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ПРО НЕРОЗСУДЛИВІСТЬ ЖІНКИ І НЕ ТІЛЬКИ (ПОЕТИЧНІ МІНІАТЮРИ О.ГОЛДСМІТА ПРО КОХАННЯ)
Get PDFВ фокусе внимания – две поэтические миниатюры о любви английского писателя ХУ111 века О.Голдсмита, в которых отражено своеобразие манеры писателя и основные художественные и идеологические тенденции его времени. Это своеобразие проявляется, прежде всего, в смешении разных стилей и пафоса – серьезного и игрового. Все это исследователи соотносят не только с индивидуальной манерой О.Голдсмита, но и с эстетикой рококо. Оба стихотворения обыгрывают ту специфичную сторону любви, которая находится за рамками «узаконенных» приличий, но привлекает поэта по многим причинам гораздо больше, чем любой из привычных «нравственно-выдержанных» любовных сюжетов. Выбранная для анализа поэзия, воплощает мысли поэта о микрокосме человеческого бытия, где есть свои «безумные» законы, где возможно весело, а не только «пессимистически», как думал Дм.Затонский, «размышлять о пороках индивидуального человеческого отношения к бытию», где возможно «решительно отменить регламент и респектабельность». Все это, безусловно, делало Голдсмита предвестником романтизма. В парадоксальной встрече серьезного и комического – как в сюжете поэтических миниатюр, так и в стиле О.Голдсмит по-своему выражает свое приятие человека таким, каков он есть, со всеми его пороками и слабостями. Игровое начало в поэзии писателей ХУ111 века и в творчестве О.Голдсмита, в частности, есть знак свободного дыхания поэтической души, отвергающей уже исчерпавшие себя стереотипы и «правила».The paper focuses on two poetic miniatures about love by the English writer of the XVIII th century O.Goldsmith. These miniatures embody the specificity of the writer’s manner and the main artistic and ideological tendencies of the time. That specificity finds its expression first of all in the mixture of different styles and pathos – serious and playful. All that scholars correlate not only with Goldsmith’s individual manner but with the aesthetic of rococo. The interest to Goldsmith’s art is growing nowadays. That is proved by an amount of investigations, dissertations appeared recently. But what concerns the Ukrainian literary studies one must admit a fair and sad conclusion of D Chik that the creative art of Goldsmith has not been yet a special object of investigation in Ukraine. Though his name and his works where always touched upon in the context of many Ukrainian investigations of the literature of the XVIIIth century. The priority of the Dnipro University school of the scholars studying the European literary XVIIIthe c. is certain. The both verses deal with the specific aspect of love located outside the borders of “legalized proprieties” but which are so attractive for the author’s attention due to many causes more than any other of the common “morally steadfast plots” about love. The poems are similar in an obvious two-sided depiction, in an exquisite playfulness which attributes them both with the style of rococo. Here the female’s or mistress’s qualities and properties are praised but they are those which according to the logic of things had to cause only conviction. And thus a demonstrated intention of moralizing turns into joke. The poems chosen for the analysis embody the author’ s idea about microcosm of a man’s existence where there are its own “crazy laws” and where it is possible to have fun and not to be pessimistic, according to D.Zatonsky’s judgment, in one’s reflection about “ sins of men’s attitude to the life”, and where it is possible “to reject decisively regulations and respectability”. All that, without any doubt, made Goldsmith a forerunner of Romanticism. The joking verses about love includes in themselves, as it is seen, much of what goes beyond the borders of the topic chosen by Golsmith. “A lovely woman” turns out to be a concretized image of a common recognizable man, one of those «good people all of every sort», for whom so often the writer appeals and whom he loves and sympathizes with so much. In investigating the diversity of a man’s essence Goldsmith revealed some common rules of existence and in different forms of his art the writer thought about that. In the paradoxical encounter of the serious and the comic in the plot of the poetic miniatures as well as in the style Goldsmith embodies in his own way his perception and adoption of a human being what he is with all his weak sides and faults. The playful component of the XVIIIth century writers’ poetry and Goldsmith poetry included is a sign of a free breathing of a poetic soul which rejects all stereotypes and “rules” as exhausted to the full. The idea of frailty of life and its finiteness no matter how lofty the man’s aspirations could be is transformed in the poetry of a great mockingbird. The poems quite contrary are full of life and life-affirming pathos. Not rejecting the very thought about man’s mortality Goldsmith calls for a life acceptance in all its appearances. And this call is embodied in the form of a mischievous game. Goldsmith’s conversation with his reader at that is a sign of a boiling vital energy. У фокусі дослідження дві поетичних мініатюри про любов англійського письменника ХУІІІ століття О.Голдсміта, у яких відображено своєрідність манери письменника та основні художні й ідеологічні тенденції його часу. Ця своєрідність знаходить свій прояв, перш за все, у змішенні різних стилів і пафосу – серйозного та грайливого. Все це дослідники співвідносять не тільки з індивідуальною манерою О. Голдсміта, а й з естетикою рококо. Інтерес до творчості Голдсміта сьогодні зростає. Це підтверджує певна кількість досліджень, дисертацій, які щойно з’явилися. Але, що стосується українських літературних студій, треба погодитись з судженням Д.Чік у тому, що літературна спадщина Голдсміта ще не була об’єктом спеціальної уваги дослідників. Обидва вірша англійського письменника ХУІІІ століття, що пропонуються для розгляду, обіграють ту специфічну сторону кохання, яка знаходиться за рамками «узаконених пристойностей», але які приваблюють увагу поета за багатьма причинами набагато більше, ніж будь який із звичних «морально витриманих сюжетів про кохання. Обрані для аналізу вірші втілюють думку автора про мікрокосм людського буття, де є свої «божевільні закони», де можливо весело, а не тільки «песимістично», як стверджував Д.Затонський, «розмірковувати «про пороки індивідуальних людських відносин до буття», де можливо «рішуче скасувати регламент і респектабельність». Все це, безумовно, робило О.Голдсміта провісником романтизму. Жартівливі вірші про кохання долучають до себе, як стає очевидним, багато з того, що виходить за межі теми, яку обирає Голдсміт. «Приваблива жінка» виявилася конкретизованим образом впізнаною пересічною людиною, однією з тих численних «добрих людей», до яких автор часто-густо апелює, яким симпатизує і яких він любить так сильно. Досліджуючи різноманітність людської сутності, Голдсміт відкриває деякі загальні правила буття, про які розмірковує у своєї творчості. У парадоксальній зустрічі серйозного та комічного як у сюжеті поетичних мініатюр, так і в стилі О.Голдсміт по своєму втілює своє прийняття людини такою, якою вона є, зі всіма її слабкості ми та пороками. Грайлива складова поезії письменників ХУІІІ ст. і творчості О.Голдсміта зокрема є знаком вільного дихання поетичної душі, яка відкидає стереотипи та «правила», які вже вичерпали себе
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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