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IMPLIKATUR BAHASA JAWA DALAM KETOPRAK LAWAK DEPOT SENI KIRUN (Suatu Kajian Pragmatik)
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ABSTRACT
Pitri Retnowati. C0109030. 2013. Implikatur Bahasa Jawa dalam Ketoprak
Lawak Depot Seni Kirun (Suatu Kajian Pragmatik). Thesis: Javanese Literature
Department. Faculty of Letters and Fine Art. Sebelas Maret University of
Surakarta.
The problem examined in this research were: (1) how is the deviations
cooperation principle and politeness principle in comedy ketoprak depot seni
Kirun?; (2) how is inference implicature in comedy ketoprak depot seni Kirun?;
and (3) how is aims implicature in comedy ketoprak depot seni Kirun?. This
research aims to: (1) describes a form of deviations cooperation principle and
politeness principle in comedy ketoprak depot seni Kirun; (2) describes inference
implicature in comedy ketoprak depot seni Kirun; and (3) describes intens
implicature in comedy ketoprak depot seni Kirun.
This type of research is a descriptive qualitative. Source of research data
come from data oral data is data in the form of words, phrases, clauses, sentences
and others contained in the dialogue between the comedian with each other in
ketoprak lawak depot seni Kirun. Sources of data in this research from two VCD
staging ketoprak lawak depot seni Kirun the title of Kirun Edan Bagio dadi Ratu
dan Joko Kendil. Population of this study overall form of the speech on tape
staging Javanese ketoprak to play Joko Kendil dan Kirun Edan Bagio dadi Ratu.
Sampling in this research utterances containing forms deviations cooperation
principle and politeness principle, inference implicatur, and aims implicature in
this tape staging ketoprak lawak the title of Joko Kendil dan Kirun Edan Bagio
dadi Ratu. Method collection data use to analyze the data is the observe method
essentially using the technique of tapping techniques. Techniques of engineering
subsequent note. Analyze in this study using contextual method and matching
method.
Result of data analysis it can be concluded that: (1) found deviations of
four cooperative principle and six deviations of politeness principle. Four
deviatons there is deviations maxim of quality, quantity, relevance, and manner.
Deviationts of politeness principle there is deviations tax maxim, approbation,
generosty, modesty, agreement, and simphaty; (2) inference implicature in
ketoprak lawak depot seni Kirun made by listeners in order to gain an
understanding of the true meaning intended speakers in the conversation flow
related but less obvious relationship; (3) intens implicature in this comedy
ketoprak depot seni Kirun has eight implicature intens, there is satirize, ridicule,
namely of notyfi, suggest, speculation, complaining, refused, and promised.
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xviii
ABSTRAK
Pitri Retnowati. C0109030. 2013. Implikatur Bahasa Jawa dalam Ketoprak
Lawak Depot Seni Kirun (Suatu Kajian Pragmatik). Skripsi: Jurusan Sastra
Daerah Fakultas Sastra dan Seni Rupa Universitas Sebelas Maret Surakarta.
Permasalah yang diteliti dalam penelitian ini adalah: (1) bagaimanakah
bentuk penyimpangan prinsip kerja sama dan kesopanan dalam ketoprak lawak
depot seni Kirun?; (2) bagaimanakah inferensi implikatur dalam ketoprak lawak
depot seni Kirun?; dan (3) bagaimanakah maksud implikatur dalam ketoprak
lawak depot seni Kirun? Tujuan penelitian ini adalah: (1) mendeskripsikan bentuk
penyimpangan prinsip kerja sama dan kesopanan dalam ketoprak lawak depot seni
Kirun; (2) menjelaskan inferensi implikatur dalam ketoprak lawak depot seni
Kirun; dan (3) menjelaskan maksud implikatur dalam ketoprak lawak depot seni
Kirun.
Jenis penelitian ini adalah deskriptif kualitatif. Penelitian ini menggunakan
data lisan yaitu data yang berupa kata, frasa, klausa, kalimat dan lain-lain yang
terdapat dalam dialog antara pelawak yang satu dengan yang lainnya di dalam
ketoprak lawak depot seni Kirun. Sumber data dalam penelitian ini adalah dua
VCD pementasan ketoprak lawak depot seni Kirun dengan Judul Kirun Edan
Bagio dadi Ratu dan Joko Kendil. Populasi dalam penelitian ini adalah
keseluruhan wujud tuturan bahasa Jawa dalam rekaman pementasan ketoprak
dengan Judul Joko Kendil dan Kirun Edan Bagio dadi Ratu. Sampel data
penelitian ini adalah tuturan yang mengandung bentuk penyimpangan prinsip
kerja sama dan kesopanan, inferensi implikatur, dan maksud implikatur yang
terdapat dalam rekaman pementasan ketoprak lawak dengan Judul Joko Kendil
dan Kirun Edan Bagio dadi Ratu. Metode pengumpulan data yang digunakan
adalah metode simak. Teknik dasar yang dipakai ialah teknik sadap, sedangkan
teknik lanjutan yang digunakan adalah teknik catat. Analisisnya menggunakan
metode kontekstual dan metode padan.
Hasil analisis data dapat disimpulkan sebagai berikut: (1) terdapat empat
macam penyimpangan prinsip kerjasama dan enam macam penyimpangan prinsip
kesopanan. Empat macam penyimpangan prinsip kerja yaitu penyimpangan
maksim kuantitas, kualitas, relevansi, dan pelaksanaan. Penyimpangan prinsip
kesopanan yaitu penyimpangan maksim kebijaksanaan, penerimaan, kemurahan,
kerendahan hati, kecocokan, dan kesimpatian; (2) inferensi implikatur dalam
ketoprak lawak depot seni Kirun dibuat oleh pendengar agar mendapat
pemahaman terhadap makna sebenarnya yang dimaksudkan penutur dalam alur
percakapan yang terkait tetapi kurang jelas hubungannya; (3) maksud implikatur
yang terkandung dalam ketoprak lawak depot seni Kirun sebanyak delapan jenis
maksud implikatur. Maksud implikatur itu meliputi menyindir, mengejek,
memberitahu, menyarankan, berspekulasi, mengeluh, menolak, dan berjanji
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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