6,383 research outputs found
Writers Talk Featuring Donald Pollock
No full textInterview featuring Donald PollockThe media can be accessed here: http://streaming.osu.edu/knowledgebank/cstw10/Donald_Ray_Pollock.mp3Ohio State University. Center for the Study and Teaching of Writin
Life is too short to be serious all the time: Donald Duck presents unconventional motivations for publishing in academia
No full textIn this food for thought article, we introduce the ‘Donald Duck Phenomenon’ to consider ten unconventional reasons for publishing in academia. These include (i) symbolic immortality, (ii) personal satisfaction, (iii) a sense of pride, (iv) serious leisure, (v) cause credibility, (vi) altruism, (vii) collaboration with a friend or family member, (viii) collaboration with a hero, (ix) conflict or revenge, and (x) for amusement. The article was inspired by the lead author’s social media search for a co-author with the surname ‘Duck’. Through LinkedIn, the lead author, Associate Professor William E. Donald, who is based in the UK and specialises in Sustainable Careers and Human Resource Management, found a collaborator, Dr Nicholas Duck, based in Australia and specialises in Organisational Psychology. While the collaboration may appear somewhat ‘quackers’, per one of Donald Duck’s famous phrases, “Life is too short to be serious all the time, so if you can’t laugh at yourself then call me… I’ll laugh at you, for you”. We hope that this article offers some interesting insights, particularly for academics at the start of their scholarly journey, and acts as a way to stimulate conversation around unconventional reasons for publishing in academia
A lithic analysis of the Pollock Works : an investigation of chert usage of the Ohio Hopewell at the Pollock Works
No full textThis study is an in-depth analysis of the Lithic Artifacts excavated at the Pollock Works (a hilltop enclosure located outside Cedarville, Ohio). It is my intent to conduct a detailed analysis of the lithic artifacts from the Pollock Works in order to test the following hypothesis: Chipped stone artifacts at the Pollock Works are primarily from local and semi-local sources because these artifacts represent construction activities at the site rather than ceremonial practices. If the chert artifacts and flakes were primarily ceremonial, they would be comprised of primarily exotic cherts.I macroscopically analyzed the lithics excavated from Trench R and Trench T at the Pollock Works, 33 Gr 5, by Dr. Robert V. Riordan and Field School participants from Wright State University in Dayton, OH. Analysis concentrated on the identification of the types and sources of chert in the sample, using the Wright State classification scheme.This study is significant to the understanding of whether the Hopewell who built the Pollock Works used certain chert types in the construction of the earthwork versus the ritual aspect of the site. It was also important to analyze these lithics in order to help make inferences about the use of the Pollock Works. This study will eventually be useful to the final site report on the Pollock Works. It will also be a valuable reference tool for archaeologists studying the Pollock Works.Thesis (M.A.)Department of Anthropolog
Author and literary critic Donald Shaw
No full textAuthor and literary critic Donald Shaw, b&w.https://mds.marshall.edu/parthenon_photo_morgue/1399/thumbnail.jp
Donald Elder papers
No full textDonald Elder (1913-1965) was an editor with Doubleday, Doran and Co., which published the English translation of José Joaquín Fernandez de Lizardi's The Itching Parrot in Katherine Anne Porter's name. He was also the author of Ring Lardner, A Biography. The collection consists of correspondence between him and Porter. Important subjects include writers and writing and Porter's personal interests and opinions, as well as The Itching Parrot and Ship of Fools
"Letter with No Address" - Poem by Donald Hall
No full textDonald Hall reads his poem "Letter with No Address," an epistolary poem written for his late wife, the poet Jane Kenyon. Hall is a former U.S. Poet Laureate and the author of 16 books of poetry, as well as fiction.http://deepblue.lib.umich.edu/bitstream/2027.42/85036/1/letterwithnoaddress_donalhall.mp
Friends of the Sherlock Holmes Collections Newsletter, 2012, Vol 16, No. 3
No full textQuarterly newsletter of the Friends of the Sherlock Holmes Collections at the University of Minnesota Libraries. This issue is devoted to the Sherlockian experiences of scholar Donald Yates; Reverend Henry T. Folsom's chronology, "Through the Years at Baker Street"; notes from the President on various events, including the triennial conference in August 2013; recent acquisitions; musings by the editor; recent visitors to the Collections from Virginia and Nebraska; and the curator's local presentations as part of the Libraries "Speaker's Bureau."Yates, Donald; McKuras, Julie; Sveum, Richard J; Johnson, Timothy J; Pollock, Donald; Klinger, Leslie S. (2012). Friends of the Sherlock Holmes Collections Newsletter, 2012, Vol 16, No. 3. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/255013
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Self-Betrayal or Self-Deception? The Case of Jackson Pollock
No full textClement Greenberg interpreted the rise of authentic modern art as a rejection of kitsch and “half-baked” religiosity and celebrated Jackson Pollock as representing what he called for. However, his presentation of Pollock as a leading modernist fails to do justice to his lifelong spiritual quest and to his desire to reach a broad public, which led him to open his art and person to the popular media of photography and film. Following Greenberg, Donald Kuspit would have us understand Pollock’s embrace of and by the public as a self-betrayal, transforming his great abstractions into decorative kitsch. Kuspit’s understanding of Pollock’s “true self”, however, cannot convince. His embrace of the public did lead Pollock to doubt his artistic enterprise: his dream of art as alchemy. But, the great abstractions testify to the power of that dream to create great art, challenging us to reconsider the relationship between authentic art and mass culture, of modernism, spirituality, and the public
Letter from [Donald Hata] to Michi Weglyn August 25, 1977
No full textThis letter from Donald Hata to Michi Weglyn thanks her for her time and effort in her response to his student's request for assistance and information about the "Peruvian internees." He also informs her that the review he wrote of her book had just been published in the "Journal of American history," and also updates her on his promotion to full professor at the university.Collection of notes, articles, correspondence, photographs, and term papers collected by Yukio Mochizuki, a student at CSU Dominguez Hills, while researching Japanese American incarceration and Japanese Peruvian internment during World War II
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