1,721,013 research outputs found

    On the use of LPWAN for EVehicle to grid communication

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    The expected diffusion of EVehicles (EVs) to limit the impact of fossil fuel on mobility is going to cause severe issues to the management of electric grid. A large number of charging stations is going to be installed on the power grid to support EVs. Each of the charging station could require more than 100 kW from the grid. The grid consumption is unpredictable and it depends from the need of EVs in the neighborhood. The impact of the EV on the power grid can be limited by the proper exploitation of Vehicle to Grid communication (V2G). The advent of Low Power Wide Area Network (LPWAN) promoted by Internet Of Things applications offers new opportunity for wireless communications. In this work, an example of such a technology (the LoRaWAN solution) is tested in a real-world scenario as a candidate for EV to grid communications. The experimental results highlight as LoRaWAN technology can be used to cover an area with a radius under 2 km, in an urban environment. At this distance, the Received Signal Strength Indicator (RSSI) is about -117 dBm. Such a result demonstrates the feasibility of the proposed approach.</p

    Using LoRa for industrial wireless networks

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    The new concept of Industry 4.0 has been developed: it includes both Internet of Things (IoT) structure and the local networks that are still needed to carry out real-time tasks. However, forecasts of mass application of consumer IoT system have stimulated the development of new wireless technologies that may also be interesting for industry. In this paper, the LoRa technology is investigated for the implementation of industrial wireless networks suitable for sensors and actuators of the Industry 4.0 era. After a brief overview of LoRa and LoRaWAN, the paper deals with the discussion about using LoRa for industrial applications compared to traditional industrial wireless systems. With only very light modifications to the upper layer of LoRaWAN communication stack, a time slot channel hopping schema is possible. The experimental results show the feasibility of the proposed approach, which is compatible with requirements of soft real-time applications in process industry. In particular, proper time, frequency, and spreading factor planning may allow 6000 nodes accessed up to one minute cycle time.</p

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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