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    The Senate and Senator Joseph R. McCarthy

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    A study of the United States Senate\u27s reaction to the activities of the late Senator Joseph R. McCarthy, of Wisconsin, based on the premise that the Senate, operating under its present rules of procedure, is both incapable of and unwilling to deal with demagogues within its midst. The nature of the censure that was reluctantly imposed upon Senator McCarthy was for only the most trivial offenses, lending support to the author\u27s premise

    Harry R. McCarthy. Performing Early Modern Drama Beyond Shakespeare: Edward’s Boys. Cambridge: Cambridge University Press, 2020

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    This review considers Harry R. McCarthy\u27s Performing Early Modern Drama Beyond Shakespeare: Edward’s Boys

    Mrs. Leonard R. McCarthy and her son Joe

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    Mrs. Leonard R. McCarthy of Cupertino, California, sits with her son Joe. The photo was taken as the two visit Mrs. McCarthy\u27s parents, Mr. and Mrs. J. F. Lilley, of 4333 Pershing. Published in the evening edition, May 2, 1950.https://mavmatrix.uta.edu/specialcollections_startelegram1950s/3670/thumbnail.jp

    Senator Joseph R. McCarthy and the News Media

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    ii, 55 p.This thesis will examine the political career of the late Senator Joseph R. McCarthy particularly as it related to the news media and will attempt to demonstrate the ways in which he was able to manipulate the media. It will also attempt to spotlight the particular weaknesses in the news media which lent themselves to his purposes.If you are not a current K College student, faculty, or staff member, email [email protected] to request access to this SIP.Preface -- Introduction -- McCarthy in Relation to the Media -- The Media Contribution -- Bibliography -- Footnote

    Newspaper clipping, Francis X. Swietlik, Joseph R. McCarthy, Carl F. Zeidler, 1940

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    Newspaper clipping from unknown newspaper of Marquette Unviersity Law School Dean Francis X. Swietlik, and Marquette University Law School alumni Joseph R. McCarthy , Carl F. Zeidler, 1940. From Francis X. Swietlik, Sr. family scrapbook, loaned to University Archives to be digitized

    Newspaper clipping, Francis X. Swietlik, Joseph R. McCarthy, Carl F. Zeidler, 1940

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    Newspaper clipping from unknown newspaper of Marquette Unviersity Law School Dean Francis X. Swietlik, and Marquette University Law School alumni Joseph R. McCarthy , Carl F. Zeidler, 1940. From Francis X. Swietlik, Sr. family scrapbook, loaned to University Archives to be digitized

    Crosby (Donald P.) s.j God, Church, and Flag, Senator Joseph R. McCarthy and the Catholic Church (1950-1957)

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    Fohlen Claude. Crosby (Donald P.) s.j God, Church, and Flag, Senator Joseph R. McCarthy and the Catholic Church (1950-1957). In: Archives de sciences sociales des religions, n°52/2, 1981. p. 217

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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