as examples Le Voyeur, La Jalousie, and Dans le Labyrinthe. The phenomenology that becomes evident in the theory and the novels of Robbe-Grillet is that of Maurice Merleau-Ponty
Marguerite Duras and Alain Robbe-Grillet
No full textThis thesis examines the effects of Duras's and Robbe-Grillet's intertextual
relationship upon the development of their literary careers. Previous critics have
predominantly studied the two writers within the mutually exclusive discourses of
feminism and structuralism, with the result that the extensive areas of common ground
between them have been overlooked. In order to compare their works and to read
between the lines of existing criticism, a comparative and double-gendered approach,
termed 'reading in pairs', is adopted.
Chapter 1 provides the contextual framework for the paired readings of the
subsequent four chapters: it explores the main parallel shifts between Duras's and
Robbe-Grillet's corpuses, and examines how these betray the workings of a sustained,
permutating psychodynamic rivalry. Chapter 2 studies how similarities of practice in
works of the 1950s and early 1960s reflect a brief period of emulative alliance.
Chapter 3 focuses on the combative dynamics which characterize their intertextual
relationship during the 1970s and 1980s, following Duras's adoption by feminist
theorists. Comparison of Duras's and Robbe-Grillet's treatment of explicit sado-erotic
thematics brings into question some of the gender-related assumptions of previous
approaches. Chapters 4 and 5 then study the final stages of the two writers' rivalry
within the appropriately narcissistic genre of autobiography. They examine how
Duras's and Robbe-Grillet's respective portrayals of the self and of literary history are influenced by the reversal in fortunes brought about by the phenomenal success of
Duras's L'Amant.
By comparing Duras's and Robbe-Grillet's treatment of similar thematic and
generic elements, this study sheds new light on both writers' oeuvres and reassesses
many of the assumptions and findings of existing criticism. The Concluding Remarks
suggest that the 'reading in pairs' method might fruitfully be applied to the study of
other writers of the opposite sex, and thus contribute to a more rounded picture of
literary history.</p
Initiation à la morale laïque, C. Friry (Robbe, éditeur, Lille)
No full textInitiation à la morale laïque, C. Friry (Robbe, éditeur, Lille). In: La revue pédagogique, tome 82, Janvier-Juin 1923. p. 386
Le défi du nouveau roman
No full textResumo: Neste trabalho, trata-se de expor alguns aspectos essenciais da obra de Alain Robbe-Grillet como exemplo de abordagem da narrativa contemporânea. Tendo publicado recentemente três livros, o escritor francês atravessou o século XX deixando uma influência efetiva em toda uma geração marcada pelo nouveau roman. Desta forma, uma etapa importante da história da literatura francesa pode ser retraçada a partir do estudo de seus textos, cuja renovação das formas literárias é uma constante. Além disso, o autor se interessa por diversas categorias de imagens, permitindo abordar a relação entre escrita e outros sistemas semióticos como o cinema e a pintura.Palavras-chave: Literatura francesa; Alain Robbe-Grillet; semiótica; imagem; cinema; pintura.Résumé: Dans ce travail, il s’agira d’exposer quelques uns des aspects essentiels de l’oeuvre d’Alain Robbe-Grillet, comme un exemple d’approche possible du récit contemporain. Ayant récemment publié trois ouvrages, l’écrivain a traversé le XXème siècle en laissant une influence durable sur tourte une génération marquée par le nouveau roman. C’est ainsi qu’une étape importante de l’histoire de la littérature française peut être retracée à partir de l’étude des ses textes, dont le renouvellement de formes est une constante. En outre, l’auteur s’intéresse à différentes catégories d’images, ce qui permet d’envisager le rapport entre l’écriture et d’autres systèmes sémiotiques comme le cinéma et la peinture.Mots-clés: Littérature française; Alain Robbe-Grillet; sémiotique; image; cinéma; peinture.Keywords: French literature; Alain Robbe-Grillet; semiotics; image; cinema; peinture.</p
Initiation à la morale laïque, C. Friry (Robbe, éditeur, Lille)
No full textInitiation à la morale laïque, C. Friry (Robbe, éditeur, Lille). In: La revue pédagogique, tome 82, Janvier-Juin 1923. p. 386
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
- …
