1,672 research outputs found
'To Save Them from the Dangers to their Faith’: Documenting Student Life at Catholic Women's Colleges
No full textThis article focuses on student life at Catholic women's colleges in the United States during the 20th century. These colleges helped acculturate many daughters of immigrants to middle-class American society, at the same time creating a specifically female and Catholic culture on college campuses. This evolving culture, which was characterized by the ideals of femininity, religion, and service, can be reconstructed through documentation from the college archives.Peer reviewe
‘A Well-Balanced Education’: Catholic Women’s Colleges in New Jersey, 1900-1970
No full textBy examining Catholic women's colleges in New Jersey during the period 1900-1970, this paper illustrates the complexity of developing a typology of Catholic women's colleges in the United States. The first Catholic women's college in New Jersey, College of Saint Elizabeth was established in 1899 by the Sisters of Charity; followed by Mount St. Mary's, later known as Georgian Court College, in 1908; Caldwell College in 1939; and Felician, originally a junior college, in 1967. Earlier typologies of Catholic women's colleges have divided them into elite liberal arts institutions and local, vocationally-oriented colleges which served the working and lower-middle-class daughters of immigrants. Using college catalogs and yearbooks from the four New Jersey colleges, this study compiles data on curriculum, the education of faculty, college costs, and student origins, and compares it to similar data from two elite colleges, Trinity in Washington, D.C. and Manhattanville in Purchase, New York. In spite of some pressure to offer vocational courses and the challenge of giving women religious faculty members the opportunity to pursue doctoral degrees, during this period New Jersey's Catholic women's colleges provided a Catholic liberal arts education for white middle-class women not unlike that offered at better known and more prestigious colleges. Only after 1970 did social and demographic changes begin to have an impact on the curriculum and student population of this sector of Catholic higher education.Peer reviewe
Gone and Forgotten? New Jersey's Catholic Junior Colleges
No full textIn the late 1960s, New Jersey had eleven seemingly-thriving Catholic junior colleges; by the mid-1970s, all but one of these colleges had closed. This article analyzes why these institutions appeared and disappeared so quickly, and explores what contribution they made to Catholic higher education. While private junior colleges declined throughout the U.S. during this period, in some respects the situation of New Jersey was unique. Research suggests that the greatest contribution these short-lived institutions made was to the education of women religious.Peer reviewe
Vanished Worlds: Searching for the Records of Closed Catholic Women’s Colleges
No full textThis article presents the results of a survey of the archives of 36 Roman Catholic women's colleges that have closed or merged with other institutions since 1967. The majority of these archives are held by the women's religious communities that originally sponsored the colleges, although about one third are held by universities. These archives are rich resources on the history of women, education, religion, and culture that to some degree have been neglected by scholars who have focused on the history of colleges that are still open. As well as suggesting avenues for future research, this article contributes to the literature on how archives can cope with the voluminous records of twentieth-century institutions, and to emerging scholarship on the relationship of archives and memory. The survey upon which it is based revealed certain limitations on preservation, access, and use of these archives, so the article concludes with recommendations on how to make them more visible.Peer reviewe
Women Academics in England, 1870-1930
No full textBased on the author's dissertation, this article traces the development of the academic profession for women in England in the late 19th and early 20th centuries, focusing on women at Oxford, Cambridge and London universities. Unlike in the United States, where women's role in higher education expanded and then retracted during this period, British women slowly and steadily made inroads into this male-dominated profession.Peer reviewe
Catholic Women’s Colleges in the United States: An Archival, Bibliographic and Historical Survey
No full textBrief history of Catholic women's colleges in the United States and bibliographic essay on published and archival sources
A dança magnífica de Fernanda Botelho
No full textFernanda Botelho publicou em Gritos da Minha Dança uma série de textos inéditos de variada tipologia. Não se trata, no entanto, de uma colectânea informe, porque, rendibilizando, de forma magnífica, os processos de fragmentação textual, a escritora alcança uma totalidade pulverizada, em perfeita harmonia com a experiência humana que subjaz ao livro.In Gritos da Minha Dança, Fernanda Botelho has gathered a collection of unpublished texts pertaining to distinct literary genres. We are not dealing, however, with an
unstructured collection since, by masterfully taking advantage of procedures
encompassed in textual fragmentation, the author attains a scattered wholeness in tune
with the human experience imbedded in the book.publishe
A 3D electromagnetic model of the iron core in JET
No full textThe Magnet and Power Supplies system in JET includes a ferromagnetic core able to increase the transformer effect by improving the magnetic coupling with the plasma. The iron configuration is based on an inner cylindrical core and eight returning limbs; the ferromagnetic circuit is designed in such a way that the inner column saturates during standard operations [1]. The modelling of the magnetic circuit is a critical issue because of its impact on several applications, including equilibrium and reconstruction analysis required for control applications. The most used model in present applications is based on Equivalent Currents (ECs) placed on the iron boundary together with additional specific constraints, in a 2D axisymmetric frame. The (circular) ECs are chosen, by using the available magnetic measurements, to best represent the magnetic polarization effect [1]. Due to the axisymmetric assumption such approach is not well suited to deal with significant 3D effects, e.g. arising in operations with Error Field Correction Coils (EFCC). In this paper a new methodology is proposed, based on a set of 3D-shaped ECs and able to better model the actual 3D magnetization giving rise to a linear system to be solved. According to a well assessed approach [2], the 3D shape of ECs is represented by a set of elementary sources. The methodology has been successfully validated in a number of JET dry-run experiments where 3D effects are generated by EFCC currents. The new procedure has been designed to be easily coupled with equilibrium or reconstruction codes such as EFIT/V3FIT. The proposed model resulted to be very effective in representing 3D iron magnetization, especially if compared with typical 2D models. © 2017 The Author
Female portraits in Fernanda Botelho’s fictional cycle: narratives voices and melancholy atmosphere
No full textFernanda Botelho (1926–2007) é autora de uma obra ficcional marcada pela originalidade em vários aspectos, que se estende por cerca de meio século, embora se conta entre as escritores contemporâneas injustamente esquecidas. No ciclo ficcional de Fernanda Botelho da década de 1990, dotado de afinidades diversas – Festa em Casa de Flores (1990), Dramaticamente vestida de negro (1994) e As Contadoras de histórias (1998) –, a escritora detém-se na análise de significativa galeria de figuras femininas e em algumas das questões envolventes, num quotidiano dominado por uma banalidade inquietante: ponto de vista e consciência crítica; psicologia e identidade; relações interpessoais e condição social; sentimentos de angústia e papel da memória; ambiguidade e inconformismo ético-social; manifestações de humor e de ironia.Fernanda Botelho (1926–2007) is the author of a fictional work marked by originality in many respects, which spans about half a century, although it is among the unjustly forgotten contemporary writers. In Fernanda Botelho’s fictional cycle of the 1990s, endowed with different affinities – Festa em Casa de Flores (1990), Dramaticamente vestida de negro (1994) and As Contadoras de histórias (1998) –, the writer focuses on the analysis of significant gallery of female figures and some of the surrounding issues, in a daily life dominated by a disturbing banality: point of view and critical awareness; psychology and identity; interpersonal relationships and social condition; feelings of anguish and role of memory; ambiguity and ethical-social non-conformism; manifestations of humor and irony.info:eu-repo/semantics/publishedVersio
Improving the performance of the JET Shape Controller
No full textThe JET Shape Controller (SC) uses nine distinct circuits, powering the JET poloidal field coils, to control in real time the coil currents, and the plasma shape, current and position. The control scheme presently used [1] is based on a Multiple Input Multiple Output (MIMO) controller, which is designed to decouple the inductive coupling of the different coils. Achieving such a decoupling, the SC allows the user to tune independently the time response of each circuit. As a matter of fact the intended decoupling algorithm has been incorrectly coded in the JET SC system. This paper describes the modelling and experimental activities performed to correct the code error, and to improve the performance on a subset of the controlled parameters. (C) 2015 Elsevier B.V. All rights reserved
- …
