1,721,066 research outputs found
Introduction to media and communication governance: from labelling to theorizing and practice
No full textAs an introduction to the Handbook of Media and Communication Governance, this chapter takes a deep dive into the notion of and issues relating to governance. It traces the use of governance generally and specifically in the field of media and communication, embracing a comprehensive definition. It then positions governance as an analytical concept that should not be used simply as a fancier label for regulation and argues that theorizing governance is essential for this concept to be applied as more than a heuristic. Next, we look at choices about, and challenges for, media and communication governance. The chapter ends with an elaboration of the editors’ positions. The chapters in this book are referred to throughout where they discuss media and communication governance in the light of theories, challenges, forms and levels of governance as well as rights and relevant issues for research and practice
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Public Service Media's Contribution to Society: RIPE@2021
No full textPublic Service Media (PSM) across Europe and beyond are increasingly under pressure, with both their role in a digital environment and their funding widely scrutinised. As a result, PSM organisations are constantly in a defensive position. Following attempts to demonstrate their “public value”, discussion is now turning towards PSM’s “contribution to society”, a concept pushed by the European Broadcasting Union. Yet, to be meaningful for society and to influence PSM organisations, the concept must be more than just an instrument of legitimacy management. While communicating the valuable contributions of PSM is important, the concept is useless if limited to the question of how to better sell the contribution of PSM to citizens instead of guaranteeing that PSM actually serves the public interest and makes a contribution worth funding and discussing.
This volume critically engages with the analytical value and usefulness of the contribution to society concept, related both to the EBU’s conceptualisation and to the larger, normative question of contribution. Such critical analyses are not only a worthwhile task for communication and media scholars, but also for practitioners and policy-makers involved in debates about PSM’s future. The first section of this volume defines and refines how PSM can serve the public interest by meeting the communication needs of society in unique ways that commercial media cannot. The second section discusses what PSM can be beyond broadcasting, touching upon personalised on-demand services, new forms of mobile distribution, and public service bots. The third section focuses on organisational change and innovation, ranging from citizen participation to transparency.PublishedPublic Service Media (PSM) across Europe and beyond are increasingly under pressure, with both their role in a digital environment and their funding widely scrutinised. As a result, PSM organisations are constantly in a defensive position. Following attempts to demonstrate their “public value”, discussion is now turning towards PSM’s “contribution to society”, a concept pushed by the European Broadcasting Union. Yet, to be meaningful for society and to influence PSM organisations, the concept must be more than just an instrument of legitimacy management. While communicating the valuable contributions of PSM is important, the concept is useless if limited to the question of how to better sell the contribution of PSM to citizens instead of guaranteeing that PSM actually serves the public interest and makes a contribution worth funding and discussing.
This volume critically engages with the analytical value and usefulness of the contribution to society concept, related both to the EBU’s conceptualisation and to the larger, normative question of contribution. Such critical analyses are not only a worthwhile task for communication and media scholars, but also for practitioners and policy-makers involved in debates about PSM’s future. The first section of this volume defines and refines how PSM can serve the public interest by meeting the communication needs of society in unique ways that commercial media cannot. The second section discusses what PSM can be beyond broadcasting, touching upon personalised on-demand services, new forms of mobile distribution, and public service bots. The third section focuses on organisational change and innovation, ranging from citizen participation to transparency
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
- …
