1,720,955 research outputs found
Videopresentación de la Revista Arte/Críticas. XI Congreso Argentino de Semiótica 2023
No full textEn el año 2003 abre sus puertas la carrera de Crítica de Artes y el Área Departamental de Crítica de Artes, bajo la conducción del querido e inolvidable Oscar Traversa (figura tan relevante para este espacio que hoy el Área lleva su nombre). En ese momento, todavía no era la UNA, sino el IUNA (Instituto Universitario Nacional de Arte). Carlos Dámaso Martínez comienza a dar la materia Taller de Producción Crítica en 2007. Como parte del taller, al año siguiente Carlos con la ayuda de una estudiante que era diseñadora abre un blog y revista con la idea de publicar los trabajos de lxs estudiantes. Así comienza Arte/Críticas, una revista digital que se fue convirtiendo en parte fundamental del taller. Gracias a la existencia de A/C, la materia se transforma realmente en un laboratorio de práctica de la escritura crítica, ya que logra así involucrar todas las etapas del desarrollo de la escritura: análisis de la agenda cultural, selección y discusión de obras y artistas, escritura de los primeros borradores, corrección, otra vez discusión, edición, publicación y difusión. Lo que comenzó como un blog, un par de años más tarde se convirtió en una revista digital con su dominio, parte de las publicaciones del Área de Crítica.
A fines del año 2010, me sumo como JTP a la materia que conducía Carlos y trabajamos juntos durante casi ocho años. La revista es parte relevante de la materia porque estimula el trabajo de escritura de lxs estudiantes con el horizonte de la publicación. Los géneros que se publican son múltiples: críticas, ensayos, entrevistas, perfiles. La revista abarca todos los lenguajes artísticos que son parte del plan de estudios (artes visuales, música, danza, cine, teatro), pero también hay textos sobre literatura y, por supuesto, teoría. Desde el año 2016 , nos sumamos a la carrera de Curaduría en Artes y nuestra materia se pasa a llamar Taller de Producción de Escritura Crítica y Curatorial. Ese mismo año el sitio de la revista se cayó y hubo una interrupción que fue breve. Gracias a la colaboración de Carlos Puerto Vallejo, que fue adscripto de la materia, muy pronto fue relanzada la revista en formato wordpress con un nuevo diseño. Una parte importante del material de la revista fue recuperado, gracias al trabajo que realizó Nacho Sigal. Luego ese material fue subido al Repositorio Digital del Área por Laura Amarilla y Rose Marie Guarino. Desde antes, trabajaron en el Repositorio Lucila Da Col, Magdalena Casanova, Florencia Altieri y Sonia.
En 2017 se jubila Carlos, yo quedo a cargo de la materia y se suma como docente Marina Locatelli, quien fue alumna de Carlos, adscripta y publicó entrevistas, ensayos y críticas en la revista. Tuvimos siempre la colaboración de todxs lxs adscriptxs que fueron pasando por la materia. En diferentes períodos pasaron por la materia y por la revista: Rose Marie Guarino (que hoy es docente de la materia también), Florencia Ortolani (flamante directora del Museo de Arte Contemporáneo), Sofía Calvano, Santiago López, Carlos Puerto Vallejo, Micaela Gorojovsky, Triana López Basch, Laura Amarilla, Sol Montaldo. Actualmente tenemos un equipo de adscriptxs que llevan adelante la edición de la revista con dedicación y que nos acompañan en esta presentación: Laura Amarilla, Paula Goodbar, Florencia Pérez Calonga, Ricardo Wildman, Ignacio Pedernera. Lxs tres docentes realizamos el primero trabajo de corrección y edición durante la cursada, y lxs adscriptxs, con la coordinación sobre todo de Rose, hacen una edición final y suben los textos.
Cuando el decano del Área Sergio Ramos nos invitó a preparar este evento de la revista para el Congreso de Semiótica, no nos habíamos dado cuenta de que está cumpliendo 15 años. Es una importante cantidad de años y ésta es una excelente oportunidad para celebrar ese aniversario. La cantidad de ensayos, entrevistas y críticas que se han publicado es difícil de calcularenorme: 416 textos en la revista nueva y hay 1108 textos en el Repositorio . La revista está viva porque lxs estudiantes escriben para publicar durante las cursadas y siguen enviando sus textos después de cursar. Es un espacio de debate, escritura, edición y discusión. La revista tiene un impacto en el campo artístico argentino: los artistas, curadores y críticos comparten y difunden los textos que se publican. Es un laboratorio de formación, de difusión (la revista tiene cuentas en Facebook, Instagram y Twitter) y de discusión, en el cual lxs estudiantes pueden no sólo conseguir las primeras líneas de su currículum vitae sino también foguearse en la dinámica de edición de un medio de comunicación digital contemporáneo. Es un espacio que les permite intervenir en el campo artístico y comenzar a interactuar con sus agentes: artistas, directorxs, críticxs, curadurxs, galeristas. Por todo esto, nos pareció una buena ocasión para festejar la existencia de la revista y para homenajear a su fundador, el escritor y profesor Carlos Dámaso Martínez
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
- …
