16 research outputs found
Głos autorski w powieści Diny Rubiny „Maniak Gurewicz”
No full textThe polysubjective perception of the world in Dina Rubina’s novel allows us to observe the author’s voice in the narrator’s comments and the characters’ remarks. The author coordinates all the subjects of narration, and in his comments he makes a connection between the time the hero experiences the event and the time the reader comprehends it. The author’s commentary includes direct judgments from his own life experience, figures of silence (semantic gaps), as well as incorporated constructions. Through those ploys it is possible to present the picture of the world in the novel which is largely determined by the phenomenon of transition of the character’s internal state and his external displacement (emigration).Полисубъектное восприятие мира в романе Дины Рубиной позволяет отметить авторский голос в суждениях нарратора и репликах героев. Автор осуществляет координацию всех субъектов наррации и в своих комментариях осуществляет связь между временем проживания события героем и временем осмысления его читателем. Авторский комментарий включает непосредственные суждения из его жизненного опыта, фигуры умолчания (смысловые лакуны), вставные конструкции, посредством которых можно представить картину мира в романе. Она в значительной степени обусловлена явлением переходности внутреннего состояния героя и его внешнего перемещения(эмиграции).Wielopodmiotowe postrzeganie świata w powieści Diny Rubiny pozwala wyróżnić głos autora w komentarzach narratora i wypowiedziach bohaterów. Autor koordynuje wszystkie wątki narracji, a w swoich komentarzach łączy moment przeżywania wydarzenia przez bohatera z czasem ,w którym czytelnik go pojmuje. Komentarz autora zawiera bezpośrednie sądy z własnego doświadczenia życiowego, figury ciszy(luki semantyczne),a także konstrukcje inkorporowane. Dzięki tym chwytom możliwe jest przedstawienie obrazu świata w powieści, który w dużej mierze jest zdeterminowany przez zjawisko przejścia stanu wewnętrznego bohatera i jego zewnętrzne przemieszczenie (emigracja)
Особенности картины мира в романе Дины Рубиной Окна
No full textFeatures of the image of the world in Dina Rubina’s novel The WindowsIt is shown that the reflection leaning on keywords and keynotes allows to connect the separate moments of the biography in a difficult and multifaceted image of the world. From endured impressions of people and events, the author builds a peculiar chronicle of consciousness.Właściwości przedstawienia obrazu świata w powieści Diny Rubiny OknaW artykule zaprezentowano analizę powieści Diny Rubiny Okna pod kątem znaczenia lejtmotywówi słów kluczowych. Wykazano, że poszczególne obrazy życia jednostki składają się na wielowymiarowy obraz świata. Przedstawione wydarzenia i przeżycia postaci posłużyły Rubinie do stworzenia swego rodzaju kroniki świadomości
Życie zamknięte w komiksie. "Syndykat" Diny Rubiny
No full textA novel by Dina Rubina, entitled Syndicate is described as a narrative experiment, which
allows for various interpretations. The writer has updated a novel as a genre by combining it
with a comic. The author of the article identifi es elements of a comic present in Syndicate,
and shows how Rubina in her chosen form managed to unveil the absurd and ridiculous
elements of our lives and the world around us
On the (Re)construction of Identity in the Conditions of Russian-Jewish Borderland (Based on the Story “Apples from Shlitzbutter’s Garden” by Dina Rubina)
No full textThis article is devoted to the issues of identity formed in the Russian-Jewish borderland. The study discusses Dina Rubina’s short story “Iabloki iz sada Shlitsbutera” (“Apples from Shlitzbutter’s Garden”) as an autobiographical tale that reflects the actual processes of reconstructing the identity of the author-hero, a representative of the Great Aliyah, a person living at the crossroads of cultures. The author concludes that there is no fixed and unchanging identity. Particularly in the conditions of a cultural borderland and in watershed moments (repatriation), identity evolves and is subject to constant reconstruction.Artykuł poświęcony jest zagadnieniu tożsamości kształtowanej na rosyjsko-żydowskim pograniczu. W tekście omówiono opowiadanie Diny Rubiny Jabłka z sadu Szlicbutera (Iabloki iz sada Shlitsbutera) jako opowieść autobiograficzną, która odzwierciedla rzeczywiste procesy rekonstrukcji tożsamości autora–bohatera, przedstawiciela Wielkiej Aliji, człowieka żyjącego na styku kultur. Autor dochodzi do wniosku, że nie ma stałej i niezmiennej tożsamości. Szczególnie w warunkach pogranicza kulturowego oraz w momentach granicznych (repatriacja) tożsamość ewoluuje i podlega ciągłej rekonstrukcji
Pamięć przestrzeni w powieści Diny Rubiny Po słonecznej stronie ulicy
No full textThe article is devoted to the role of memory in the creation of the literary image of Tashkent in Dina Rubina’s novel On the sunny side of the street. Using the concepts of “individual and collective memory”, “personal city” and “place hollowed out in memory”, the author analyzes nar-rative strategies that are used in the novel to reconstruct the city’s space and the realities of life in wartime and post-war Tashkent. Space is a factor necessary for the proper functioning of memory. Erasing the memories, as well as changes in the appearance of the city — these are the causes of the trauma suffered by the novel’s narrators.Статья посвящена роли памяти в создании литературного образа Ташкента в произ-ведении Дины Рубиной На солнечной стороне улицы. Используя понятия индивидуальной и коллективной памяти, личного города и места выдолбленного в памяти, автор анализирует стратегии повествования, которые применяются в романе для реконструкции пространства города и реалий жизни в военном и послевоенном Ташкенте. Пространство — это фактор, необходимый для правильного функционирования памяти. Стирание воспоминаний, а также изменения в облике города, — это причины травмы, которой страдают по-вествователи романа
ETIKA KOMUNIKASI DALAM AL-QUR’AN (TELAAH “7 QAULAN”)
No full textHumans are social creatures, namely
creatures who always live in society and always need the participation of
other parties. This fact also illustrates how communication activities are not
something that is easily done by every human being. Because it is
considered commonplace so that someone tends not to realize incompetence
in communication.
In this case, the Qur'an provides many directions or positive values
that must be developed. The results of the study show, in the Qur'an there
are at least seven types of speech styles or talks (qaulan) which are
categorized as rules, principles, or ethics of communication, namely (1)
Qaulan sadidan, (2) Qaulan Baligha, (3) Qaulan Ma'rufan, (4) Qaulan
Karima, (5) Qaulan Layinan, (6) Qaulan Maysuran, and (7) Qaulan
Tsaqila. In this research, the author uses the type of library research.
Based on the results of the research from the perspective of
communication ethics, qaulan sadidan teaches to speak honestly without
manipulating information. While qaulan baligha means words that are
precise, clear, and pay attention to the context and listeners. qaulan ma'fura
communication must pay attention to politeness, not using harsh words or
insulting others, understanding the feelings of others. qaulan karima refers
to the use of kind, polite words. qaulan layyinan emphasizes the importance
of respect in communication. qaulan maysuran teaches to use words that are
polite, courteous, and do not hurt the feelings of others. qaulan tsaqila means
words that carry weight, taking into account the core principles of
communicating with dignity
Pandangan tokoh agama terhadap makna tahapan mencari mantu dalam tradisi pernikahan Bekasri di Lamongan: Studi kasus di Kelurahan Blimbing Kecamatan Paciran Kabupaten Lamongan
No full textINDONESIA:
Di Indonesia terdapat bermacam-macam adat dalam upacara pernikahan. Berisi tata cara dan tahapan yang harus dilalui oleh pasangan pengantin dan pihak-pihak yang terlibat didalamnya. Salah satu upacara pernikahan yang menarik adalah pernikahan bekasri. Daerah Lamongan memiliki tradisi sendiri dalam melaksanakan upacara pernikahan. Pernikahan di Lamongan ini disebut pengantin Bekasri. Berasal dari kata ‘bek’ yang berarti penuh dan ‘asri’ berarti indah. Jadi bekasri berarti penuh dengan keindahan yag menarik hati. Rumusan masalah dalam penelitian ini adalah bagaimana tahapan mencari mantu dalam tradisi pernikahan bekasri di Kelurahan Blimbing Kecamatan Paciran Kabupaten Lamongan dan bagaimana makna tahapan mencari mantu dalam tradisi pernikahan bekasri di Kelurahan Blimbing Kecamatan Paciran Kabupaten Lamongan menurut pandangan tokoh agama dan urf.
Jenis penelitian yang berupa penelitian empiris. Maka pendekatan yang digunakan dalam penelitian ini penulis menggunakan pendekatan kualitatif dan pendekatan ushul fiqh. Dapat ditinjau dari pendekatan ushul fiqh dalam kajian ‘urf untuk menjawab permasalahan dalam penelitian ini.
Diperoleh dua temuan setelah dilakukan penelitian, diolah dan dianalisis yaitu Pertama, tahap mencari mantu dalam pernikahan bekasri terdiri dari beberapa kegiatan yaitu, mandik/golek lancu, nyontok/ganjur, nothog dinten/negesi, lamaran, mbales lamaran, ambyuk/mboyongi, ngethek dino. Tahapan mencari mantu dalam tradisi pernikahan bekasri memiliki tata cara yang khas, tradisi tersebut dilakukan secara turun temurun karena adanya pengaruh budaya dari luar mengakibatkan pergeseran kebudayaan sehingga nilai-nilai adat hilang. Kedua, dalam setiap tahapan terdapat makna yang terkadung didalamnya, tahapan mencari mantu dalam tradisi pernikahan bekasri telah dikenal secara baik dalam masyarakat dan kebiasaan itu tidak bertentangan atau sejalan dengan nilai-nilai yang terdapat dalam ajaran Islam. Penelitian ini dapat dikatagorikan pada ‘urf shohih, yang mana tahapan mencari mantu dalam tradisi pernikahan bekasri di Kelurahan Blimbing ini dapat diterima oleh masyarakat dan mengandung kemaslahatan.
ENGLISH:
In Indonesia there are an assortment of custom in the wedding ceremony. Contains the procedures and stages that must be traversed by the couple and the parties involved. One of the attractive wedding ceremony is the wedding bekasri. The area has its own tradition of Lamongan in performing wedding ceremonies. Wedding in Lamongan is called the bride of Bekasri. Derived from the word ' Defender ' which means ' beautiful ' full and means beautiful. So bekasri means full of beauty that attracts the hearts. Formulation of the problem in this research is how stages are looking for law in the tradition of wedding bekasri at the village and subdistrict Blimbing Paciran Lamongan and how meaning stages looking for law in the tradition of wedding bekasri at the village and subdistrict Blimbing Paciran Lamongan according to the views of religious figures and urf.
This type of research in the form of empirical research. Then the approach used in this study the author using qualitative approach and approach Usul fiqh. Can be reviewed from the approach of Usul fiqh in studies of ' urf to address problems in this research.
Obtained two findings, after research, processed and analyzed in the first stage, i.e. looking for law in marriage bekasri consists of several activities i.e., mandik/golek lancu, nyontok/ganjur, nothog dinten/negesi, lamaran, mbales lamaran, ambyuk/mboyongi, ngethek dino. The stages are looking for law in the tradition of wedding bekasri has a typical Ordinances, the tradition of hereditary due to cultural influences from outside lead to the cultural shift so that indigenous values lost. Second, in each stage there are meanings contained therein, the stages are looking for law in the tradition of wedding bekasri has been well known in the community and that habit does not contradict or are inconsistent with the values contained in Islamic teachings. This research can be found on the ' urf shohih, which stages looking for law in the tradition of wedding bekasri in Kelurahan Blimbing is acceptable to society and contain the benefit
PROSES PEMBELAJARAN AL-QUR’AN HADITS BERBASIS MASALAH SOSIAL DI KELAS XI MAN 2 TASIKMALAYA
No full textThis research is motivated by the general conditions in the madrasa in the Al-Qur'an Hadith learning which are more dominant in rote learning without the contextualization of the verses or hadiths with the reality of real life today. Apart from that, learning of the Qur'an Hadith which can actually be a guideline in community life seems to be misguided when learning orientation is only to get a value in the form of numbers rather than life values that can be attached to individual learners as characters. So that in this social problem research study Al-Qur'an Hadits aims to find out the implementation of social problem based learning processes, looking for the importance or essence of the Al-Qur'an Hadith based learning on social issues, and knowing the role of the teacher and the psychological impact on students in the study of Al-Qur'an Hadith based on social problems.
This research method uses qualitative methods with a descriptive approach. That is, matching empirical reality with the prevailing theory. Data collection is done by observing the object of research, conducting interviews (interviews) with the parties related to this research, and studying related documents and looking for references to strengthen the findings in the study, the data analysis is done through the stages of data reduction, presenting data, and drawing conclusions.
The findings of this study are that in the learning process of the Al-Qur'an Hadith based on social problems there are three steps that must be taken, first, the learning planning stage contained in the Learning Implementation Plan (RPP), second, the implementation phase of learning consists of three meetings, the first meeting is an explanation of the material and orienting students on social issues, the second meeting is group discussion, the third meeting is the presentation of the results of group discussions, and the third stage, evaluation of learning. The urgency of learning Al-Qur'an Hadits based on social problems is the contextualization of the values of universal Islamic teachings as exemplified by Prophet Muhammad Shalalahu „Alaihi Wasslam in the Mecca and Medina periods. The teacher's role in this learning the author notes: 1) preparing the material, 2) opening the way of thinking, 3) emphasizing cooperative learning, 4) learning facilitators, and 5) implementing the learning process. While the impact on students can be seen from the way of thinking by looking for a middle ground and seeing a problem from various perspectives
ANALISIS STRATEGI MARKETING PUBLIC RELATIONS PIZZA HUT CIMAHI DI TENGAH PANDEMI COVID-19
No full textAbstrak Kerugian restoran akibat adanya pandemi Covid-19 selama Pembatasan Sosial Berskala Besar (PSBB) dalam dua bulan terakhir nilainya mencapai angka triliunan rupiah. Perusahaan harus menerapkan strategi yang tepat untuk menangani kondisi ini. Strategi Marketing Public Relations dinilai sangat efektif oleh setiap perusahaan agar bisa menarik konsumen dan meningkatkan citra baik bagi perusahaan. Tujuan dari adanya penelitian ini, penulis ingin mengetahui dan memahami bagaimana proses kegiatan yang dilakukan dalam melaksanakan strategi Marketing Public Relations tersebut. Metode yang digunakan yaitu metode deskriptif kualitatif dengan pengumpulan data melalui wawancara semi terstruktur, observasi di lapangan, pengamatan sosial melalui berbagai media. Hasil penelitian menunjukan Marketing Public Relations Pizza Hut Cimahi dalam menangani keadaan yang terjadi menerapkan Three Ways Strategy. Three Ways Strategy meliputi Pull Strategy dengan melakukan promosi menggunakan media, Push Strategy dengan memberikan diskon secara berkala, dan Pass Strategy dengan melakukan branding sebagai restoran yang tanggap situasi. Keberhasilan Pizza Hut Cimahi dalam menjalakankan Strategi Marketing Public Relations tersebut dilihat dari adanya pencapaian target penjualan yang lebih tinggi dibandingkan dengan Pizza Hut di daerah lain yaitu Pizza Hut di Kota Bandung. AbstractThe restaurant losses as a result of the Covid-19 pandemic and social restrictions on a large scale (PSBB) the past two months achieve a value of the billions rupiah. The company must implement the right strategy to handle this condition. Marketing Public Relations strategies are effective for companies to pull costumer and improve their brand image company. The purpose of this research, the author wants to know and understand how the process of activities is carried out in implementing the Marketing Strategy Public Relations. The method used is qualitative descriptive methods by data collection via semi structured interviews, field observations, social observations via various media. Research shows Marketing Public Relations of Pizza Hut Cimahi to handle of situation implemented Three Ways Strategy. Three ways strategy encompass a “Pull Strategy” by using media promotions, “Push Strategy” by giving periodic discounts, “Pass Strategy” the restaurant that are aware of the situation. Pizza Hut Cimahi success in carrying out the Marketing Strategy Public Relations is seen form the presentation of sales targets that are higher that the Pizza Hut is other areas namely Pizza Hut in the city of Bandun
Танатические и аудиальные мотивы в повести Дины Рубины Высокая вода венецианцев
No full textUtwór Diny Rubiny Высокая вода венецианцев (1999) wyróżnia na tle tekstu weneckiego literatury rosyjskiej dzięki szczegółowym opisom krajobrazu dźwiękowego miasta. Celem artykułu jest analiza fonosfery weneckiej w opowiadaniu Rubiny z wykorzystaniem sensorycznej geografii literackiej, a także sound studies (badań nad dźwiękiem). Analiza poszczególnych opisów zjawisk dźwiękowych ujawnia, że przyczyną, dla której Rubina zwraca szczególną uwagę na audiosferę miasta, jest przede wszystkim muzyczne wykształcenie pisarki. Okazuje się również, że obraz Wenecji, w tym jej audiosfery, ukazany jest w tekście przez pryzmat tradycji literackiej, zgodnie z którą Wenecja jest przedstawiana jako „miasto śmierci”, „miasto umierające”, „miasto umierających”.Произведение Дины Рубины Высока вода венецианцев (1999) выделяется среди других текстов литературной «венецианы» благодаря подробным описаниям звукового пейзажа города. Целью статьи является анализ венецианской фоносферы в повести Рубины. В исследовании используется сенсорная литературная география, а также soundstudies. В ходе анализа отдельных описаний звуковых явлений выясняется, что причиной выделения Рубиной звуковых элементов образа города стало, прежде всего, музыкальное образование писательницы. Также выясняется, что образ Венеции, в том числе и ее фоносфера, показан в тексте через призму литературной традиции, согласно которой Венеция изображается как «город смерти», «умирающий город», «город умирающих».The work of Dina Rubina Высокая вода венецианцев (Vysokaya voda venetsiantsev 1999) stands out among other texts of Venetian themes thanks to more detailed descriptions of the soundscape of the city. The article aims to analyze the Venetian phonosphere in the work of Rubina, using the potential of sensory literary geography, as well as soundstudies. In the course of the analysis of individual descriptions of sounds, it turns out that the reason for distinguishing the sound elements in the image of the city was, first of all, the musical education of the author. It is also explained that the image of Venice, including its phonosphere, is shown in the text through the prism of the literary tradition, according to which Venice is portrayed as the “city of death”, “the dying city”, “the city of the dying”
