1,720,985 research outputs found
Rice, "Gitz"
No full textOne man wearing army uniform with cap, overcoat, long leather boots and cane, standing; full pose. Signed in the upper left-hand corner: "Affectionately Gitz"
All my life is empty, since I went away
No full textFor medium voice and piano.Caption title.Cover illustration: Inset photo of mustachioed Gitz Rice in uniform, standing with cane."Sung by Mr. John McCormack at all his engagements"--Cover."Yours truly, Gitz Rice, Lieut., 1st Canadians"--Cover.Archived web conten
We Stopped Them at the Marne
No full textFirst Line: A khaki lad had just returned from fighting 'cross the seaFirst Line of Chorus: We stopped them at the Marne, we beat them on the AisneKey: B Flat Majo
Dear Old Pal of Mine
Get PDF[Verse 1] All my life is empty, Since I went away, Skies don’t seem to be so clear, May some angel sentry, Guard you while I stray, And fate be kind to join us some sweet day.
[Refrain] Oh, How I want you, Dear old pal of mine, Each night and day I pray you’re always mine. Sweetheart may God bless you, Angel hands caress you, While sweet dreams rest you, Dear old pal of mine.
[Verse 2] Dearie I’m so lonely,How I miss your smile, And your tender loving way, I just want you only, Want you all the while May God decree I have you back some day.
[Refrain
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Dear Old Pal of Mine
No full textFirst Line: All my life is empty, since you went awayFirst Line of Chorus: O how I miss you, dear old pal of mineKey: B Flat Majo
I Want to Go Home
No full textFirst Line: When first I joined the ArmyFirst Line of Chorus: I want to go home, I want to go homeKey: C Majo
Keep Your Head Down "Fritzie Boy"
No full textFirst Line: Over in the trenches, up to their eyes in clayFirst Line of Chorus: Keep your head down, Fritzie BoyKey: F Majo
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