1,468 research outputs found
Leave 2nd generation behind: cost effective solutions for small-to-large scale DH networks
No full textPaul Viollet
No full textInternational audienceChief librarian of the Paris Law Faculty, archivist, legal historian at the École des Chartes and the author of many textbooks, Paul Viollet (1840–1914) was a tireless worker, whose activities supported the many commitments of a liberal Catholic. Professor at the École des Chartres, Paul Viollet associated teaching with educational writing, and because of his textbooks, professors at the Paris Law Faculty considered him one of their own, and not merely a guardian of book collections! A course in the general history of public and private French law was established in French law schools by a decree of December 28, 1880; alongside Adhémar Esmein, Paul Viollet was an agent in the development of French legal history, both with his scholarly research and with his textbooks.There is an ideological aspect of Paul Viollet’s textbooks that makes them interesting testimonies of the times in which they were written; most of all, it also highlights the many personal commitments of their author, the commitments of an involved Christian jurist/citizen
Les roses de Cythère : légende [illustration monogramme HV pour H. Viollet]
No full textLes roses de Cythère : légende ; illustration monogramme H.V. (H. Viollet - série HV Viollet Bénech médaillon) ; paroles de R. Champigny et L. Bénech ; musique R. de Buxeuil ; propriété de L. Bénech, auteur, 8 passage de l’industrie, Paris ; ©1911 ; imprimerie Crevel [intérieur : Mlle Bertrand grav. ; cotage LBP146]. Verso catalogue 61 titres (medihal-00465772). Incipit “Toutes les roses de Cythère”. Titre absent du catalogue BNF (lors du dépôt le 20 juillet 2015, entré depuis comme titre par la description complète d'un recueil 7 titres "Les chansons à la mode"). Exemplaire avec tampon au recto (Galerie parisienne de musique Lucien Puech)
Les roses de Cythère : légende [illustration monogramme HV pour H. Viollet]
No full textLes roses de Cythère : légende ; illustration monogramme H.V. (H. Viollet - série HV Viollet Bénech médaillon) ; paroles de R. Champigny et L. Bénech ; musique R. de Buxeuil ; propriété de L. Bénech, auteur, 8 passage de l’industrie, Paris ; ©1911 ; imprimerie Crevel [intérieur : Mlle Bertrand grav. ; cotage LBP146]. Verso catalogue 61 titres (medihal-00465772). Incipit “Toutes les roses de Cythère”. Titre absent du catalogue BNF (lors du dépôt le 20 juillet 2015, entré depuis comme titre par la description complète d'un recueil 7 titres "Les chansons à la mode"). Exemplaire avec tampon au recto (Galerie parisienne de musique Lucien Puech)
Les roses de Cythère : légende Marcelle Agor [illustration monogramme HV pour H. Viollet] [photo n.c. de Marcelle Agor]
No full textLes roses de Cythère : légende [par] Marcelle Agor ; illustration monogramme H.V. (H. Viollet - série HV Viollet Bénech médaillon) ; photo non-créditée de Marcelle Agor ; paroles de R. Champigny et L. Bénech ; musique R. de Buxeuil ; propriété de L. Bénech, auteur, 8 passage de l’industrie, Paris ; ©1911 ; imprimerie Crevel [cotage LBP146]. Incipit “Toutes les roses de Cythère” ; titre inconnu de la BNF (en musique imprimée, présent dans un recueil) ; datation par ©
Viollet-le-Duc and the “restoration” of Mont Blanc
No full textThe essay, a synthesis of the Ph.D. thesis of the author, examines the study of Viollet-le-Duc on Mont Blanc, starting from the analysis of his book Le massif du Mont Blanc. The translation of the book, the study of text and illustrations, on which the research is based, was the occasion to verify some key topics on the theoretical and design activity of the French architect: observation as a tool of knowledge and drawing as verification, communication and validation of an idea. In general, the study also investigates the interest of Viollet-le-Duc in natural phenomena, in particular the attraction for mountains, which is documented by many, little-known writings, drawings and surveys. It also opens up new, fruitful reflections on the usefulness of drawing, iconographic restitution, protection and restoration of landscape. Finally, the essay underlines the unity of method in Viollet-le-Duc’s studies. He was convinced that the earth is a great building in which each part has a role. For this reason, he had the same approach both for the study of deformations of the earth’s crust and the analyses of medieval constructive techniques
Italian backgrounds. 1835-1837. Ruskin and Viollet-le-Duc early travels in Italy
No full text[EN] Comparing John Ruskin and Viollet-le-Duc to highlight their opposing approaches to protecting the past is frequent when reading about them and is indeed valid and effective. Here we take this approach, moving along with their travels in Italy which also have never been compared. Interpreting preservation as conservation and maintenance on one hand, or restoration and repair on the other are the opposing strategies upheld by these two authoritative figures in European cultural attitudes to restoration in the mid-19th century. Focusing on the 1830s, and their first visits to Italy implies grasping how their experience of architecture, landscape, and Italian society influenced their later reflections on conservation. The aim is to highlight the impact on contemporary and future generations of a concept of the monument as a lasting object, that can be repaired and perfected, rather than a live one, because it is marked by time, and conditioned by the nature of the places and local traditions.[ES] La puesta en paralelo de dos maneras opuestas de entender la protección del legado arquitectónico, la de John Ruskin y la de Eugène Viollet-le-Duc, comportan una clave de lectura reiterada, objetivamente válida y eficaz. El presente texto retoma esta confrontación en el ámbito de sus viajes a Italia. Entender la tutela como conservación y mantenimiento, en un caso, o como restauración y reparación, en el otro, constituyen enfoques contrapuestos que influyeron significativamente en la cultura europea de la restauración de mediados del siglo XIX. El foco puesto en los años treinta y en sus primeros viajes por Italia permite comparar las premisas de sus reflexiones sobre la experiencia de la arquitectura, el paisaje y la sociedad italianos. Se pretende subrayar el impacto en las generaciones coetáneas y contemporáneas de una concepción de «monumento» como objeto perdurable, en tanto que reparable y mejorable, antes que como realidad efímera, por estar marcado por el tiempo y condicionado por la naturaleza del lugar y las tradiciones locales.Grisoni, MM. (2022). Aventuras italianas 1835-1837. Los primeros viajes a Italia de Ruskin y Viollet-le-Duc. Loggia, Arquitectura & Restauración. (35):8-27. https://doi.org/10.4995/loggia.2022.17846OJS82735ABRAHAM, P.: Viollet-Le-Duc et le rationalisme medieval. Vincent, Freal & C., Paris, 1934. https://doi.org/10.3406/bulmo.1934.10100ANTISTA, G., SCIBILIA, F.: (eds). Paesaggi e architetture nei disegni di Eugène E. Viollet-le-Duc: le voyage en Sicile. Catalogo della mostra, Assessorato dei Beni Culturali e dell’Identità Siciliana, Palermo, 2016.ASTRUC, J.: “La restauration de la Cité”. Mémoires de la Société des arts et des sciences de Carcassonne, s. II., vol. 10, 1914-1919, pp. 1-32.AUZAS, P. M.: Eugene Viollet-le-Duc: 1814-1879. Caisse nationale des monuments historiques et des sites, [Paris], 1965.BELLINI, A.: Viollet-le-Duc: idea dell’architettura ed idea del restauro, in Viollet-le-Duc: l’architettura del desiderio, Dipartimento per la conservazione delle risorse architettoniche e ambientali, Facoltà di Architettura del Politecnico, Milano, 1980, pp. 33-91.BELLINI, A.: “Riflessioni sull’attualità di Ruskin”. Restauro, n° 71-72 (1984), pp. 63-84.BONI, G.: “John Ruskin”. Nuova Antologia, s. VI Vol. 200 (1919), pp. 317-320.BROOKS, M. W.: John Ruskin and victorian architecture. Thames and Hudson, London, 1989.BYRON, G.G.: Don Juan, Thomas Davison, Whitefriars, London 1819.BYRON, G.G.: Childe Harold’s pilgrimage, John Murray, London, 1812-1818.CAILLAT, V.: Parallèle des maisons de Paris construites depuis 1850 jusqu’à non jours. A. Morel & C., Paris, 1876.COLLINGWOOD, W.G.: John Ruskin: A Biographical Outline. J.S. Virtue & Co, London, 1889.COLLINGWOOD, W.G.: The Life and Work of John Ruskin. Methuen & Co, London, 1893.Commission des monuments historiques. Rapport au ministre de l’intérieur. Typographie de Firmin Didot Frères, Paris, 1843.COOK, E.T.: Studies in Ruskin. Allen, Orpington, 1890.COOK, E.T., WEDDERBURN, A.: The works of John Ruskin, George Allen & Longmans, London-New York, 39 voll., 1903-1912.CROCHET, B.: Viollet-le-Duc et la sauvegarde des monuments historiques. Ouest-France, Rennes, 2015.DE SETA, C.: Vedutisti e viaggiatori in Italia tra Settecento e Ottocento. Bollati Boringhieri, Torino. 1999.DEZZI BARDESCHI, M.: Viollet-le-Duc: la teoria della progettazione nel “cerchio stretto” del restauro, in Viollet-le-Duc: l’architettura del desiderio, Dipartimento per la conservazione delle risorse architettoniche e ambientali, Facoltà di Architettura del Politecnico, Milano, 1980, pp. 1-32.DI STEFANO, R.: John Ruskin. Interprete dell’architettura e del restauro. Edizioni scientifiche italiane, Napoli, 19691°, 1983.ENAUD-LECHIEN, I., PRUNGNAUD, J.: (eds). Postérité de John Ruskin. L’héritage ruskinien dans les textes littéraires et les écrits esthétiques. Recontres, Classiques Garnier, Paris, 2011.AA. VV.: Exposition de l’oeuvre de Violet-le-Duc ouverte au Musée des thermes et de l’hotel de Cluny sous le patronage du minister de l’instrction publique et des Beaux-Arts, Hotel de Cluny, 1880GAMBLE, C. J.: Proust as Interpreter of Ruskin. The Seven Lamps of Traslation. Summa Publications inc, Birmingham (Alabama), 2002.GOUT, P.: Viollet-Le-Duc. Sa vie, son oeuvre, sa doctrine. Revue de l’Art Chretien, supplement III, Edounet Champion, Paris, 1914.HARRISON, F.: John Ruskin. Macmillan & Co., London, 1902.HILTON, T.: John Ruskin. Yale University Press, New Haven – London, 2002.HOBSON, J.A.: John Ruskin, Social Reformer. J. Nisbet & Co., London, 1898.Le voyage d’Italie d’Eugene Viollet-le-Duc 1836-1837, Catalogo della mostra itinerante, Parigi, gennaio-marzo 1980 - Firenze, aprile-giugno 1980, Firenze, Centro Di, 1980.LENIAUD, J. M.: Viollet-Le-Duc, ou Les delires du systeme. Menges, Paris, 1994.MATHER, J.M.: John Ruskin. His Life and Teaching. Warne & Co., London, 1897.MICHEL, A.: “De Viollet-le-Duc à Barres et à Rodin”. Journal des debats, 10 marzo 1914a, pp. 1-2.MICHEL, A.: “Les restaurations de Viollet-le-Duc”. Journal des debats, 31 marzo 1914b, pp. 1-2.MIDDLETON, R., WATKIN, D.: Architettura dell’Ottocento, Electa, Milano. 19771°, 1988.MILSAND, J.: L’esthétique anglaise: étude sur M. John Ruskin. Germer Bailliere, Paris, 1864.MURPHY, K. D.: Memory and modernity: Viollet-le-Duc at Vézelay. Penn State University Press, University Park, Pennsylvania, 2000.NEUFCHATEAU (de), F.: La Cité de Carcassonne et les rebatisseurs des ruines. Bonnafous-Thomas, Carcassonne, 1912.OJETTI, U.: “Notizia letteraria. Ruskin e la religione della bellezza”. Nuova Antologia, s. IV, anno XXXII, Vol. 70, fasc. 14, 16 luglio 1897, pp. 368-376.PEVSNER, N.: Ruskin and Viollet-Le-Duc. Englishness and Frenchness in the appreciation of Gothic architecture. Thames and Hudson, London 1969.PESVNER, N.: Ruskin et Viollet-le-Duc: un Anglais Francais face a l’architecture gothique. Academy Editions, Paris, 1980, pp. 48-49.PROUST, M.: “John Ruskin”. Gazzette des Beux Arts, avril, n°514, 1900a, pp. 310-318.PROUST, M.: “John Ruskin”. Gazzette des Beux Arts, aoust, n°518, 1900b, pp. 135-146.PROUST, M.: “Ruskin a Notre-Dame d’Amiens”. Mercure de France, IV, 1900c, pp. 5-88.ROSSETTI, W.H.: Ruskin. Rossetti. Pre-Raphaelitism. G. Allen & Co., London, 1899.ROSTAND, A.: “Viollet-le-Duc. Historien de l’architecture francaise”. Revue Critique des idées et des livres. Vol. XXIV, n°142, 10 mars 1914, pp. 530-542.RUSKIN, J.: “Facts and Considerations on the Strata of Mont Blanc, and on some instances of twisted Strata observable in Switzerland”. Magazine of Natural History, Vol. VII, n° 44 (dicembre 1834), pp. 644-645RUSKIN, J.: “Leoni: a Romance of Italy”. Friendship’s offering, 1837, pp. 217-226.RUSKIN, J.: The Seven Lamps of Architecture, Smith, Elder & Co, London, 1849. https://doi.org/10.2307/20646641RUSKIN, J.: The Stones of Venice, 3 voll., Smith, Elder & Co, London, 1851-1853.RUSKIN, J.: Lectures on Architecture and Painting, Smith, Elder & Co, London, 1854.RUSKIN, J.: The Poetry of Architecture or, the Architecture of the Nations of Europe considered in its association with natural scenery and national character, G. Allen, Orpington, 1893.SAINT PAUL, A.: Viollet-le-Duc ses travaux d’art et son système archéologique. Aux Bureaux de l’année archèologiche, Paris, 1881.SCARAMELLINI, G.: La geografia dei viaggiatori. Raffigurazioni individuali e immagini collettive nei resoconti di viaggio, Unicopli, Milano, 1993.SIZERANNE (de La), R.: Ruskin et la religion de la beaute. Hachette, Paris, 1897.TAGLIAVENTI, I.: Viollet-le-Duc e la cultura architettonica dei revivals. Patron, Bologna, 1976.VALTIERI, S.: Le Voyage d’Italie (1836-1837) di Viollet-le-Duc come esperienza fondamentale per la sua formazione da architetto, in A. M. Oteri (ed), Viollet-le-Duc e l’Ottocento. Contributi a margine di una celebrazione (1814-1879), ArcHistoR EXTRA, 1 (2017), pp. 56-81. doi: 10.14633/AHR041.VARAGNOLI, C.: “Sense and sensibility: Viollet-le-Duc e l’Italia”. Conversaciones… con Eugène Viollet-le-Duc y Prosper Mérimée, 3, luglio 2017, pp. 113-124.VINCIGUERRA, M.: Ruskin ed i preraffaeliti. Quaderni dell’Osservagtore, Milano, 1969.VIOLLET-LE-DUC, E.E.: Dictionnaire raisonnè de l’architecture française. 10 voll., A. Morel, Paris, 1854-68.VIOLLET-LE-DUC, E.E.: Entretiens sur l’architecture. 2 voll., A. Morel, Paris, 1863-1872.VIOLLET-LE-DUC, E.E.: Le Massif du Mont Blanc, J. Baudry, Paris, 1876.Viollet-le-Duc. Catalogo della mostra. Parigi, Galeries nationales du Grand Palais, 19 febbraio-5 maggio 1980, Ed. de la Reunion des musees nationaux, Ministere de la Culture et de la Communication, Paris, 1980.Viollet -le-Duc e il restauro degli edifici in Francia, Electa, Milano, 1981.WALDSTEIN, C.: The work of John Ruskin, its influence on modern thought and Life. Harper and Bros, New York, 1894.WHITEHOUSE, J. H.: Ruskin Centenary Addresses. Oxford University Press, London, 1919.WISE, J. P. SMART., T. J.: A complete bibliography of the writings in prose and verse of John Ruskin. Printed for subscribers only, London, 1893
Partial Restoration of a Roman Bath (Figure 4 of 'Entretiens sur l'architecture')
No full textfull vie
- …
