848 research outputs found
Ursula Quatember – notice
Ursula Quatember dirige depuis 2015 un projet de recherche sur l’architecture de l’Asie Mineure romaine à l’Université de Graz, en Autriche. Au cours de ses études d’archéologie classique et d’égyptologie à l’Université de Vienne, elle s’est spécialisée dans le domaine de l’archéologie du bâti et de l’histoire de l’architecture et a soutenu une thèse sur le nymphée de Trajan à Éphèse. Elle a collaboré à de nombreuses recherches de terrain notamment en Turquie (Éphèse, Aphrodisias, Limyra) et ..
Der sogenannte Hadrianstempel an der Kuretenstraße, Tafelband
The publication on the so-called „Temple of Hadrian" on Curetes' Street in Ephesos is the first comprehensive publication of this important monument from the Roman Imperial period in Asia Minor. Based on new research on architecture, inscriptions, and decoration, a contextual interpretation allows us to understand the temple in the context of the cult for the city goddess Artemis and ritual processions through the Ephesian city center in her honor.
Text see: http://e-book.fwf.ac.at/o:1150
Maps see: http://e-book.fwf.ac.at/o:115
Der sogenannte Hadrianstempel an der Kuretenstraße, Planmappe
The publication on the so-called „Temple of Hadrian" on Curetes' Street in Ephesos is the first comprehensive publication of this important monument from the Roman Imperial period in Asia Minor. Based on new research on architecture, inscriptions, and decoration, a contextual interpretation allows us to understand the temple in the context of the cult for the city goddess Artemis and ritual processions through the Ephesian city center in her honor.
Text see: http://e-book.fwf.ac.at/o:1150
Tables see: http://e-book.fwf.ac.at/o:115
Der sogenannte Hadrianstempel an der Kuretenstraße, Textband
The publication on the so-called „Temple of Hadrian" on Curetes' Street in Ephesos is the first comprehensive publication of this important monument from the Roman Imperial period in Asia Minor. Based on new research on architecture, inscriptions, and decoration, a contextual interpretation allows us to understand the temple in the context of the cult for the city goddess Artemis and ritual processions through the Ephesian city center in her honor.
Tables see: http://e-book.fwf.ac.at/o:1151
Maps see: http://e-book.fwf.ac.at/o:1152Die Publikation zum "Hadrianstempel" an der Kuretenstraße in Ephesos stellt die erste umfassende Vorlage dieses für die römische Architektur Kleinasiens so bedeutenden Monuments dar. Basierend auf einer neuen Untersuchung des Monuments werden die Ergebnisse zur Bauforschung, Inschriften sowie der architektonischen und figürlichen Dekoration des Tempels verknüpft. Diese Untersuchungen gestatten es jetzt, den Tempel in die Nähe des Artemis- Kultes mit seinen regelmäßigen kultischen Prozessionen durch das ephesische Stadtqebiet zu rücken.
Tafelband siehe: http://e-book.fwf.ac.at/o:1151
Planmappe siehe:
http://e-book.fwf.ac.at/o:115
Der sogenannte Hadrianstempel an der Kuretenstraße, Textband
The publication on the so-called „Temple of Hadrian" on Curetes' Street in Ephesos is the first comprehensive publication of this important monument from the Roman Imperial period in Asia Minor. Based on new research on architecture, inscriptions, and decoration, a contextual interpretation allows us to understand the temple in the context of the cult for the city goddess Artemis and ritual processions through the Ephesian city center in her honor.
Tables see: http://e-book.fwf.ac.at/o:1151
Maps see: http://e-book.fwf.ac.at/o:115
Ursula Quatember, Das Nymphaeum Traiani in Ephesos. Vienne, Verlag der Österreichischen Akademie der Wissenschaften, 2011. 1 vol. 30 x 39 cm, XXI-118 p., 143 pl. (Forschungen in Ephesos. Band XI, 2)
Balty Jean-Charles. Ursula Quatember, Das Nymphaeum Traiani in Ephesos. Vienne, Verlag der Österreichischen Akademie der Wissenschaften, 2011. 1 vol. 30 x 39 cm, XXI-118 p., 143 pl. (Forschungen in Ephesos. Band XI, 2). In: L'antiquité classique, Tome 83, 2014. pp. 570-571
Ursula K. Le Guin: A Remembrance
A remembrance of the late author Ursula K. Le Guin, focused on her Daoism
Ursula K. Le Guin: A Remembrance
A remembrance of the late author Ursula K. Le Guin, focused on her Daoism
Ursula in The Rainbow
Lawrence first intended to publish the new story titled Sisters, but he changed his original plan and split it into two stories, The Rainbow (1915) and Women in Love (1919). Lawrence refers to the relations of the two stories in 1916, saying that Women in Love is a kind of sequel to The Rainbow. F.R. Leavis commented on the later work, pointing out that it is "wholly self-contained" and has "no organic connexion with The Rainbow." His point is understandable when we consider that the writing style of The Rainbow belongs to the 19th century English novel, while Women in Love is analytic and esoteric. However, the truth is that the main interest of the stories is quite similar to each other. Leavis's point of view attracts our attention in that he believes Lawrence was well matured enough to write Women in Love by the time (1915) when he finished The Rainbow. This suggests that the author had already had that critical mind represented in the later story, which is well enough proved by the characterization of Ursula in The Rainbow. Although Leavis is negative of the connection between The Rainbow and Women in Love, Ursula in the former novel is surely identical of another Ursula in Women in Love. It is not too much to say that The Rainbow was written in order to create Ursula. The cardinal purpose here is to discuss how important Ursula is for Women in Love, paying attention to Ursula in the former story.departmental bulletin pape
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