1,721,016 research outputs found
Sampling and Fieldwork Practices in Europe (SaFPE)
No full textThe aim of this project was to create a meta database containing methodological characteristics of 1537 different surveys, that have been implemented in European countries as a part of six main cross-country comparative programs, i.e., Candidate Countries Eurobarometer (CCEB), Eurobarometer (EB), European Quality of Life Studies (EQLS), European Social Survey (ESS), European Values Study (EVS), International Social Survey Programme (ISSP).
Principal investigator Piotr Jabkowski: pjabko[at]amu.edu.pl
Faculty of Sociology, Adam Mickiewicz University of Poznan (Poland).
This project was supported by a grant of the National Science Centre Poland (grant no. 2017/01/X/HS6/01304): "Comparative analysis of the quality of survey samples in the cross-national studies on the basis of external and internal criteria of representativeness: survey archivisation and meta-bases of results"
sj-docx-1-cos-10.1177_00207152241229395 – Supplemental material for The wealth of nations matters: A cross-national analysis of how political orientation and household income affect attitudes toward environmental protection
No full textSupplemental material, sj-docx-1-cos-10.1177_00207152241229395 for The wealth of nations matters: A cross-national analysis of how political orientation and household income affect attitudes toward environmental protection by Piotr Cichocki, Piotr Jabkowski and Mariusz Baranowski in International Journal of Comparative Sociology</p
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
The syntax for creating measures of straightlining proposed in a paper by Kim et al. (2018) adapted for the 21 - Portrait Value Questionnaire from the European Social Survey
No full textThis syntax produce Straightlining Measures proposed in a paper by Kim et al. (2018) for ESS 21-Portrait Value Questionnair
The syntax for creating measures of straightlining proposed in a paper by Kim et al. (2018) adapted for the 21 - Portrait Value Questionnaire from the European Social Survey
No full textThis syntax produce Straightlining Measures proposed in a paper by Kim et al. (2018) for ESS 21-Portrait Value Questionnair
A Meta-analysis of Within-Household Selection Impact on Survey Outcome Rates, Demographic Representation and Sample Quality in the European Social Survey
No full textThe syntax for creating measures of straightlining proposed in a paper by Kim et al. (2018) adapted for the 21 - Portrait Value Questionnaire from the European Social Survey
No full textThis syntax produce Straightlining Measures proposed in a paper by Kim et al. (2018) for ESS 21-Portrait Value Questionnair
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Supplemental material: Increase in the quality of methodological documentation of cross-national pan-European multi-wave surveys over the last 40 years – a research note
No full text- …
