1,720,984 research outputs found
DisAbility on Stage: Hybrid Media Publication
No full textTheater und Tanz von und mit DarstellerInnen mit Behinderung ist sehr erfolgreich und geniesst eine entsprechend grosse Aufmerksamkeit in der zeitgenössischen Theater- und Tanzszene – dies nicht erst, seit das Zürcher Theater HORA den Grand Prix Suisse de Théâtre / Hans-Reinhart-Ring 2016 gewann. Die Hybrid Media Publication beleuchtet aktuelle Entwicklungen dieser Theater- und Tanzszene in der Schweiz mit dem Fokus auf Arbeitsweisen, die Ausbildung sowie die Rezeption durch das Publikum. Das SNF-Forschungsprojekt "DisAbility on Stage" an der Zürcher Hochschule der Künste in Kooperation mit anderen Hochschulen, Theater- und Tanzkompanien und Festivals untersuchte diese Aspekte im Dialog zwischen Theorie und Praxis sowie zwischen den verschiedenen Sprachregionen der Schweiz. Die Hybrid Media Publication vermittelt die Ergebnisse der Forschung mittels Text-, Video- und Bildmaterial an ein breites Publikum. Die Inhalte sind in leichter Sprache sowie in Fachsprache erhältlich.
Eine Auswahl von Inhalten ist hier aufgeführt. Die Liste wird laufend ergänzt.
Film
Sechs RegisseurInnen – eine Republik. Ein Forschungsfilm in 8 Teilen. Schweiz, 2019, 42 min, Digital HD, D/F/E; Regie/Drehbuch: Sarah Marinucci, Yvonne Schmidt, Nele Jahnke; Schnitt: Franca Frey; Kamera, Ton: Silke Andris, Markus Börlin, Pascale Grange; Colorgrading: Ralph Wetli; Audiomaster: Gregg Skerman; Audiodescriptions: Christiane Crzymoch: https://medienarchiv.zhdk.ch/sets/593b1225-8737-4dcd-a87a-59a623e38e1b
Texte
Wissenschaftliche Texte
Bocchini, Sara & Quadri, Demis (2019): Disabled Bodies in Discourse. In: Schmidt, Yvonne; Marinucci, Sarah; Bocchini, Sara; Quadri, Demis; Jahnke, Nele; Rey, Anton: DisAbility on Stage. Hybrid Media Publication, Zurich University of the Arts: https://disabilityonstage.zhdk.ch/wp-content/uploads/2019/07/HMP_Disabled-Bodies-in-Discourse_SB-DQ.pdf
Marinucci, Sarah (2019): Freie Republik HORA. Vom Sprechen über zum Sprechen mit Darsteller*innen mit geistiger Behinderung. In: Schmidt, Yvonne; Marinucci, Sarah; Bocchini, Sara; Quadri, Demis; Jahnke, Nele; Rey, Anton: DisAbility on Stage. Hybrid Media Publication, Zurich University of the Arts: https://disabilityonstage.zhdk.ch/wp-content/uploads/2019/07/HMP_Marinucci_Standardsprache_05.07.2019.pdf
Marinucci, Sarah (2016): «Freie Republik HORA. Vom «Sprechen über» zum «Sprechen mit» Darstellenden mit geistiger Behinderung». In: Fournier, Anne / Gilardi, Paola / Härter, Andreas / Hochholdinger-Reiterer, Beate (Hg.): Theater HORA. MIMOS 2016, 78. Zürich: Peter Lang, 233–241. Online unter: https://doi.org/10.5281/zenodo.4497729
Delphine, Abrecht / Gilardi, Paola / Klaeui, Andreas & Schmidt, Yvonne (Hg.) (2018): Theater Sgaramusch. MIMOS – Schweizer Theater-Jahrbuch, 80. Beiträge englisch, deutsch, französisch und italienisch. Bern: Peter Lang. Online unter: https://doi.org/10.5281/zenodo.5910696
Schmidt, Yvonne / Marinucci, Sarah / Bocchini, Sara / Quadri, Demis & Rey, Anton (2018): «DisAbility on Stage. Exploring the Physical in Dance and Performer Training». Synnyt/Origins: Finnish Studies in Art Education. 2. 74–87. Online unter: https://doi.org/10.5281/zenodo.4498334
Schmidt, Yvonne (2017): «Towards a new directional turn?. Directors with cognitive disabilities». Research in Drama Education: The Journal of Applied Theatre and Performance. 22, 3. Special Themed Issue: International Perspectives on Performance, Disability and Deafness. 446–459: https://doi.org/10.5281/zenodo.3832165
Schmidt, Yvonne (2016): «Auf neuen Wegen. Regisseurinnen und Regisseure mit geistiger Behinderung». Kulturräume+. Das Kubia-Magazin. 6, 11. 30–32. Online unter: https://doi.org/10.5281/zenodo.7795522
Schmidt, Yvonne (2016): «Ordnungen des Inszenierens. Theater als freie Republik». In: Fournier, Anne / Gilardi, Paola / Härter, Andreas / Hochholdinger-Reiterer, Beate (Hg.): Theater HORA. MIMOS 2016, 78. Zürich: Peter Lang, 218–230. Online unter: https://doi.org/10.5281/zenodo.4454938
Wagner, Meike / Klöck, Anja / Niethammer, Nora / Bolte-Picker, Petra / Ernst, Wolf-Dieter & Schmidt, Yvonne (2016): «Kunst – Nicht-Kunst – Andere Kunst. Verhandlungen des Theaters zwischen professionellem und dilettantischem Dispositiv». In: Cairo, Milena / Hannemann, Moritz / Haß, Ulrike & Schäfer, Judith (Hg.): Episteme des Theaters. Aktuelle Kontexte von Wissenschaft, Kunst und Öffentlichkeit. Theater, 90. Bielefeld: transcript Verlag, 551–574. Online unter: https://doi.org/10.5281/zenodo.4498172
Texte in einfacher Sprache
Bocchini, Sara & Quadri, Demis (2019): Disabled Bodies in Discourse. Lingua Facile In: Schmidt, Yvonne; Marinucci, Sarah; Bocchini, Sara; Quadri, Demis; Jahnke, Nele; Rey, Anton: DisAbility on Stage. Hybrid Media Publication, Zurich University of the Arts: https://disabilityonstage.zhdk.ch/wp-content/uploads/2019/10/Disabled_Bodies_in_Discourse-Lingua_facile.pdf
Bilder
Dietschi, Johannes (2017): Bühnenlabor «DisAbility on Stage»: https://medienarchiv.zhdk.ch/sets/bb19c97f-6b92-4f84-88a3-9489609e0493
Videos
Bocchini, Sara; Carbini, Dante; Quadri, Demis (2017): Disabled Bodies in Discourse. A theatre, education and research project. Audio-Deskription von Christiane Czymoch in Englisch / Mai 2017: https://medienarchiv.zhdk.ch/entries/1e5f1f2e-b373-44f6-9efb-c3a152e079b5
Bocchini, Sara; Carbini, Dante; Quadri, Demis (2017): Disabled Bodies in Discourse. A theatre, education and research project. Untertitel in Englisch und Deutsch / Mai 2017: https://medienarchiv.zhdk.ch/entries/26003ecb-6458-42f5-b287-e479c36f0a40
Frey, Franca (2017): DisAbility on Stage – Stage Labs 1+2. Ein Trailer über die beiden Stage Labs 1 & 2. März 2017: https://medienarchiv.zhdk.ch/entries/56c1f419-5dc7-4f91-b386-e4a665230aad
Institute for the Performing Arts and Film (2019): Symposium_DisAbility on Stage, ZHdK, April 2019: https://vimeo.com/334440538
Institute for the Performing Arts and Film (2019): UNFORESEEN ABILITIES_ Symposium DisAbility on Stage, ZHdK, April 2019: https://vimeo.com/334289140
Institute for the Performing Arts and Film (2019): DisAbility on Stage_Keynote von Carrie Sandahl, ZHdK, April 2019: https://vimeo.com/334297235
Rey, Anton (2017): Bühnen·Labor 2 – Stage Lab 2 – Dokumentation einer Probe. Dokumentation des Bühnen·Labors 2 2017 im Rahmen des Forschungs·Projekts «DisAbility on Stage – Exploring the Physical in Performing Arts Practices» am Institute for the Performing Arts and Film der Zürcher Hochschule der Künste: https://medienarchiv.zhdk.ch/entries/0417ab0d-faea-441d-95f2-45db0a0d6564+ ID: 575530 + Reihentitel: subText
Le théâtre du corps. Pour une définition du terme physical theatre
No full textCette contribution tente une définition ouverte du terme physical theatre. En mettant en évidence un certain nombre de thèmes – mouvement, formation, travail collaboratif, tensions conceptuelles, dramaturgie d’acteur, horizontalité, etc. – soulevés par les chercheurs et les artistes qui ont abordé ce sujet, et en tenant compte des Six Viewpoints développés par Mary Overlie – espace, forme, temps, émotion, mouvement et histoire –, elle propose de traiter cette forme de théâtre comme phénomène émergent d’un réseau (network) constitué de ces éléments en interaction réciproque. Au lieu de définir le physical theatre comme opposé au théâtre «littéraire», il sera caractérisé par le positionnement conscient de l’acteur sur un certain nombre de dimensions (textualité-corporalité, représentation-performance, dramatique-postdramatique, etc.)
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Performing Agency: Exploring puppetry from a disability perspective
Full text linkThis paper explores parallels and intersections between disability performance and puppetry. It does so from different angles, while remaining on the level of hypothetical suggestions and without aspiring to be exhaustive. We shall emphasise issues such as metaphorical approaches, agency, negotiation, appropriation, externalisation and the process of ›becoming‹.+ ID: 577351 + Serientitel: ITW: im dialog - Forschungen zum Gegenwartstheater + PeerReviewed: Peer Reviewe
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