272 research outputs found
In Memoriam Lyudmila Demidyuk (1936-2023)
Get PDFA noted scholar of our time, a Soviet and Russian linguist, teacher, author of a textbook on the Indonesian language and a number of dictionaries, our colleague and friend Lyudmila Nikolaevna Demidyuk passed away on July 4, 2023 in Moscow.Lyudmila Demidyuk was born on March 4, 1936 in Moscow in the family of a government official: her father was a noted expert in the field of mining.In 1963, she graduated from the Institute of Oriental Languages at Lomonosov Moscow State University (since 19..
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Lyudmila Petrushevskaya: Bravely Exposing the Depths of Human Suffering During the Soviet Union and Beyond
No full textLyudmila has played an important role in Soviet and post-Soviet literature, as a voice speaking out for change in censorship. Despite her work being repeatedly banned, she continued to write extensively, and it was not until glasnost and perestroika that her realistic portrayal of all parts of life for the urban Russian citizen, which often was dark and dismal, was unbanned and released for public acknowledgment. Gaining widespread and even international popularity during perestroika, some would say Petrushevskaya was ahead of her time when compared with other women’s prose writers, as well as practitioners of chernukha, a gloomy Russian literary style. After thoroughly researching Petrushevskaya’s writing, five observed common themes of her writing are defined; human suffering and examining the human psyche, unfiltered honesty and implementation taboo physical phenomena, prominent female characters, representing the ordinary person, and family and relationship dysfunction. Within this thesis is included a translation of one of Petrushevskaya’s short stories named “That Kind of Girl” (“Такая девочка” 1988), along with a literary analysis of the piece. This thesis aims to show readers how Lyudmila Petrushevskaya influenced Soviet readers before and after the fall of glasnost, as well as how the author was influenced by events in her own life. Additionally, it intends to give English-speaking audiences a deeper glimpse into the realities of Russians during communist times, examining how Lyudmila Petrushevskaya utilized her voice to portray the inner sufferings of humans in a raw, unfiltered manner, despite active efforts to censor the talented writer
Lyudmila Petrushevskaya: Bravely Exposing the Depths of Human Suffering During the Soviet Union and Beyond
No full textLyudmila has played an important role in Soviet and post-Soviet literature, as a voice speaking out for change in censorship. Despite her work being repeatedly banned, she continued to write extensively, and it was not until glasnost and perestroika that her realistic portrayal of all parts of life for the urban Russian citizen, which often was dark and dismal, was unbanned and released for public acknowledgment. Gaining widespread and even international popularity during perestroika, some would say Petrushevskaya was ahead of her time when compared with other women’s prose writers, as well as practitioners of chernukha, a gloomy Russian literary style. After thoroughly researching Petrushevskaya’s writing, five observed common themes of her writing are defined; human suffering and examining the human psyche, unfiltered honesty and implementation taboo physical phenomena, prominent female characters, representing the ordinary person, and family and relationship dysfunction. Within this thesis is included a translation of one of Petrushevskaya’s short stories named “That Kind of Girl” (“Такая девочка” 1988), along with a literary analysis of the piece. This thesis aims to show readers how Lyudmila Petrushevskaya influenced Soviet readers before and after the fall of glasnost, as well as how the author was influenced by events in her own life. Additionally, it intends to give English-speaking audiences a deeper glimpse into the realities of Russians during communist times, examining how Lyudmila Petrushevskaya utilized her voice to portray the inner sufferings of humans in a raw, unfiltered manner, despite active efforts to censor the talented writer
The heroines of Lyudmila Ulitskaya, portrayal of women's everyday life
No full textCilj je ovog diplomskog rada pokazati na koji način autorica Ljudmila Ulicka prikazuje svakodnevicu svojih junakinja. Analizom junakinja iz njezinih poznatih djela Sonječka i druge priče i Iskreno vaš, Šurik moguće je uočiti kako autorica na različite načine obrađuje teme koje se smatraju obilježjima suvremene ženske proze poput tjelesnosti i seksualnosti, invaliditeta, starenja, majčinstva i snalaženja u teškim životnim uvjetima. Opisujući žensku stvarnost Ulicka prepliće biologiju i psihologiju, a u središte navedenih djela stavlja individualno žensko iskustvo.The goal of this thesis is to demonstrate the ways in which the author Lyudmila Uliskaya portrays the everyday life of her female protagonists. By analyzing the female protagonists of her most famous literary works Sonechka and other stories and Sincerely yours, Shurik it is possible to perceive that the author takes different approaches to the topics which are usually associated with women's writing, such as body and sexuality, disability, ageing, motherhood and survival in the harsh life conditions. In describing female reality, the author intertwines biology and psychology, and makes the individual female experience the center of the works aforementioned
Otherworldly Space in Novel by Lyudmila Ulitskaya “Kukotsky Enigma”
Get PDFThe features of the image of the otherworldly space in the novel “The Kukotsky Enigma” are considered. The relevance of the topic is due to Lyudmila Ulitskaya’s understanding of the text as a tool with which one can “see the otherworldly”. The concepts of “otherworldly” and “otherworldly space” have been differentiated. The main principles of the image of the otherworldly space in the novel are highlighted: mirroring, carnivalization, its timeless arrangement. Attention is paid to the level organization of space in the novel. The mythologemes of water, sand and fire as fillers of space are investigated. It is noted that the novel “The Kukotsky Enigma” is characterized by the connection of the other world with reality through a number of border spaces: dreams, motives of water and illness. It is noted that the water in the novel is a “portal” to the other world, in which it is transformed into sand; the possibility of rebirth in the Middle World, the author solves the problems of the moral and philosophical order. It is concluded that the Middle World desert is associated with the female womb, where the characters are experiencing a new birth. It is shown that the space also determines the change of the onomapoetic code: the characters traveling in the Middle World change their names to nicknames, and the names remain with the characters who crossed the border of no return and remained permanent inhabitants of the other world
On the anniversary of Lyudmila Andreevna Bespalova, an outstanding breeder, Vice President of the Vavilov Society of Geneticists and Breeders (VOGiS), Academician of the Russian Academy of Sciences (RAS)
Get PDFApril 2, 2022 marks the anniversary of Lyudmila Andreevna Bespalova, an Academician of the Russian Academy of Sciences, one of the prominent wheat and triticale breeders, the author of many varieties introduced into agricultural practice both in our country and abroad, which are cultivated in areas encompassing millions of hectares, thus making a significant contribution to solving the global food security problem. Lyudmila A. Bespalova is a recognized classic in the field of wheat breeding and seed production, she has published over 300 scientific papers, and received about 120 copyright certificates and patents. Acad. Bespalova is a bright representative of domestic breeders, who maintains the traditions of one of the largest scientific schools and takes an active part in the life of the community of geneticists and breeders in this country by training young specialists and increasing the prestige of and demand for the profession of a breeder
Reliable robot localization : a constraint-programming approach over dynamical systems
No full textThe focus of this book is on interval methods for robot localisation. The book presents thoroughly the methodology and illustrates it with examples from underwater robots in unknown environments
Verbalization of the concept «Home / House» in the prose by Lyudmila Sharga
No full textМова: науково-теоретичний часопис з мовознавства / ОНУ ім. І.І. Мечникова. – Одеса: Астропринт, 2014. – за 2013, №20: Присвячено 120-річчю від дня народження Володимира Володимировича Маяковського.Значительный интерес для современных лингвистических исследований представляют концепты. При этом наиболее актуальным направлением исследования концептов в лингвистике является изучение ключевых культурных и художественных концептов национальной культуры. Одним из таких концептов в русской культуре и в сознании носителя русского языка является концепт «Дом». Данная статья посвящена исследованию проблем оязыковления концепта «Дом» в прозаических произведениях современной одесской писательницы Людмилы Шарга. В работе делается попытка определить основные средства вербализации концепта «Дом» в художественных текстах Людмилы Шарга. Рассмотрено содержание общеязыкового концепта «Дом», а также определены средства, формирующие понимание данного концепта. Кроме того, выявлены зоны многозначности концепта «Дом» в художественной речи Людмилы Шарга, проводится анализ лексем, репрезентирующих исследуемый концепт, выявляются зоны несовпадения данного концепта в кодифицированном языке и идиостиле Людмилы Шарга. В частности, рассматривается усложнение содержания концепта «Дом» за счёт появления в его структуре новых слотов, обусловленных особенностями индивидуально-авторского восприятия. Представляет несомненный интерес расширение содержания концепта «Дом» за счёт региональной специфики литературы.Значний інтерес для сучасних лінгвістичних досліджень являють собою концепти. При цьому найбільш актуальним напрямком дослідження концептів у лінгвістиці е вивчення ключових концептів національної культури. Одним з таких концептів у російській культурі й у свідомості носіїв російської мови е концепт «Дім / Будинок». У цій статті досліджується проблема омовлення концепту «Дім / Будинок» у прозі сучасної одеської письменниці Людмили Шарга. У роботі здійснено спробу визначити основні засоби вербалізації концепту «Дім / Будинок» у художніх текстах Людмили Шарга. Розглянуто зміст загальномовного концепту «Дім / Будинок», а також визначено засоби, що формують розуміння даного концепту. Крім того, виявлено зони багатозначності концепту «Дім / Будинок» у художньому мовленні Людмили Шарга, проведено аналіз лексем, які репрезентують досліджуваний концепт, виокремлено зони незбігу змісту даного концепту в кодифікованій мові й ідіостилі Людмили Шарга. Зокрема, розглядається ускладнення змісту концепту «Дім / Будинок» за рахунок появи в його структурі нових слотів, зумовлених особливостями індивідуально-авторського сприйняття. Представляє безперечний інтерес розширення змісту концепту «Дім / Будинок» за рахунок регіональної специфіки літератури.Concepts are of great interest for modern linguistic research. The topical issue of studying concepts in linguistics is analysing the key cultural and artistic concepts of the national culture. The concept «Home»/«House» is one of such concepts in the Russian culture and in the minds of Russian native speakers. This paper is dedicated to the problems of verbalization of the concept «Home»/«House» in the prose by contemporary Odessa writer Lyudmila Sharga. The paper illustrates an attempt to define the main means of verbalization of this concept in the artistic texts by Lyudmila Sharga. It considers the contents of the general linguistic concept «Home»/ «House», and reveals the means that grant its understanding. The author also analyses lexemes representing this concept and the mismatch zones of the concept «Home»/«House» in Lyudmila Sharga’s codified language and individual style. In particular, the author analyses the complication of the concept contents as a result of new slots appearing in the concept structure that are motivated by the peculiarities of the writer’s individual world-perception. The contents complication of the concept «Home»/ «House» concerned with regional traits of literature is another problem of undoubted interest
The phenomenon of the ego-text in the collection of short stories by Lyudmila Petrushevskaya Wanderings about Death
No full textВ статье рассмотрен феномен эго-текста на примере сборника Людмилы Петрушевской «Странствия по поводу смерти». Выявляется эгоцентрический характер изображаемой действительности в таких произведениях сборника, как «Странствия по поводу смерти», «Строгая бабушка», «Сила воды», «Мальчик Новый Год», «Как Пенелопа», «Дорога Д.». Исследуется проявление интенции автора в данном художественном тексте, а также использованные при этом текстологические приемы.The article deals with the phenomenon of the ego-text in a literary text on the example of the collection of Lyudmila Petrushevskaya's Wanderings about Death. The egocentric nature of the depicted reality is revealed in such works of the collection as «Wanderings about death», «Strict Grandmother», «The Power of Water», «Boy New Year», «Like Penelope», «Road D.». The author examines the manifestation of the author's intention in this literary text, as well as the textual techniques used in this case
Things - emotions - identity in selected short stories from the collection "Childhood forty nine" by Lyudmila Ulitskaya
Get PDFArtykuł zawiera analizę trzech opowiadań Ludmiły Ulickiej [Woskowa kaczuszka (Восковая уточка), Gwoździe (Гвозди), Dziadek-szeptacz (Дед-шептун)], których bohaterami są dzieci. Ich najwcześniejsze doświadczenia życiowe, emocje i relacje z innymi ludźmi wpływające na kształtowanie
się tożsamości znajdują się w centrum uwagi pisarki. Celem artykułu jest zwrócenie uwagi na rolę,
jaką w formowaniu się tożsamości bohaterów odgrywają przedmioty. Przedmioty powszednie nabierają w oczach dzieci cech niezwykłych i wywołują silne reakcje emocjonalne: zaciekawienie lub
pożądanie. Emocje te pełnią w życiu dzieci kluczową rolę, gdyż inicjują proces uświadamiania sobie własnego „ja”. Emocje o dużym natężeniu wyznaczają początek przechodzenia od dzieciństwa do dorosłości. Kontekst dla analizy stanowią inne teksty L. Ulickiej, w których autorka porusza
temat relacji człowieka z rzeczami.The article analyses three short stories by Lyudmila Ulitskaya [Wax Duckling (Восковая уточка),
Granddad Whisperer (Дед-шептун) and Nails (Гвозди)] whose protagonists are children. Their
earliest life experiences, emotions and relationships influencing the formation of identity, are at the
centre of the writer’s attention. The aim of this paper is to draw attention to the role that objects
play in the formation of characters’ identities. Ordinary objects take on an extraordinary quality
in children’s eyes and evoke strong emotional reactions: curiosity or desire. These emotions play an
important role in children’s lives, as they initiate the process of becoming aware of one’s own self.
Intense emotions mark the beginning of the transition from childhood to adulthood. The context
for the analysis is provided by Ulicka’s other texts, in which the author addresses the issue of man’s
relationship with things
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