1,720,999 research outputs found
Differential expression of estrogen receptors (ERalpha/ERbeta) in testis of mature and immature pigs
Relationship Between Athlete-Reported Outcome Measures and Subsequent Match Performance in Team Sports: A Systematic Review
Athlete-reported outcome measures (AROMs; e.g. fatigue, stress, readiness, recovery, sleep quality) are commonly implemented in team sports to monitor the athlete status. However, the relationship between AROMs and match performance indicators is unclear, and warrants further investigation. This systematic review examined the relationship between pre-competitive AROMs and subsequent match performances of team sport athletes. Following the Preferred Reporting Items for Systematic Reviews and Meta-Analyses (PRISMA) guidelines, three (PubMed, Scopus, Web of Science) databases were systematically searched to retrieve studies investigating the effects or association of AROMs and match: i) technical-tactical performance (match-related statistics), ii) physical performance, iii) physiological and iv) perceptual demands, and v) other measures of performance in adult team sport athletes. Quality assessment of included studies was performed using a modified Black and Downs checklist. Fifteen articles representing 289 team sport athletes were included. Mean quality of included studies was 7.6 ± 1.0 (out of 11). Across the included studies, 22 AROMs parameters were used, and 16 different statistical approaches were identified. 11 out of 15 studies used non-validated AROMs. Overall, associations or effects of AROMs were found consistently for match-related statistics (7/9 studies), while results were unclear for physical performances (3/7 studies), perceptual demands (1/2 studies) or other measures of performance (2/4 studies). Considering the importance of key match-related statistics for success in team sports, this review suggests that monitoring pre-competitive AROMs has potential to provide valuable information to coaches. However, it is indispensable to validate AROMs questionnaires and to uniform data collection and statistical procedures before substantiated indications to practitioners can be made
Detection of aromatase and estrogen receptors (ERα, ERβ 1, ERβ2) in human Leydig cell tumor
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Use of quantitative EEG profiles to predict clinical response to antipsychotic drugs. Preliminary data in patients treated with clopenthixol
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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