1,740,014 research outputs found
Ruskin traduzido: Sesame and Lilies por Proust e Catalán
Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Literatura, Florianópolis, 2009.Este trabalho parte da análise das traduções da obra Sesame and Lilies, de John Ruskin, para o francês e para o castelhano para fazer um exame de questões ligadas ao gênero ensaístico, à tradução de ensaios e à autoria. Para isso, analisarei a tradução de Marcel Proust para o francês e seu paratexto e a tradução para o castelhano feita por Miguel Catalán e o respectivo paratexto.This study analises the translations of Sesame and Lilies, by John Ruskin, into French and Spanish in order to examine issues related to the essay as a literary genre, to the translation of essays and to authorship. This exam will be carried out by analising the translation into French by Marcel Proust and its paratext and the translation into Spanish by Miguel Catalán, accompanied by its paratext
Terry Proust
"Terry Proust NX 165176 2nd Field Survey Coy Larrakeyah Barracks Darwin 7th August 1941 To 13th April 1943".Terry Proust. NX 165176. 2nd Field Survey Company, Larrakeyah Barracks, Darwin. 7th August 1941 - 13th April 1943.Date:199
The perfume in the univers of Proust
openNella tesi, Le parfum dans l’univers proustien, analizziamo la tematica della percezione olfattiva nella produzione letteraria di Proust. Uno dei punti fondamentali per capire al meglio le scelte tematiche e stilistiche dell’autore è comprendere le fondamentali fonti di ispirazione, proprio per questo viene dedicato un intero capitolo all’ispirazione di Proust. Il profumo è protagonista di diverse figure di stile, in particolare della metafora, che l’autore utilizza per dare colore alla sua scrittura. Impossibile parlare di Proust senza approfondire in questo caso la tematica della memoria involontaria, sono diverse le occasioni in cui lo scrittore si è servito delle sensazioni per affrontare le sue memorie. Per la creazione dell’opera Alla ricerca del tempo perduto, Proust s’ispira alle teorie filosofiche di Schopenhauer.In the thesis, the perfume in the universe of Proust, we analyze the theme of olfactory perception in Proust's literary production. One of the key points to better understand the author's thematic and stylistic choices is to understand the fundamental sources of inspiration, it is for this reason that an entire chapter is devoted to Proust's inspiration. Perfume is the protagonist of several figures of style, in particular metaphor is used by the author to give color to his writing. It is impossible not to mention Proust without deepening the subject of involuntary memory , there are several occasions in which the writer used sensations to address his memoirs. In the creation of the work In Search of Lost Time, Proust was inspired by the philosophical theories of Schopenhauer
Oeuvres complètes de Marcel Proust. tome dixième, Chroniques / Marcel Proust ; avertissement de Robert Proust
Il ‘tono’ Proust
According to the advocates of Proust therapy , Proust’s writings also have the power to help us improve and understand our lives. In recent years, studies, biographies and research on his family and friends have multiplied, in addition to crime novels and comics variously inspired by La Recherche, arguably the twentieth century’s greatest novel. In the light of recently uncovered materials, this new and original book, conceived and edited by Anna Dolfi, with the participation of researchers of different generations and backgrounds, moves in search of Proustian tonality, of the unmistakable timbre of a writing that the author pursued by continually correcting his texts, and of the methods of development and diffusion to which his work has been subjected by critics and translations that have inevitably altered his voice. This work, on the centenary of Proust’s death, provides an unprecedented and polyphonic reading of the great Marcel, seeking out lost traces and forgotten pages, and investigating the causes of desire and illness. We even discover a Proust who foresaw our pandemic fears and reclusiveness, by exploring every path of memory, despite having come to us “in pieces” due to those who have not read him in full, forgetting the advice of his great interpreters, and the marks left on Italian and foreign writers, poets, and thinkers. The structure of this book allows the reader to move freely among the various proposals, recreating in a paradoxical unity that dissemination of themes, figures, emergences, and intermittences typical of Proustian poetics and work
Proust et la musique | Marcel Proust Aujourd'hui | 2022
Proust et la musique, Marcel Proust Aujourd'hui, Vol.17, Brill, 2022 Volume Editors: Sjef Houppermans Manet van Montfrans Annelies Schulte Nordholt Sabine van Wesemael Nell de Hullu-van Doeselaar Les études sur le rôle de la musique dans l’œuvre de Proust ont presque toutes un trait en commun : celui de se situer, au moins en partie, dans la recherche musico-littéraire traditionnelle qui relève les allusions, identifie les œuvres auxquelles il est fait référence et cherche à mont..
Pôle Proust
[English below] Le Pôle Proust, animé par Anne Simon, s’insère dans le programme Littérature, pensée et formes de l’existence de l’axe Littératures et Textes du CRAL. Il diffuse les activités d’un réseau international de chercheurs faisant essaimer l’œuvre de Proust dans le champ des sciences du vivant, de l’homme et de la société, fédère des événements sur les rapports que son œuvre institue entre pensée, vie et création littéraire, et contribue à la mise en place scientifique de séjours de ..
Deleuze, Leibniz, Proust and Beckett : thinking in literature
The problem of the image of thought occurs at important moments within Deleuze’s works, yet it is not always at the forefront of his ideas. In Negotiations, Deleuze indicates that Difference and Repetition ‘is really about the nature of the postulates of the image of thought’, and that he ‘comes back to it in Proust and Signs, because Proust confronts the Greek image with all the power of signs’. The chronology is somewhat distorted in these comments: the concept, in fact, is first mentioned in Nietzsche et la Philosophie (1962), then again in the shorter first edition of Proust and Signs, Proust et les Signes (1964), before appearing in Différence et Répétition (1968). Yet the concept is more fully developed in Difference and Repetition and Proust and Signs, which both have chapters entitled ‘The Image of Thought’
The dialectic of self and other in Montaigne, Proust and Woolf
This thesis investigates the construction of identity in relation to an other. It considers three
writers who, working at moments when the nature of selfhood was an urgent issue, conduct
profound and original enquiries into the question of self- construction, and seeks both to
reassess their contributions to this debate, and, in bringing their preoccupations and methods
to bear upon each other, to open up new ways of approaching and reading their work.
Considering a range of socio-cultural and religious forms of otherness -- the cannibal, the
witch, the Jew, the aristocrat, the woman, the divine -- it embraces material from a number of
important modem critical fields, and suggests how these topics might be combined to offer a
coherent statement about the enduring issue of s elf- fashioning.
The thesis seeks to map out a trajectory of decreasing investment in external communities,
and an increasing perception of the self as a source and agent in the construction of identity.
Looking in turn at the work of Montaigne, Proust and Woolf, it argues that where the Essais
construct complex orders which appropriate the other to reinforce the identity of the self,
Proust and Woolf increasingly, although gradually, and by no means always successfully,
attempt to negotiate a less precisely- engaged relationship between other and self, and to
assign the other a less constitutive role in the realization and expression of identity. The
thesis also considers more briefly contexts in which this trajectory is reversed. To the extent
that they examine modernist subjectivity, Proust and Woolf articulate an anxiety about the
separation of self and world which leads to an attempted recuperation of the integrated orders
depicted by Montaigne
Benjamin Taylor | Proust: The Search | 2015
Benjamin Taylor, Proust: The Search, New Haven, Yale University Press, “Jewish Lives”, 2015 Biographie, 224 pages Proust-The Search Marcel Proust came into his own as a novelist comparatively late in life, yet only Shakespeare, Balzac, Dickens, Tolstoy, and Dostoyevsky were his equals when it came to creating characters as memorably human. As biographer Benjamin Taylor suggests, before writing In Search of Lost Time, his multivolume masterwork, Proust was a literary lightweight, but, follow..
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