616 research outputs found
Principes philosophiques du chant
No full textIn the preface, Blanchet accuses J.A. Bérard, author of L'art du chant (Paris, 1755) of incorporating his material, and lists corrections to his workA Son Altesse Monseigneur le Prince Louis de Salm-Salm"--pages[iii]This copy from the Collection of Louise Hanson-Dye
Beyond the Big Four and the Big Five
No full textIn the past two or three decades it has become increasingly popular to analyze collective actions in terms of collective intentions. This volume brings together chapters which address issues such as how individuals succeed in maintaining coordination throughout the performance of a collective action, whether groups can actually believe propositions or whether they merely accept them, and what kind of evidence, if any, disciplines such as cognitive science and semantics provide in support of irreducibly collective states. A number of chapters explore the interplay between individual and collective rationality in order to shed new light on the alleged discontinuities between these levels. They make abundantly clear that it is no longer an option simply to juxtapose analyses of individual and collective level phenomena and maintain that there is some discrepancy
Graduate voice recital: Rachel Storlie, soprano \u26 Robin Guy, piano
No full textAt 6:00 p.m. on April 14, 2017, soprano Rachel Storlie and pianist Dr. Robin Guy presented a recital of song literature in Davis Hall at the University of Northern Iowa, in partial fulfillment of the requirements of the Master of Voice Performance degree. Selections performed included songs from Grieg’s Haugtussa, Berg’s Sieben frühe Lieder, selections from Pâque’s Sept mélodies pour Chant et Piano, and Rorem’s Ariel with faculty artist/clarinetist Dr. Amanda McCandless. This document serves as a guide for the recital program through: exploration of poetic meaning and text setting style, observation of musical texture and melody, and illumination of cultural and biographical information relating to each composer
Gregorian Chant: Timeless Importance
No full textThis piece investigates Gregorian chant by unpacking the history of Chant, inspecting original Gregorian Chant leaflets, and connecting this ancient artform to the modern world. The author analyzes the Chant Floribus ejus nec rosae” by providing a translation and performance and describing its musical and artistic details. The author introduces ideas on further research of Gregorian Chant, such as the preservation of leaflets, geography and dialect, and materials used. Lastly, the author discusses the relevance of Gregorian Chant in modern society and reflects on its impact on the global music scene
Research Methods In Psychology
No full textThis textbook is an adaptation of one written by Paul C. Price (California State University, Fresno) and adapted by The Saylor Foundation under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 License without attribution as requested by the work’s original creator or licensee. The original text is available here: http://www.saylor.org/site/textbooks/
This adaptation constitutes the second Canadian edition and was co-authored by Rajiv S. Jhangiani (Kwantlen Polytechnic University) and I-Chant A. Chiang (Quest University Canada
Women's Chant Group: Singing from our Souls
No full textabstract: This paper is an exploration of the potential benefits of an all-women’s chant group. A mixed-methods study using a Community Music Therapy approach informed by Feminist Music Therapy Theory sheds light on the questions: How are individuals’ resilience affected by participation in a multi-session Women’s Chant Group? How does participation in a single-session Women’s Chant Group affect an individual’s mood? Which elements of a Women’s Chant Group are perceived to be the most important to the participants? No statistical significance was found in participants’ resiliency from the beginning to end of the study, although a higher sample size may yield more promising results. The Women’s Chant Group sessions demonstrated a considerable positive impact on the mood of the participants, specifically in reducing feelings of anxiety and increasing feelings of relaxation. Participants found the experience of creating aesthetic, complex, high-quality vocal music to be the most important element of the Women’s Chant Group. Recommendations are made for future research into the area of Women’s Chant Groups.Dissertation/ThesisMasters Thesis Music Therapy 201
Rachel traductrice de poésie de langue française
No full textRachel est connue comme poète, pionnière de la langue hébraïque. Mais il y a des pans de son œuvre qui demeurent ignorés. Ainsi en est-il de ses articles littéraires, ainsi en est-il de son travail de traductrice. Rachel a traduit des poètes de différentes langues, dont notamment le français. Le choix des poèmes qu’elle traduit révèle la richesse de sa connaissance de la poésie francophone de son temps, son goût pour le poème proche du chant ou de la prière et son attrait pour le symbolisme. Quant à son art de traduire, tel qu’il s’observe dans la traduction de différents poètes de langue française, on peut le qualifier d’art de la fidélité et de la liberté.Rachel is known as a poet, and a pioneer of the Hebrew language. But some of her work is still unacknowledged, namely her literary articles and her translations. Rachel translated poets in different languages, and in French in particular. The poems she choses to translate are a testimony to her rich knowledge of the French poets of her time, her taste for the song-poem or prayer-poem, her interest for symbolism. One could qualify her translation skill as the art of faithfulness and freedom
Reading and Singing the Church\u27s Chant: The Basics
No full textThe article offers tips for reading and singing Gregorian chant. According to the author, the text is the starting point for singing Latin chant. The four basic reading rules for beginners include reading from left to right, reading big notes before little notes, reading lower notes before higher notes, and reading thick curved lines as two notes
Invitation au chant
No full textABSTRACT- In ancient Mexico, poetry played an essential part in the life of the princes of the Anahuac cities. The song translated and commented in this study belongs to a particular genre known as icnocuicatl, literally meaning « orphan's song », « unfortunate's song ». The anonymous author of this poem manifests his joy to find himself in the midst of the community of poets and expresses his sadness before life's fugacity and the alteration of things.RÉSUMÉ- Dans l'ancien Mexique, la poésie jouait un rôle essentiel dans la vie des princes des cités de l'Anahuac. Le chant traduit et commenté dans cette étude appartient à un genre particulier appelé icnocuicatl, signifiant littéralement « chant d'orphelin », « chant de malheureux ». L'auteur anonyme de ce poème manifeste sa joie de se trouver au sein de la communauté des poètes et exprime sa tristesse devant la fugacité de la vie et l'impermanence des choses.RESUMEN- En el México antiguo, la poesía desempeñaba un papel esencial en la vida de los señores de las ciudades de Anáhuac. El canto traducido y analizado en este trabajo pertenece a un tipo particular llamado icnocuicatl, «canto de orfandad», «canto de tristeza». El autor anónimo de este poema se regocija evocando el placer de estar con sus amigos y lamenta la fugacidad de la vida y la inestabilidad de cuanto existe.Saurin Patrick. Invitation au chant. In: Caravelle, n°76-77, 2001. Hommage à Georges Baudot. pp. 145-152
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