135,734 research outputs found
"Seamstress I" Raphael Soyer, b/w drawing
No full textThis object was photographed and inventoried during summer 2017 by Jane Esklidsen '19 and Reagan Alley '18. It was uploaded to DLynx during fall 2018. Please note that the date issued field refers to the date of the digital object's creation. The temporal coverage field contains date information for the actual physical object, when known.This drawing depicts a woman leaning against a manniquin. There is a desk in the background which has a lamp and sewing machine sitting on top. There is a light colored dress in the sewing machine. The woman has dark hair and a stern face. She is wearing a white collared shirt and a long dark skirt which reaches her ankles. She is wearing dark shoes. Her hair is in a pony tail. At the bottom left of the image it reads "218/300." On the bottom right is the artist's signature, Raphael Soyer. The frame is thin and black and sits on a white canvas mat. The back has a white rectangular sticker on the top which says "Raphael Soyer / Seamstress I (b/w) / ACCN #1997. 1.30" On the wire there is rectangular white note which reads "26 1/2 X 30 1/4 West / 50-21 1/26 / Rhodes College Plglass". At the bottom center of the back of the frame there is a brown sticker which reads "R & W GALLERY, INC.
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Multispectral Imaging Gives New Insights on aOld Controversy on the Authenticity of a Raphael Painting
No full textThe debate on the authenticity of the "Madonna della Palma" (Madonna of the palm tree), an oil of
panel attributed to Raphael, whose attribution has been the subject of several discussion in recent
decades, has been based not only on stylistic and historical considerations, but also on the botanical
nature of the tree depicted by the artist in his painting
Dispelling the Myths Behind First-author Citation Counts
No full textWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Raphael\u27s multiples in the Cambridge companion to Raphael
No full textRaphael is a rare painter who was never out of fashion. This book addresses some of the interests of recent scholarship, which has changed the focus from concern with attribution and definition of Raphael\u27s style and the classic style of the High Renaissance to more practical matters. Investigation of the intellectual and cultural history of sixteenth century Rome and Florence in the past generation have made it possible to put Raphael in the context of his patrons and his other contemporaries. Raphael managed what was no doubt the largest workshop to date and it provided the model for many artists who followed him. This leads us to an understanding of the privileging of invention over execution that takes place increasingly in the sixteenth century. Raphael became the model for artists, beginning soon after his death and continuing after the collapse of the academic tradition in the late nineteenth century. This reverence is studied in the final section of this book, including an essay that traces changing tastes in restoring his paintings
Ralph B. Raphael Bible and science manuscripts
No full textContains (1) manuscript copy, in the author's hand, of his "Bible and Science, harmonizing Scripture with modern science," (2) a second copy, by his daughter, with the Hebrew quotations omitted, and (3) the author's manuscript notes for the book. The manuscripts contain material only for Genesis and ExodusGift of the author's daughter, Mrs. Benjamin Lencher, of Pittsburg
"How like an Angel": Self-Fashioning in Pico della Mirandola and Raphael
No full textThe projected image of the philosopher Pico della Mirandola and the painter Raphael share a common trait: both were seen by contemporaries as angels. The role Pico and Raphael themselves played in the establishment of this assimilation is discussed, as is the theological and intellectual background of the function of angels in this period. Especially the latter is shown to make a biographical interpretation of angelic connotations in both figures such as presented by Vasari (Raphael) or Gianfrancesco Pico (Pico) extremely hazardous. Rather, elements of self-fashioning merge with theological and philosophical trends in the creation of the angelic image
Macles de blende et de panabase de Saint-Étienne de Baïgorry (B.-P.)
No full textCandel-Vila Raphael. Macles de blende et de panabase de Saint-Étienne de Baïgorry (B.-P.). In: Bulletin de la Société française de Minéralogie, volume 66, 1-6, 1943. Bulletin dédié à Alfred Lacroix à l'occasion de son quatre-vingtième anniversaire. pp. 71-78
Pragmatic Case Studies as a Source of Unity in Applied Psychology
No full textTo unify or not to unify applied psychology: that is the question. In this article we review pendulum swings in the historical efforts to answer this question—from a comprehensive, positivist, “top-down,” deductive yes between the 1930s and the early 60s, to a postmodern no since then. A rationale and proposal for a limited, “bottom-up,” inductive yes in applied psychology is then presented, employing a case-based paradigm that integrates both positivist and postmodern themes and components. This paradigm is labeled “pragmatic psychology” and, its specific use of case studies, the “Pragmatic Case Study Method” (“PCS Method”). We call for the creation of peer-reviewed journal-databases of pragmatic case studies as a foundational source of unifying applied knowledge in our discipline. As one example, the potential of the PCS Method for unifying different angles of theoretical regard is illustrated in an area of applied psychology, psychotherapy, via the case of Mrs. B. The article then turns to the broader historical and epistemological arguments for the unifying nature of the PCS Method in both applied and basic psychology.Peer reviewe
uprolls2021-b
No full textThis deposit serves as a long-term archive for the unprocessed raw data behind the uprolls2021 table in my comprehensive dataset on religion and politics in India, which is available at https://github.com/raphael-susewind/india-religion-politics/tree/master/uprolls202
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