1,720,961 research outputs found
Incontenibili : nuove avanguardie e gallerie d'arte nel panorama italiano e francese degli anni Sessanta
No full textLa presente ricerca propone un’analisi del contesto artistico italiano e francese degli anni Sessanta in cui si sono sviluppate le correnti neoavanguardia (dal Nouveau Réalisme alla Pop Art, dalle ricerche cinetiche e programmate agli sviluppi concettuali, dall’Arte Povera alle esperienze multimediali e alla pratica dell’happening), con particolare riferimento all’attività espositiva delle gallerie private che in questo decennio si dimostrano i luoghi più adatti per accogliere le sperimentazioni e dare voce all’aspetto performativo delle nuove operazioni artistiche. L'analisi è strutturata in tre parti fondamentali: la prima è dedicata all’attività espositiva degli spazi privati nei maggiori centri italiani (Venezia, Roma, Milano, Torino, Genova, Bologna) e alle iniziative legate alla produzione delle neoavanguardie; la seconda riguarda la vicenda del Nouveau Réalisme e i rapporti che si instaurano tra la scena artistica francese e quella italiana, ricostruiti attraverso il profilo delle gallerie parigine maggiormente impegnate nel sostegno e nella promozione dei membri del gruppo; la terza riflette infine sulla trasformazione della tradizionale idea di “oggetto” artistico, che nel corso del decennio modifica in modo significativo tanto le modalità di percezione da parte del pubblico quanto il rapporto dell'opera con lo spazio, portando ad una crisi della stessa sede espositiva.The following research offers an analysis of the artistic context in Italy and France during the sixties, when important neo-avant-garde trends developed (from Nouveau Réalisme to Pop Art, from Kinetic to Conceptual Art, from Poor Art to multimedia experiences and Happening). In this decade, the private galleries turn out to be the most appropriate and suitable places to host the new artistic experimentations and performances. The research is divided into three parts: the first one is about the private exhibition spaces of some of the most important Italian cities (Venice, Rome, Milan, Turin, Genoa, Bologna) and all the initiatives related to the production of the neo-avant-garde; the second part concerns the history of the Nouveau Réalisme and the relationships developed between France and Italy, recreated throughout the profile of the Parisian galleries more committed for supporting and promoting the members of the group; the third part is focused on the transformation of the traditional idea of artistic "object" in the course of the decade, that significantly changes both the way the public perceives the artwork and the relation between the artwork and the space, leading to a crisis of the gallery and the exposition space
Gertrud Bing. Bibliografia delle opere e della letteratura critica (in Appendice, una Nota biografica)
No full textA complete bibliography of the writings of Gertrud Bing and of the curatorships, publications, and translations edited by herself. In addition, a review of the critical literature dedicated to her, as a scholar and intellectual (updated in November 2020). In the Appendix, a schematic Biographical note
Due esercizi di contro-sovranità morale
No full textScopo dell'articolo è quello di analizzare i due testi pittorici di Flavio Favelli intitolati "Serie Imperiale" come azioni morali orientate a preservare la memoria popolare della tradizione comunista italiana nella provincia di Bologna
La predica di San Romualdo in San Clemente
No full textPubblicazione di un importante dipinto di Antonio Marinetti il Chiozzotto
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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