34,341 research outputs found
DANIEL SEDGWICK Composer MASTER'S RECITAL Saturday, February 26, 2005 4:00 p.m., Room 1133 Alice Pratt Brown Hall
No full textPlaylist: Dance Derailed / Daniel Sedgwick -- Bird Moon Raccoon: Wait Till the Moon is Full / Daniel Sedgwick -- Four Fragments for Bassoon Quartet / Daniel Sedgwick -- Dan's Dots / Daniel Sedgwick -- Bird Moon Raccoon: The Dead Bird / Daniel Sedgwick -- Dan's Pots / Daniel Sedgwick -- Indiscriminate Music for Bassoon Quartet / Daniel Sedgwick -- Bird Moon Raccoon: Goodnight Moon / Daniel Sedgwick.This recital is given in partial fulfillment of the requirements for Master of Music degree
Sketch of the lives of Daniel and Rachel Smith Robison
No full textTypescript of a sketch biography about Daniel and Rachel (Smith) Robison, written by their daughter, Lucy (Robison) Turner. The Robisons, natives of Pennsylvania, came to Utah in 1860 and settled in Morgan County. Typed by Ireta Anderson of Morgan, November 18, 193
Report on Meteorological Research March 1, 1935 (m-1)
No full textThe object of the report was to elucidate in detail the various features of the research program in meteorology being carried on at the Daniel Guggenheim Airship Institute in Akron, Ohio. Mr. L. J. Fangman, of the U.S. Weather Bureau, was collaborating with the author in carrying out work such as a study of autographic records of the various meteorological elements during frontal passages with a view to the possible prediction of the intensity of the accompanying disturbance as it may affect the operation of aircraft and a study of atmospheric gustiness with a view to finding the dependence between frequency end amplitude of velocity fluctuations and the vertical temperature and velocity gradients
Memorial de Maria Moura em dupla poética de olhar: do romance de Rachel de Queiroz à minissérie de televisão
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-Graduação em Literatura.O referido estudo tem como objeto uma manifestação particular de intertextualidade que se faz pela transposição de um sistema de linguagem característico da expressão literária, um romance, para outro característico da expressão televisual, uma minissérie de televisão. Assim, o corpus da pesquisa e das leituras procedidas configura duas matérias de substancial diferença: uma é produto de uma arte que se utiliza da palavra, e a outra, de imagens e sons. Para perfazer esse corpus, a dissertação em foco procede a um duplo olhar sobre a narrativa de Memorial de Maria Moura, o romance e sua adaptação para a televisão, revestindo de três faces o objeto de estudo: o texto original, de Rachel de Queiroz; o roteiro de adaptação, de Jorge Furtado e Carlos Gerbase; e a produção televisual, da Rede Globo de Televisão, em recorte da performance da personagem Maria Moura. Configura-se dessa forma uma dupla vertente de leitura que aborda, primeiro, o processo de adaptação do romance ao roteiro e, depois, o recorte da construção da personagem no romance e na minissérie. Como etapas da tarefa de cumprir esse objetivo geral, o estudo assume na qualidade de objetivos complementares a leitura do romance e sua contextualização, em relação aos demais romances da escritora, e à historiografia e à crítica literárias brasileiras; leitura do roteiro de adaptação; fundamentação teórica da adaptação referida e contextualização da teleficção na televisão brasileira; e as leituras da construção da personagem Maria Moura, no romance, e da performance, na televisão, de acordo com a versão apresentada pela emissora em 94. Entre os resultados obtidos a partir da pesquisa e das leituras realizadas, a referida dissertação considera que a transposição de linguagem do romance à minissérie justifica a rubrica adaptação, ainda que estabeleça ora aproximações, ora distanciamentos entre as duas obras, os quais são objeto de leitura conclusiva
(Fourth) Report on Meteorological Activities at the DGAI (8-1-36)(Weather Bureau Copy)
No full textThis report is on the investigations of frontal phenomena at the Daniel Guggenheim Airship Institute in Akron, Ohio from January 1, 1935 through August 1, 1936. The investigation was carried out with the cooperation of the U.S. Bureau of Aeronautics, the U.S. Weather Bureau, the California Institute of Technology, and the Guggenheim Airship Institute. Mr. R.C. Robinson of the Weather Bureau cooperated with the author in carrying out the investigation. The object of the investigation was to determine the intensity of the atmospheric disturbances (i.e. rapidity of wind shift and gustiness) accompanying the passage of cold fronts, along with a study of the characteristics of the air masses involved and other features which might affect the intensity of the disturbance. The report treated thirty cold fronts which passed the station during 1935 to 1936
[Pour l'amour de Marie Salat. Mise en scène et adaptation de Rachel Salik : photographies / Daniel Cande]
No full textAppartient à l’ensemble documentaire : PhoSpec
Archives and Images as Repositories of Time, Language, and Forms from the Past: A Conversation with Daniel Eisenberg
No full textLa vérité que nous sommes. Lettres de Rachel Bespaloff à Léon Chestov et Benjamin Fondane
No full textA critical edition of an unpublished correspondance between the philosophers Rachel Bespaloff, Léon Chestov and Benjamin Fondane with an introduction, notes and bibliography by Olivier Salazar-Ferrer.
Pour la philosophe d’exception qu’était Rachel Bespaloff, la pensée de Léon Chestov fut une pensée d’éveil, le commencement d’une vocation et la source d’une œuvre profondément
originale. Si, contrairement a Benjamin Fondane, elle entra en désaccord avec le penseur russe, elle lui conserva néanmoins une forme de fidélité créatrice. Cette correspondance inédite de Rachel Bespaloff avec Fondane (1898-1944) et Chestov (1866-1938) couvre une période qui s’etend de 1929 a ́ 1939. Elle éclaire leurs œuvres respectives et apporte des éléments décisifs sur la réception des œuvres de Heidegger et de Kierkegaard dans le milieu de la philosophie existentielle d’avant- guerre. Elle donne aussi a entendre la voix intime de Rachel Bespaloff, ses espoirs, ses attentes, et son inflexible passion pour la vérité.
Une annexe contient des documents inédits indispensables à la compréhension des discussions philosophiques qui unissent et parfois séparent les deux disciples de Léon Chestov.
RACHEL BESPALOFF, née en 1895 à Nova Zagora en Bulgarie, s’est suicidée le 6
avril 1949 à South Hadley, dans le Massachusetts (États-Unis) où elle s’était réfugiée, après avoir été contrainte de fuir la France. Écrivaine et philosophe existentielle de langue française, elle est la fille de Daniel Pasmanik, théoricien du sionisme
Daniel Akech
No full textabstract: Daniel was a little boy when the war came to his village. He witnessed people being shot and running for shelter. There was no food or water so he drank urine and ate tree leaves.
“Lost Boys Found” is an ongoing, interdisciplinary project that is collecting, recording and archiving the oral histories of the Lost Boys/Girls of Sudan. The collection is a work-in-progress, seeking to record the oral history of as many Lost Boys/Girls as are willing, and will be used in a future book.Age: 24Region: Upper NileThis picture and bio was donated to the "Lost Boys Found" oral history project from The Arizona Lost Boys Cente
Daniel Emmett postcard
No full textPostcard of Daniel Emmett and his home in Mount Vernon, Ohio. Emmett is considered to be the author of the antebellum song "Dixie," written in 1859, which became the unofficial song of the Confederate soldiers during the American Civil War. He was born in Mount Vernon in 1815 and taught himself the fiddle, and later became associated with minstrel shows and helped to define that genre. Minstrel shows traveled around the United States, presenting skits and musical performances. Emmett also composed many other songs, including "Old Dan Tucker," "Turkey in the Straw," and "The Blue Tail Fly." He died in 1904
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