13,245 research outputs found

    Casp. von Barth Teutsche Confession

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    CASP. VON BARTH TEUTSCHE CONFESSION Casp. von Barth Teutsche Confession ([1]r) Titelseite ([1]r) Text ([2]r

    Forming moral community: Christian and ecclesial existence in the theology of Karl Barth 1915-1922

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    This thesis is an investigation of Karl Barth's theology in the turbulent and dynamic years of his nascent career: 1915 - 1922, with a special focus on the manner in which he construed Christian and ecclesial existence. The thesis argues that Karl Barth developed his theology with an explicit ecclesial and ethical motive, that is, he developed his theology as a deliberate attempt to shape the ethical life of the church in the context within which he lived and worked. It contends that criticisms suggesting that Barth does not have an ethics are inaccurate assessments of his work, and in fact, that although it is evident that his ethical thought continued to develop throughout his career, major trajectories of Barth's development are present in germinal form even at this early stage. Following the lead and suggestion of John Webster, the thesis adopts a chronological and exegetical reading of Barth's work from his initial dispute with his liberal heritage circa 1915 until the publication of the second edition of his commentary on Romans. Materials examined from this period include sermons, lectures, book reviews, personal correspondence and biblical commentaries, with particular care being taken to identify the occasion and historical context within which Barth presented his thought. This reading seeks to uncover and present the development, structure, content and logic of Barth's own thought, in hope that the central concerns of this thesis will be validated. Examination of these materials has indeed shown that Barth developed his theology with an ecclesio-ethical motive. The significance of this thesis is twofold. First, it contributes to broader understanding of Barth's theology both in its early development, and with regard to his ecclesiology and ethics. Second, it provides a significant framework and material for contemporary ecclesial reflection on its own identity and mission

    Barth, R. L. (Robert L.) and David Sanders : panel discussion : editing; 2003

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    Contents: Panel Discussion   with R.L. Barth and David SandersDescription on cassette : R. L. Barth - Editing DiscussionDigital Projects SAN: Folder and disc location for wav file: 20121005/Disc 1. Folder and disc location for mp3 file: 20121005/Disc 6/mp3

    The theology of revelation and the epistemology of Christian belief : the compatibility and complementarity of the theological epistemologies of Karl Barth and Alvin Plantinga

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    This study brings Christian theology and Christian analytic philosophy into dialogue through an examination of the compatibility and complementarity of Karl Barth’s theology of revelation, and Alvin Plantinga’s epistemology of Christian belief. The first two chapters are aimed at elucidating the central features of Karl Barth’s theology of revelation and clarifying his attitude toward the place of philosophy in theology. We establish that, for Barth, human knowledge of God is objective, personal, cognitive knowing, enabled by the Spirit’s transforming gift of participation in revelation. We dispel the notion that Barth is hostile to philosophy per se and chart the boundaries he gives for its interface with theology. In chapters 3 and 4, we focus on Alvin Plantinga’s Christian epistemology of warranted belief, and its relationship to Barth’s theology of revelation. A general alignment emerges in their shared inductive approach and agreed rejection of the necessity and sufficiency of human arguments for warranted Christian belief. Their contributions are complementary, with Barth providing what Plantinga lacks in theological depth, and Plantinga providing what Barth lacks in philosophical clarity and defense. Despite their general compatibility, two areas of significant potential incompatibility are flagged for closer analysis in the final two chapters. In chapter 5, we consider their views on natural theology. We extend our thesis of complementarity with respect to negative apologetics, and argue for a harmonizing interpretation of their views with respect to a potential positive contribution from natural theology. The final chapter addresses the role of faith and the constitution of a genuine human knowledge of God. We conclude that Barth and Plantinga do not disagree about the personal and propositional character of revelation, but may disagree about the possibility of a generically theistic de re knowledge of God independent of the Spirit’s gift of faith

    John Barth: 12-09-1976

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    Barth talks about three things: the teaching of creative writing, the hero quest theme in his novels, and the forms of fiction writing. He likes creative writing programs, but recognizes that not every writer is suited to them; writers who choose to enter the university have critical as well as creative responsibilities. Barth\u27s earlier interest in the myth-hero has waned. Barth feels that the realist novel has had its day; self-reflexive metafiction isn\u27t necessarily removed from life, but it reminds us of the artifice of the novel. Work discussed include Floating Opera, End of the Road, Giles Goat Boy, The Sotweed Factor, Chimera, and Lost in the Funhouse. Writers mentioned: J. Dickey, D.H. Lawrence, R. Creeley, E. Cooke, H. Fielding, F. Kafka, S. Bellow, J. Joyce, J. Borges, S. Beckett, and M. Cervantes.https://digitalcommons.brockport.edu/writers_videos/1043/thumbnail.jp

    H. Barth : Constantinople.

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    Bousquet R. H. Barth : Constantinople. . In: Échos d'Orient, tome 7, n°45, 1904. pp. 126-127

    John Barth: 12-09-1976

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    Barth talks about three things: the teaching of creative writing, the hero quest theme in his novels, and the forms of fiction writing. He likes creative writing programs, but recognizes that not every writer is suited to them; writers who choose to enter the university have critical as well as creative responsibilities. Barth's earlier interest in the myth-hero has waned. Barth feels that the realist novel has had its day; self-reflexive "metafiction" isn't necessarily removed from life, but it reminds us of the artifice of the novel. Work discussed include Floating Opera, End of the Road, Giles Goat Boy, The Sotweed Factor, Chimera, and Lost in the Funhouse. Writers mentioned: J. Dickey, D.H. Lawrence, R. Creeley, E. Cooke, H. Fielding, F. Kafka, S. Bellow, J. Joyce, J. Borges, S. Beckett, and M. Cervantes.Archived web contentSUNY BrockportWriters Forum Video

    A Study of characterization and representation in James Joyce's a portrait of the artist as a young man and John barth's lost, in the funhouse

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    Dissetação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e ExpressãoAnálise da caracterização e da representação do artista nos romances A Portrait of the Artist as a Young Man de James Joyce e Lost in the Funhouse de John Barth. A análise destes romances quanto às diferenças existentes no modo de representação do artista, faz com que eles possam ser lidos, respectivamente, como representantes das narrativas modernista e pós-modernista

    'Giving honour to the Spirit' : a critical analysis and evaluation of the doctrine of pneumatological union in the Trinitarian theology of Jonathan Edwards in dialogue with Karl Barth

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    The extent to which the 'honour' of the Spirit influenced the theology of Jonathan Edwards is a hitherto underdeveloped theme. Against a backdrop of Patristic thought and in dialogue with the theology of Karl Barth, evaluation is made of pneumatological union in Edwards' Trinitarian theology as this centres on the nature and inter-relatedness of the 'three unions' that characterize his theology: the union of the three Persons of the Trinity, the union of the saints with God, and the union of the divine and human natures of Christ. Edwards' seeks to honour the Spirit as the mutual love of the Father for the Son within his Augustinian, Lockean model of the immanent Trinity, and as 'Person' in the economy. The challenges of doing so within the limits of this psychological model of the Trinity are evaluated in dialogue with the Cappadocian Fathers and Barth. In a manner patterned after union in the Trinity, Edwards gave prominence to the concept of the pneumatological union of the saints with God in Christ, in fulfilment of the self-glorifying purpose of God in creation and redemption. Edwards' experiential theology of conversion, and his elevation of subjective sanctification by the Spirit over objective justification in Christ, for assurance, is contrasted with Barth's greater emphases on the Christological union of God with humanity and objective justification in Christ. Barth's more contemplative approach is contrasted with the overly introspective spirituality of Edwards. Edwards' view of the role of the Spirit in the hypostatic union of God with humanity in Christ, which is reflective of the other unions, is also evaluated in light of Patristic, Reformed-Puritan and Barthian thought on the nature of the humanity Christ assumed, and the doctrine of the vicarious humanity of Christ. A more emphatic incarnational emphasis may have saved Edwards' Spirit- honouring spirituality from an anthropocentricity which is ironical given that the glory of God is his ontic doxological concern
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