10,026 research outputs found
Pre-open access data sharing
Presented by Rodrigo Sara, from the CGIAR System Management Office at the 5th Webinar held by the CGIAR Gender and Agriculture Research Network on September 29, 2016
Trasladar la realidad en las aulas
Puigdoménech I Cuixeres, Sara; director de proyecto: Sánchez Rico, Ana2021-2022Curso de Formación Pedagógica y Didáctica para Profesorado de Formación Profesional y DeportivaFacultad de Estudios Sociales y Lenguas Aplicada
"Los últimos treinta años, 1898-1930": un manuscrito inédito de Frank Tannenbaum sobre Puerto Rico
The existence of an unpublished manuscript by Frank Tannenbaum on Puerto Rico is of great importance to scholars of the Caribbean and Latin America. At the time of his collaboration with Clark, Tannenbaum was already a renowned Mexicanist with openly “progressive” sympathies. In later years, his contributions to the study of Latin America and the Caribbean would grow significantly, making him the leading Latin Americanist in the United States during the 1940s and 50s. It can be speculated that the manuscript is a very advanced draft by Tannenbaum intended for inclusion in the controversial Brookings Institution report. We can also understand why the manuscript was not to Clark\u27s and the Brookings Institution\u27s liking, given that its analysis does not align with the cautious, official, and uncritical tone of the published version of Porto Rico and Its Problems. The manuscript was found among Frank Tannenbaum\u27s private papers, which are housed in the Rare Book and Manuscript Section of Columbia University in New York City. The manuscript is included. The translation of this document was carried out by Professor Sara Irizarry, Director of the Translation Program, Faculty of Humanities, Río Piedras Campus. Mr. Stanley Portela conducted the research for the translation.La existencia de un manuscrito inédito de Frank Tannenbaum sobre Puerto Rico es de gran importancia para los estudiosos del Caribe y América Latina. Al momento de colaborar con Clark, Tannenbaum era ya un reconocido mexicanista de simpatías abiertamente "progresistas". En años posteriores sus aportaciones al estudio de América Latina y el Caribe crecerían significativamente hasta convertirse en las décadas del 40 y el 50 en el principal latinoamericanista de los Estados Unidos. Se puede especular que el manuscrito es un borrador muy adelantado de Tannenbaum para ser incluido en el polémico informe del Brookings Institution. Podemos entender también que el manuscrito no fuera del agrado de Clark y del Brookings Institution por el hecho de que su análisis no armoniza con el tono cauteloso, oficialesco y acrítico de la versión publicada de Porto Rico and Its Problems. El manuscrito fue encontrado en los papeles privados de Frank Tannenbaum que están depositados en la Sección de Manuscritos y Libros Raros de la Universidad de Columbia en la ciudad de Nueva York. Se incluye el manuscrito. La traducción de este documento estuvo a cargo de la profesora Sara Irizarry, directora del Programa de Traducción, Facultad de Humanidades, Recinto de Río Piedras. El señor Stanley Portela llevó a cabo la investigación para la misma
'La historia no la leemos, la releemos siempre’: fuga dall’archivio in Rodrigo Rey Rosa e Horacio Castellanos Moya
L’intervento vuole proporsi come punto di partenza per la definizione del rapporto tra archivio e storia nella letteratura centroamericana contemporanea analizzando due romanzi: El material humano di Rodrigo Rey Rosa e Insensatez di Horacio Castellanos Moya
Sara Facio antológica
“La fotografía tiene la particularidad de ser, al mismo tiempo, un medio de registro de la realidad y una herramienta para la expresión personal. En la obra de Sara Facio se conjugan ambas facetas”, escribió Rodrigo Alonso en el catálogo de la muestra Sara Facio, Antológica, expuesta en la ciudad de La Plata en el espacio Arte de la Fundación OSDE.Facultad de Periodismo y Comunicación Socia
A Floating Question Mark: An Interview with Sara Hawys Roberts, Author of Withdrawn Traces: Searching For The Truth About Richey Manic
An interview with Sara Hawys Roberts, co-author of 'Withdrawn Traces: Searching For The Truth About Richey Manic' about the researching and writing of this much-anticipated book about the missing Manic Street Preacher.</p
A Floating Question Mark: An Interview with Sara Hawys Roberts, Author of Withdrawn Traces: Searching For The Truth About Richey Manic
An interview with Sara Hawys Roberts, co-author of 'Withdrawn Traces: Searching For The Truth About Richey Manic' about the researching and writing of this much-anticipated book about the missing Manic Street Preacher.</p
Sara Gossett Crigler Collection - Accession 614
The Sara Gossett Crigler Collection consists of a microfiche copy of her book titled, Education For Girls And Women In Upper South Carolina Prior to 1890 with Related Miscellaneous Articles: A Compilation by Mrs. Henry Towles Crigler (Sara Gossett Crigler), self-published in Greenville, SC on April 15, 1956. This book also includes many anecdotes and reminiscences of Sara’ family including a section devoted to the slaves owned and later freed after the Civil War by her family. The book is dedicated by the author, Sara Gossett Crigler (1886-1966), to her mother Sallie Brown Gossett (1859-1942) and her aunt Mary Brown Mahon (1861-1948) who were both graduates of Williamston Female College in 1877 and 1879 respectively. The 170 page volume would be useful to anyone doing research on the education of women in South Carolina during the 19th century. The original copy is housed at the South Carolina Historical Society as SCHS 509 and was dedicated and signed by the author, “For the Charleston Library Society” on July 10, 1964.
*Please see attached Table of Contentshttps://digitalcommons.winthrop.edu/manuscriptcollection_findingaids/1527/thumbnail.jp
Materia-autore = Author-Matter
The etymology of the word author refers to an act of creation, an act of augmentation, from the Latin verb augere. Author instantiates creation, the expansion of the pre-existing. In 1967 Roland Barthes declared the death of the author in his famous essay to state once more that the crisis is that of the author as a single subjectivity and as a term that condenses prestige, undermined by the de-subjectivation strategies of automatism, fortuity and fragmentation of the historical avant-gardes, as well as by the machinic act and by the reproducibility of the second avant-gardes.
Fifty years after Barthes’ paradigmatic formula, this lack of authorship appears to be a successful brand. The ten- sions between the anomie of matter, the law that establishes authorship and the economy that makes the work pos- sible, invoke discordant perspectives. Artists make the self-destruction of their work the real work, and appeal is made for the demolition of architectures, whether by a recognised author or not, in order to re-design, or better still, re-claim the territory. Artificial intelligence consolidates its logics and its design by progressively shedding human ingenuity. The space of criticism becomes, finally, increasingly ephemeral. However, there is an acceptation of criti- cism that is, rather than an individual ‘signature’, an exploration and explanation of how design makes theory.
The binomial author-matter seeks to mark these tensions and contradictions: the featured term author is main- tained to underline the persistence of that prestigious subjectivity, at the very moment when the rhetoric of “mat- ter as an author” promises other forms of authorship
Sara Winthrop Smith letter to Frances Casement, August 14, 1887
Letter written to Frances Casement from Sara Winthrop Smith of Cincinnati, Ohio, August 14, 1887. Winthrop expresses the challenges of generating support for the suffrage movement among the conservative residents of her city, and encourages the creation of clear materials that make the argument for women's suffrage to be more widely distributed.
This item comes from the Frances Jennings Casement Papers, a manuscript collection comprised of letters and association records related to the founding and leadership of the Ohio Woman Suffrage Association. Casement (1840-1928) was born in Painesville, Ohio, and graduated from Painesville Academy and Willoughby Female Seminary. Her father, Charles Casement, supported abolition and women's suffrage and encouraged Frances to be active in social causes. Frances Casement established the Painesville Equal Rights Association in 1883, and shortly after became involved in the Ohio Woman Suffrage Association, serving as its president from 1885 to 1888
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