1,751,748 research outputs found
Interview avec Michel Prada
No full textMichel Prada : Interview
Michel Prada is in favor of the so-called « twin peaks » regulation, such as it is developed in France. In this system, market regulation and financial intermediaries regulation are clearly separated. This doesn’t prevent the two regulators to cooperate efficiently. Michel Prada is opposed to a european SEC : it is however essential to organise a real and active cooperation between national regulators.
Classification JEL : G18Michel Prada (Président de la Cob) indique dans son interview qu’il est favorable à un système à deux piliers, tel qu’il se met en place en France. Ce système repose sur une différenciation entre, d’un côté, le contrôle prudentiel qui a pour objet d’assurer la régulation d’intermédiaires financiers porteurs de risques dans leur bilan, et d’un autre côté, le contrôle de marché qui est une régulation plus microéconomique portant sur les règles concernant les comportements et les pratiques des acteurs de marché dans leurs relations entre eux. Selon Michel Prada, s’il y a intérêt à confier ces deux formes de contrôle à des organismes différents, il est également nécessaire que ces derniers coopèrent étroitement entre eux par des systèmes de représentations croisées dans leurs organes de direction. Il ne paraît pas opportun à Michel Prada d’envisager un grand régulateur de marché européen, une SEC européenne. Cela poserait trop de problèmes pratiques. En revanche, il essentiel d’organiser une coopération, sous forme d’un vrai réseau de régulation avec des relations étroites et organisées entre les régulateurs. A ce sujet, Michel Prada cite le travail remarquable accompli par l’Organisation internationale des commissions de valeurs (OICV) : ce club de régulateurs d’origine nord américaine qui fonctionne depuis 25 ans a permis de tisser des liens étroits et féconds entre régulateurs. De même, à l’échelle européenne, l’expérience du Forum of european securities commissions (Fesco), créé en 1997 à Paris, est cité en exemple par Michel Prada.
Classification JEL : G18Prada Michel. Interview avec Michel Prada. In: Revue d'économie financière, n°60, 2000. Sécurité et régulation financières. pp. 117-124
[Concierto de Amancio Prada]
No full textConcierto de Amancio Prada, interpreta las canciones del poema "cántico espiritual
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Pumps
No full textMary Jane style pumps of purple leather with elaborate black stitching. Cap toes; French heels, 4” high.
Label: "Prada
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Loafers
No full textWoman’s loafers of purple leather with built-up/stacked, chunky heels; square toes.
C) With rose satin drawstring shoe bag.
Label: "Prada Milano
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Pumps
No full textD’Orsay style pump of red leather with tan ankle strap and border on open toe and vamp; 3.5” stacked heel. Tortoise shell buckle.
Label: "Prada
[catalog] Projects for Prada part 1 /
No full textOMA/AMO Rem Koolhaas, Herzog & De Meuron : Prada, works in progress : stores, offices, factories : New York, Los Angeles, San Francisco, Tokyo, Terranuaova, Arezzo. 02.03 - 08.04.2001Architectuurfocu
Machines à Penser:Fondazione Prada, Venice. The Venice Biennale
No full textThe international exhibition 'Machines à Penser' at the Fondazione Prada in Venice, Italy is curated by the acclaimed curator and writer Dieter Roelstraete (MCA Chicago, Documenta Kassel, Germany, Prada Thought Council, currently Neubauer Collegium University of Chicago) and is part of the international Venice Biennale of Architecture, 26 May–25 November 2018. Through bringing together a number of artists' works, the exhibition explores the correlation between conditions of exile, escape and retreat and physical or mental places which favour reflection, thought and intellectual production.'Machines à Penser' focuses on three major philosophers of the 20th century: Theodor W. Adorno (1903-1969), Martin Heidegger (1889-1976) and Ludwig Wittgenstein (1889-1951). The latter two shared a life-long need for intellectual isolation: Heidegger spent long periods of his life in a secluded hut in the village of Todtnauberg in the Black Forest in Germany, whilst Wittgenstein retreated on several occasions to a small mountain cabin situated in a fjord in Skjolden, Norway.Moreton was invited to present fifteen artworks which included new practice-led research that re-visoned Nan Shepherd's 'views' of the landscape of the Cairngorm mountains in Scotland, through the depiction of the Scottish architectural vernacular 'fog house' in parallel to the philosophical mountain retreats (Wittgenstein and Heidegger) that are central to the curatorial themes in the exhibition presented at the Fondazione Prada. Moreton's new and existing photographic works depicting the landscape of Nan Shepherd's philosophical meditation 'The Living Mountain' and the ruins of Ludwig Wittgenstein's retreat in Skjolden, Norway were presented in the galleries of the Fondazione alongside Gerhard Richter's overpainted photographic works of the Swiss Engadine mountainscapes evoking Friedrich Nietzsche's 'thinking space' in Sils-Maria. This is an academically researched exhibition of contemporary art that also includes works by internationally acclaimed artists Gerhard Richter, Anselm Kiefer, Goshka Macuga (Turner Prize), Susan Philipsz (Turner Prize) Ian Hamilton Finlay, Alec Finlay, Sophie Nys, Mark Riley, Patrick Lakey, and Albrecht Dürer.<br/
Fashion Culture: Agatha Ruiz De La Prada
No full textAriele Elia and Elizabeth Way, curators of the exhibition Global Fashion Capitals, spoke with Spanish designer Agatha Ruiz de la Prada about her successful career in fashion. Since the early 1980s, her brand has been based in Madrid but has had global reach, with points of sale in over 150 countries. Characterized by a whimsical, often surrealist style, her designs are featured in MFIT's Global Fashion Capitals and are also showcased this summer (2015) in the exhibition Agatha Ruiz de la Prada: Posters Design at the Instituto Cervantes New York
Manuel González Prada: un anarquista sui generis
Get PDFTesis de maestríaEl trabajo, presenta las características más destacadas, del pensamiento político del pensador peruano Manuel González Prada. Desde sus inicios como librepensador, luego un radical y finalmente como anarquista.MaestríaMagister en Ciencia Polític
Pandion haliaetus
No full textPosible observación, transmitida por D. J. de Prada al autor, de un Águila pescadora (Pandion haliaetus) en Ledesma (Salamanca), pescando en el río Tormes.An uncertain observation, communicated from D. J. de Prada to the author, of an Osprey (Pandion haliaetus) fishing at the Tormes River in Ledesma (Salamanca)
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