1,720,976 research outputs found

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Multimodal signals in anurans

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    Frösche kommunizieren vorwiegend mit akustischen Signalen, allerdings verwenden einige Arten multimodale (akustische und visuelle) Signale während der intra-spezifischen Kommunikation. Visuelle Signale können in geräuschvoller Umgebung eine zusätzliche oder ergänzende Kommunikationsweise ermöglichen. Das Beinwinken (foot flagging) eine auffäl-lige Form von visuellem Signalverhalten hat sich in mindestens 16 Arten aus 5 verschiede-nen Familien entwickelt. Die Vielzahl dieser Arten lebt und reproduziert entlang schnellflies-sender Bergbäche, die ein kontinuierliches Hintergrundrauschen generieren. Um die Funkti-on des Beinwinkens als multimodale Signalkomponente besser zu verstehen, haben wir drei asiatische Arten aus zwei Familien untersucht und die akustischen und visuellen Signale in Feldexperimenten getestet. Die auf Borneo heimischen Arten Staurois parvus und S. guttatus verwenden hochfre-quente Rufe und reduzieren dadurch akustische Interferenzen vom umgebenden Bachrau-schen und benutzen zusätzliche visuelle Signale, um die Verteidigungsbereitschaft eines Rufstandort anzuzeigen. Interessanter Weise kann dieses Verhalten bereits bei juvenilen Tieren, die im Wiener Tiergarten Schönbrunn gezüchtet wurden, beobachtet werden. Micrixalus saxicola aus den Western Ghats (Indien) bewohnt weniger geräuschvolle Bä-che, welche die akustische Kommunikation nicht einschränken. Die akustischen Signale kön-nen jedoch von arteigenen Rufchören maskiert werden. Die Männchen verwenden visuelle Signale, wie Beinwinken und Beinheben während agonistischen Interaktionen. Reaktionen auf akustische oder multimodale Signalstimuli zeigen, dass die Schallblase als zusätzliches visuelles Hinweissignal fungiert. Gegenüberstellungen von Reaktionen auf akustische, visuelle und multimodale Stimuli und Analysen der Signalhelligkeit der Schwimmhäute von M. saxicola und S. parvus, verdeutlichen die Unterschiede in Ausmaß und Stellenwert des Sig-nalverhaltens der jeweiligen Art. Zusammengefasst ermöglichen diese Untersuchungen Schlussfolgerungen über die Funktion und Wirksamkeit der visuellen Signale in der Kommunikation von Fröschen.The predominant communication mode of anuran amphibians are vocalizations, however intraspecific communication may involve multimodal (acoustic and visual) cues or signals in many more species than previously thought. Visual signals may act as an additional or a complementary mode of communication in noisy environments. Foot flagging as a striking form of visual signaling behavior has evolved in at least in 16 species from 5 different fami-lies mainly living along fast-flowing streams, which generate continuous broadband back-ground noise. To better understand the function of foot flagging as multimodal signal compo-nent, we studied three Asian species from two families and performed cue-isolation experi-ments in the field. The Bornean species Staurois parvus and S. guttatus avoid acoustic interference of am-bient stream noise by using call frequencies less masked by the background and utilize ac-companying visual signals to announce the readiness to defend calling sites, interestingly this behavior can be observed already in juveniles bred in the Vienna Zoo. Micrixalus saxicola from the Western Ghats (India) occurs along less noisy streams and acoustic signals are rather masked by chorus noise from conspecifics than by abiotic noise. Males use a variety of visual signals including foot-flagging and tapping during agonistic behavior. Receiver responses from acoustic- vs. multimodal playback presentations provide evidence that the vocal sac acts as an additional visual cue. Comparisons of signal response to acoustic, visual and multimodal stimuli and analysis of signal brightness of foot webbings in M. saxicola and S. parvus further highlight differences in the magnitude and significance of signaling behavior in the respective species. Together these investigations allow us to draw conclusions on signal efficacy and function and help to better understand the evolution of multimodal communication in anuran

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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