1,720,964 research outputs found
Realizzazione di un impianto di energia da fonti rinnovabili: profili plurimi al vaglio del Consiglio di Stato (nota a Consiglio di Stato, Sez. V, 2 settembre 2013, n. 4340)
No full textCarenze tecnico-progettuali impedienti la realizzazione di impianto per la produzione di energia elettrica da fonti rinnovabili(nota a T.A.R. Puglia - Bari, Sez. I, 4-7-2013, n. 1094)
No full textLogica e dinamica della sussidiarietà orizzontale. Spunti da un recente volume
No full textRecensione della monografia di Giuseppe Vecchio, intitolata Le istituzioni della sussidiarietà. Oltre la distinzione tra pubblico e privato (Napoli, Edizioni Scientifiche Italiane, 2022
Una conferma del principio di non aggravamento (Nota a Consiglio di Stato, Sez. V, 12-11-2013, n. 5417)
No full text
Autonomia d'impresa e garanzie personali
Full text linkPersonal guarantees represent an essential moment of entreprise baragaining power.
In the last years, italian legal system has known the importance of personal security bond and general guarantee. These contracts have caused a fundamental break with the rules of Civil Code about i) the traditional surety agreement, ii) consideration of contract; iii) object of contract.
The approach wich has been chosen in the study of these problems underlines the specific features of entreprise private autonomy that must bu distinguished from the classic and theoretical individual private autonomy.
The rules governing the theory of entreprise private autonomy could be found in Article 41 of the italian Constitution; in the Civil Code special provisions about the role of entreprise as contractor; in the lex mercatoria and global transaction rules.
The topic of new forms of personal securities needs to be tackled on a comparative analysis. In this field is essential looking at international regulatory solutions of Uncitral, Icc, and Dcfr. Furthermore, french legal standards can facilitate a more datailed study on the relationship between entreprise, personal securities and credit protection
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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