60,393 research outputs found
Chan An Ancient Maya Farming Community
The farming community of Chan thrived for over twenty centuries, surpassing the longevity of many larger Maya urban centers. Between 800 BC and 1200 AD it was a major food production center, and this collection of essays reveals the important role played by Maya farmers in the development of ancient Maya society. Chan offers a synthesis of compelling and groundbreaking discoveries gathered over ten years of research at this one archaeological site in Belize. The contributors develop three central themes, which structure the book. They examine how sustainable farming practices maintained the surrounding forest, allowing the community to exist for two millennia. They trace the origins of elite Maya state religion to the complex religious belief system developed in small communities such as Chan. Finally, they describe how the group-focused political strategies employed by local leaders differed from the highly hierarchical strategies of the Classic Maya kings in their large cities. In breadth, methodology, and findings, this volume scales new heights in the study of Maya society and culture.Cover -- Title -- Copyright -- Contents -- List of Figures -- List of Tables -- Foreword -- Acknowledgments -- 1. Introducing the Chan Site: Farmers in Complex Societies -- Part 1. Time, Space, and Landscapes -- 2. A Changing Cultural Landscape: Settlement Survey and GIS at Chan -- 3. Ceramics and Chronology at Chan -- 4. Agricultural Practices at Chan: Farming and Political Economy in an Ancient Maya Community -- 5. Agroforestry and Agricultural Production of the Ancient Maya at Chan -- Part 2. Life in a Farming Community Center -- 6. Ritual in a Farming Community -- 7. Nonroyal Governance at Chan's Community Center -- 8. "Empty" Spaces and Public Places: A Microscopic View of Chan's Late Classic West Plaza -- Part 3. Diversity across the Chan Community -- 9. Recognizing Difference in Small-Scale Settings: An Examination of Social Identity Formation at the Northeast Group, Chan -- 10. Organization of Chert Tool Economy during the Late and Terminal Classic Periods at Chan: Preliminary Thoughts Based upon Debitage Analyses -- 11. Limestone Quarrying and Household Organization at Chan -- Part 4. Bodies, Material Culture, and Meaning -- 12. The Chan Community: A Bioarchaeological Perspective -- 13. Creating Community with Shell -- 14. Obsidian Acquisition, Trade, and Regional Interaction at Chan -- 15. Contextualizing Ritual Behavior: Caches, Burials, and Problematical Deposits from Chan's Community Center -- Part 5. Conclusion -- 16. Learning from an Ancient Maya Farming Community -- References -- List of Contributors -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- V -- W -- X -- YThe farming community of Chan thrived for over twenty centuries, surpassing the longevity of many larger Maya urban centers. Between 800 BC and 1200 AD it was a major food production center, and this collection of essays reveals the important role played by Maya farmers in the development of ancient Maya society. Chan offers a synthesis of compelling and groundbreaking discoveries gathered over ten years of research at this one archaeological site in Belize. The contributors develop three central themes, which structure the book. They examine how sustainable farming practices maintained the surrounding forest, allowing the community to exist for two millennia. They trace the origins of elite Maya state religion to the complex religious belief system developed in small communities such as Chan. Finally, they describe how the group-focused political strategies employed by local leaders differed from the highly hierarchical strategies of the Classic Maya kings in their large cities. In breadth, methodology, and findings, this volume scales new heights in the study of Maya society and culture.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
Discovering Chan Chan: modern technologies for urban and architectural analysis
Since 2002, the Italian Mission of CNR-ITABC has been operating in the archaeological complex of Chan Chan (Peru), which is the largest pre-Columbian settlement entirely built with adobe. In 1989 Chan Chan was placed on the UNESCO World Heritage List. The main purpose of the work is aimed at the conservation, documentation and use of the site and of the territory that is related to Chan Chan from a historical and cultural point of view. The urban structure of Chan Chan, which is spread over a surface of 14 km2, has a number of buildings which characterizes the town at both an architectural (ciudadelas, huacas, huachaques) and decorative level (bas-reliefs, geometrical motifs). In order to achieve our research goals, we had to arrange for the combined use of various analysis techniques that would provide both urban and architectural information about the town. The data we obtained allowed us to make a more up-to-date interpretation of the urban fabric and revealed intriguing details regarding the construction phases of one of its palaces which will be helpful both for the planning of the Archaeological Park and the restoration project of the Palacio Rivero
ESQUINA MULTIMEDIA – MUSEUM EXHIBITION FOR THE VISUALIZATION OF CHAN CHAN ARCHAEOLOGICAL SITE
[EN] Chan Chan, an archaeological site located at Trujillo, Peru, is a huge historical settlement very large and difficult to visit
and some well-conserved architecture, like Huaca Arco Iris, is very far from the core centre of the site. Furthermore many
other heavy factors, as illegal excavations, marine salt transported by the wind and the sometime devastating
phenomenon of the Niño, are the reasons of the lost of many decorative elements, which are covered due to
conservation issues. To overcome the aforesaid problems, we designed, developed and realized the museum exhibition
called “Esquina Multimedia”, providing the tourists with interactive and enjoyable applications. An Augmented Reality
application has been developed in order to discover ancient artefacts that are invisible because covered by the earth (or
by protection structures). A web-browser has been specifically designed to show bas-relieves, with HD visualization and
with anaglyph stereoscopic view. Herewith, a wall-mounted panel representing a metric 3D reconstruction by an accurate
survey of the building helps the user to find the artefact position.Pierdicca, R.; Malinverni, ES.; Frontoni, E.; Colosi, F.; Orazi, R. (2016). ESQUINA MULTIMEDIA – MUSEUM EXHIBITION FOR THE VISUALIZATION OF CHAN CHAN ARCHAEOLOGICAL SITE. En 8th International congress on archaeology, computer graphics, cultural heritage and innovation. Editorial Universitat Politècnica de València. 274-276. https://doi.org/10.4995/arqueologica8.2016.3191OCS27427
Dissemination in archaeology: a GIS-based StoryMap for Chan Chan
Purpose: The purpose of this paper is to demonstrate the importance of exploiting a geographic information system (GIS)-based data management, designed and implemented for an important monumental site. In particular, data collected during the years have been used to create a storytelling experience to disseminate the tangible and intangible heritage of Chan Chan (Peru), the wider site in mud bricks of Latin America. Design/methodology/approach: The paper discusses the steps that have been performed to use the data stored in a GIS, arguing over the importance of sharing the knowledge through web-based tools, and in particular by the implementation of a storytelling. In this context, the data were structured in interoperable forms in order to preserve the universal value of the archaeological site. The exploitation in an all-in-one solution of the archival research, field surveys and planning represents a step forward for let known ancient testimonies to the whole mankind. Findings: The GIS-based inventories represent the backbone for an affordable management of heritage resources. The novelty of the proposed approach lies on the creation of an integrated, accessible and updatable data system sharable on web. Originality/value: The GIS of Chan Chan is an example of documentation of a wide archaeological area (14 km2) with complex and heterogeneous data. The developed web tool makes use of these data which can be queried even by non-expert users. The pipeline of this paper can act as useful guidelines to practitioners and researchers who want to disseminate cultural information
Marianne Chan: 47th Annual ODU Literary Festival
Marianne Chan grew up in Stuttgart, Germany, and Lansing, Michigan. She is the author of All Heathens (Sarabande Books, 2020), which was the winner of the 2021 GLCA New Writers Award. Her second collection, Leaving Biddle City, was published from Sarabande Books in July of this year. Her poems have appeared in Poetry, Best American Poetry, New England Review, Kenyon Review, Michigan Quarterly Review, and elsewhere. She is an assistant professor of creative writing at Old Dominion University and teaches poetry in the Warren Wilson College MFA program for Writers
CHAN CHAN: LA CIUDADELA “RIVERO”
Por Resolución Ministerial Nº 260 de fecha 15 de abril del presente año, la Casa de la Cultura del Perú mediante su Área de Investigación y Conservación del Patrimonio Cultural, se hizo cargo de los trabajos arqueológicos de las Ruinas de Chan Chan, inaugurando su programa para el año en curso con las excavaciones en la ciudadela “Rivero” el 26 de mayo. Chan Chan, la ciudad arqueológica más grande del Perú, está ubicada al Oeste y a 4 km más o menos de Trujillo, en la margen derecha del Río Moche; la ciudad está orientada de Sur a Norte, ocupando un área que comprende 5 km de largo y 3 km de ancho; empero, en el pasado debió haber tenido mayor extensión hoy disminuido por la acción depredadora de los agricultores
Inauguración del XXIII Simposio Román Piña Chan. Zonas Arqueológicas en Contextos Urbanos. <p>XXIII Simposio Román Piña Chan.Zonas Arqueológicas en Contextos Urbanos<p>
El acto inaugural del XXIII Simposio Román Piña Chan “Zonas arqueológicas en contextos urbanos”, tuvo lugar el 6 de noviembre de 2018, en la Escuela Nacional de Antropología e Historia (ENAH). El Simposio fue inaugurado por el Antrop. Diego Prieto Hernández, Director General del Instituto Nacional de Antropología e Historia, en compañía de otras autoridades del INAH así como investigadores, docentes, alumnos y público en general.</p
Report on professional attachment with R Chan & Co.
The purpose of this report seeks to provide a summary of my training experience with R Chan & Co. It will attempt to give a descriptive account of the tasks assigned and the observation made during the eight weeks of PA
Anyuon Chan
abstract: Anyuon left his village in 1989 during the middle of the night.
“Lost Boys Found” is an ongoing, interdisciplinary project that is collecting, recording and archiving the oral histories of the Lost Boys/Girls of Sudan. The collection is a work-in-progress, seeking to record the oral history of as many Lost Boys/Girls as are willing, and will be used in a future book.Age: 22Region: Bahr al GhazalThis picture and bio was donated to the Lost Boys Found project from The Arizona Lost Boys Cente
Marianne Chan, 46th Annual ODU Literary Festival
Marianne Chan grew up in Stuttgart, Germany, and Lansing, Michigan. After she earned her B.A. in English from Michigan State University, she went on to study poetry at the University of Nevada, Las Vegas, where she earned her MFA.
Marianne is the author of All Heathens, which was the winner of the 2021 GLCA New Writers Award in Poetry, the 2021 Ohioana Book Award in Poetry, and the 2022 Association for Asian American Studies Book Award for Outstanding Achievement. Her poems have appeared in Poetry Magazine, New England Review, Kenyon Review, Michigan Quarterly Review, and elsewhere. Between 2017-2019, she served as poetry editor for Split Lip Magazine. She is a Kundiman fellow.
She lives in Norfolk, Virginia . She is married to the fiction writer Clancy McGilligan
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