2,771 research outputs found
Conclusion. Les trois pouvoirs de la médiation numérique
No full textPour conclure, laissons la parole à Pascal Plantard qui souligne ici les enjeux ayant accompagné la mise en place des ateliers informatiques et numériques en bibliothèque, depuis la fin des années 90. Dans ces espaces, il est possible d’apprendre à utiliser un traitement de texte, une boîte mail, un logiciel… mais aussi de partager des idées, de faire circuler des discours, des images, et par là même de faire lien avec d’autres. La médiation numérique a un effet de socialisation en ceci qu’el..
E-inclusion: braconnage, bricolage et butinage
No full textNous n’avons pas tous les mêmes attitudesà l’égard des nouvelles technologies. Observateur attentifdes usages numériques, Pascal Plantard décrypteici les différents comportements à l’oeuvre. Il dessine desstratégies, éclaire les jeux d’acteurs. Et souligne combienl’éducation joue un rôle primordial pour favoriserl’E-inclusion, qui est l’exact contraire de l’exclusionnumérique. Ses trois B – braconnage, bricolage et butinage– décrivent de manière imagée et pertinenteles scénarios en présence
Pascal Plantard, Agnès Vigué-Camus, dirs, Les Bibliothèques et la transition numérique. Les ateliers internet, entre injonctions sociales et constructions individuelles
No full textLa fracture numérique s’est déplacée des équipements aux usages et les bibliothèques en tant que lien social pour les plus démunis, conscientes de ce problème, jouent leur rôle de médiateur dans ce domaine. Cet ouvrage, sous la direction de Pascal Plantard, enseignant-chercheur à l’université de Rennes 2, spécialiste de l’exclusion numérique et Agnès Vigué-Camus, chargée d’études en sociologie à la Bibliothèque publique d’information (BPI), présente les ateliers internet comme des solutions p..
Samuel Beckett and the Writers of Port-Royal
No full textIt has been observed that ‘the literary influences on Beckett have been far more important than has been acknowledged, and more important indeed, than the philosophical influences’ (Smith 2002: 3). The truth of this statement is evidenced by the description that scholars have given of Samuel Beckett’s relationship to seventeenth century French classicism. To date, critical interest has been limited for the most part to the figure of the philosopher René Descartes on the (fragile) grounds that Beckett was exclusively concerned with the Cartesian imperative of clarity and order, the fundamental dualism between body and mind, and Nominalism.
Together with the assumption that Beckett’s vision was essentially Cartesian, his literary filiation with Pascal was suggested by critics, but only in terms of Beckett’s formal approach to the theatre. In his short article on En attendant Godot in 1953, the playwright Jean Anouilh was among the first reviewers to suggest that Beckett’s drama synthesizes the encounter between ‘classicism’ and a ‘modern’ form of art. It is well known that Beckett retained a lifelong admiration for Pascal – indeed, Pascal was one of his ‘old chestnuts’ (Knowlson 1997: 653). Little attention has been paid, however, to the originality of Pascal’s thought, the specific nature of his prose, and the impact these might have had upon Beckett’s mature work, especially the trilogy and the subsequent short prose. Yet, in the literary and philosophical context of post-war France, Beckett’s filiation with Pascal, their corresponding preoccupations, were evident to his contemporaries, who identified Pascal as an underlying presence in his works
Sabil and Wikala of Dhul Fiqar Oda Bashi
No full textinterior, courtyard, "Vue de l'Okel Zoulfiqar," color plate XLIV of Pascal Coste's "Architecture arabe; ou, Monuments du Kaire, mesurés et dessinés, de 1818 à 1826", 1818-182
First person - Aude Pascal
No full textInternational audienceFirst Person is a series of interviews with the first authors of a selection of papers published in Journal of Cell Science, helping early-career researchers promote themselves alongside their papers. Aude Pascal is first author on `Annexin A2 and Ahnak control cortical NuMA-dynein localization and mitotic spindle orientation', published in JCS. Aude is a research assistant in the lab of Re ' gis Giet at University of Rennes, France, who is particularly interested in developmental biology. She has always been struck by the fact that a whole organism displaying multiple functions arises from a single cell. For this reason, she has oriented her research on mitosis and meiosis to study the different steps, components and structures involved in these processes
Pascal Tutorial, 1987
No full textThere exists a limited number of tutorials for the Pascal programming language using the Apple Computer. The demand for these tutorials exceeds the supply. In this thesis an attempt was made to rectify this shortage by designing a Pascal tutorial for the Apple computer. This Pascal tutorial is designed to assist with instructing an introductory computer programming course in Pascal, incorporating Apple Superpilot as the authoring language. Emphasis is placed on making the program "user friendly." A person with no previous programming experience should be able to easily execute this tutorial. The information presented as the subject matter of the tutorial will follow the guidelines recommended by the Association for Computing Machinery
Architecture arabe; ou, Monuments du Kaire, mesurés et dessinés, de 1818 à 1826
No full textgeneral view, "Vue des Tombeaux au Nord-Est de la Ville," color plate LXIII of Pascal Coste's "Architecture arabe; ou, Monuments du Kaire, mesurés et dessinés, de 1818 à 1826", 1818-182
Gamia el-Muaiyad
No full textinterior, qibla wall, "Vue de la Niche du Sanctuaire et de la Chaire de la Mosquee el Moyed"," color plate XXVIII of Pascal Coste's "Architecture arabe; ou, Monuments du Kaire, mesurés et dessinés, de 1818 à 1826", 1818-182
Architecture arabe; ou, Monuments du Kaire, mesurés et dessinés, de 1818 à 1826
No full textsection, section of the prayer hall, and details of inscription and chandelier, Plate XXIII of Pascal Coste's "Architecture arabe; ou, Monuments du Kaire, mesurés et dessinés, de 1818 à 1826
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