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PROSES KREATIF PENULISAN NASKAH DRAMA KABAYAN NGALANGLANG JAMAN KARANGAN ROSYID E. ABBY
Get PDFPenelitian ini memiliki tujuan untuk memperoleh pemahaman mendalam tentang
proses kreatif penulisan naskah drama Kabayan Ngalanglang Jaman karangan
Rosyid E. Abby dengan menggunakan teori kreativitas dari Rhodes, yakni 4P
(pribadi, pendorong, proses, dan produk). Selain itu, penelitian ini juga bertujuan
untuk memperoleh latar belakang sosial dan ideologi pengarang. Penelitian ini
adalah penelitian kualitatif dengan menggunakan metode analisis isi. Intrumen
penelitian yang digunakan dalam penelitian ini adalah wawancara dan dokumentasi
yang bertujuan untuk mengumpulkan data penelitian. Teknik analisis data yang
dilakukan dalam penelitian ini adalah reduksi data, penyajian data, dan penarikan
kesimpulan. Hasil dari penelitian ini menunjukkan bahwa pengarang merupakan
person kreatif yang memenuhi 14 kriteria yang ada. Pengarang dalam menulis
naskahnya memiliki faktor pendorong dari internal dan eksternal. Proses kreatif
yang dilakukan pengarang dibagi menjadi tiga bagian, yakni kegiatan sebelum
menulis, kegiatan saat menulis, dan kegiatan setelah menulis sehingga
menghasilkan langkah-langkah kreatif yang dilakukan pengarang dalam menulis
naskah dramanya. Produk kreatif yang dihasilkan oleh pengarang pun memenuhi
tiga kriteria produk kreatif. Dari proses kreatif, ditemukan adanya latar belakang
sosial budaya dan ideologi pengarang dalam menulis naskah drama Kabayan
Ngalanglang Jaman.
Kata kunci: proses kreatif, penulisan, naskah drama
This research aims to gain a profound understanding of the creative process in
writing the Kabayan Ngalanglang Jaman drama script by Rosyid E. Abby, using
Rhodes' creativity theory, which consists of the 4P framework (person, press,
process, and product). The study aims to explore the author's social background and
ideology. This study is a qualitative research conducted through content analysis.
The research instruments employed for this study were interviews and
documentation, designed to collect research data. Data analysis techniques included
data reduction, data presentation, and drawing conclusions. The findings of this
research reveal that the author fulfills all 14 criteria for being a creative person. The
author is motivated by both internal and external factors when writing the script.
The creative process employed by the author can be divided into three stages:
activities before writing, activities during writing, and activities after writing,
resulting in the creative steps taken by the author in writing the drama script. The
creative product generated by the author also meets three criteria for creative
products. hrough the creative process, social-cultural background and the author's
ideology in writing the Kabayan Ngalanglang Jaman script are identified
NALURI TOKOH UTAMA DALAM NASKAH DRAMA AYAHKU PULANG KARANGAN USMAR ISMAIL (SUATU KAJIAN PSIKOANALISIS)
Get PDFPenelitian ini bertujuan untuk mengetahui naluri tokoh utama dalam naskah drama
Ayahku Pulang karangan Usmar Ismail. Penelitian mulai dilakukan sejak Januari
2017 sampai Juli 2017 dengan menggunakan metode deskriptif kualitatif, analisis
teks. Tujuan penelitian ini yaitu untuk mengetahui gambaran naluri tokoh utama
dalam naskah drama Ayahku Pulang karangan Usmar Ismail dengan kajian
psikoanlisis. Teori naluri mencakup naluri kehidupan dan naluri kematian
berdasarkan teori Sigmund Freud. Struktur teks drama yang digunakan dalam
penelitian merupakan teori Robert Stanton yaitu alur, karakter atau tokoh, dan latar
(Struktural faktual) sebagai acuan untuk mengetahui bentuk naluri tokoh utama. Hasil
penelitian ini menunjukkan naluri kematian yang lebih dominan dibandingkan naluri
kehidupan pada tokoh utama. Naluri kehidupan tokoh utama dalam naskah drama
ditunjukkan oleh tokoh utama dengan keinginan dalam diri untuk memenuhi
kebutuhan hidupnya, dan naluri kematian ditunjukkan oleh tokoh utama dengan
ditunjukkan dengan tindakan agresif serta menyakiti diri sendiri dan orang lain.
Penelitian ini dapat diimplikasikan dalam pembelajaran sastra di SMA kelas XI, guru
dapat menganalisis struktur dalam naskah drama dan mengkaji tokoh dalam drama
ketika pembelajaran maupun apresiasi drama di sekolah.
This study aims to cognize the instinct of the main character in the script drama Ayahku
Pulang by Usmar Ismail. The research began in January 2017 until July 2017 using
qualitative descriptive method, text analysis. The purpose of this study is to cognize the
image of the main character instinct in the script drama Ayahku Pulang by Usmar
Ismail with psychoanalysis study. There two theories that are used in this study. First,
the theory of instinct by Sigmund Freud, which consists of instinct of life and death.
Second, the theory of plot by Robert Stanton to identify the structure of play script,
which consists of plot, character, and background (factual structure). The results of
this study indicate that the instinct of death is more dominant than the instinct of life in
the main character. The life instinct of the main character in the drama script is shown
by the main character with an inner desire to fulfill his life's needs, and the instinct of
death is shown by the main character by being shown by aggressive actions as well as
hurting himself and others
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
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