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[[alternative]]A Research on the calligraphies of Scripture-Writing of Dun-Huang of Ping-Cheng period in Bei-Wei Dynasty
[[abstract]] 針對從書法判斷敦煌未紀年寫卷年代的問題,本文就北魏平城時期敦煌寫經書法之點畫、結體、章法分析、歸納後,對疑似北魏早期的寫卷進行考探,除驗證斷代的可行性外,更探討北魏平城時期敦煌寫經書法在書法史上的意義。 本論文共分七章:第一章說明研究動機與目的,界定研究範圍與方法,並對前人有關的研究作述評;第二章概述北魏平城時期主要楷書載體;第三至五章,就各寫經之點畫、結體和章法作傾向與共同傾向的分析和歸納;第六章在實際考探三卷敦煌寫卷後,探討了北魏平城時期敦煌寫經書法的意義;第七章為結論,除確認運用書法作為判斷未紀年敦煌寫卷的可行性外,並認為北魏平城時期敦煌寫經書法在書法史上所含「手寫墨跡具現點畫姿態」、「寫經書法管窺文化雜揉」、「經生字跡得見雅俗相通」的意義是值得重視的。[[abstract]] To those examination Handwrittens of Dun-Huang not writing down times , how should come to judge their question of times from the calligraphy, among stipple、structure、composition that this text pays attention to the calligraphies of Scripture-Writing of Dun-Huang of Ping-Cheng(平城) period in Bei-Wei (北魏)Dynasty at first, analyse and after summing up , it is investigated and explored to suspected to be the early Handwrittens in Bei-Wei Dynasty and then , besides verifying the feasibility of division of history into periods, probe into the callidraphies of Scripture-Writing of Dun-Huang of Ping-Cheng period in Bei-Wei Dynasty, the meaning in the history of calligraphy even more. This thesis divides into seven chapters altogether, chapter one states research motive and purpose, establish research range and method , and explain and criticize the researcher's relevant research of before; Chapter two outline the standard script of Ping-Cheng period in Bei-Wei Dynasty; From the third to five chapters, among stipple、structure、composition analysis that is inclined to and inclined to togethering and summing up on every Handwrittens; Chapter six, after taking an exam of three Dunhuang′s Handwrittens,and probe into the callidraphies of Scripture-Writing of Dun-Huang of Ping-Cheng period in Bei-Wei Dynasty′s meaning;Chapter seven a conclusion, besides confirming using calligraphies as the feasibility of judging the Handwrittens of Dun-Huang not writing down times , and think the calligraphies of Scripture-Writing of Dun-Huang of Ping-Cheng period in Bei-Wei Dynasty in the history of calligraphy , the「Shou Xie Mo Ji Ju Xian Dian Hua Zi Tai(手寫墨跡具現點畫姿態)」、「Xie Jing Shu Fa Guan Kui Wen Hua Za Rou(寫經書法管窺文化雜揉)」、「Jing Sheng Zi Ji De Jian Ya Su Xiang Tong(經生字跡得見雅俗相通)」meanings included are worth paying attention to
An Economy-wide Analysis of Impacts of WTO Tiered Formula for Tariff Reduction on Taiwan
In this study we use Taiwan as a case study to provide an economy-wide analysis of impacts on Taiwan of WTO tariff reduction schemes with different combinations of thresholds and reduction rates. The model we utilized in this study is Taiwan General Equilibrium Model with a WTO module (TAIGEM-WTO, hereafter) that is a multi-sectoral computable general equilibrium (CGE) model of the Taiwan's economy derived from Australian ORANI model (Dixon, Parmenter, Sutton and Vincent, 1982). Simulation results show that results are more sensitive to the scheme of tariff-reduction (i.e., Category 1, 2, and 3) than the tiered levels (i.e., A, B, C, and D) and as a strategy we should pay more attention to the arguments related to the amounts of tariff-reduction. Moreover, changes in nominal average tariff rates are more sensitive and shocks to the economy are more severe when we change the tariff reduction categories rather than the tiered levels. This conclusion also applies to the tiered reduction case when only sensitive products are considered. Finally, simulations with sector's bound rate calculated using arithmetic means have bigger effects than those using import values as weights. Therefore, sector's bound rate using import values as weights would be preferred.International Relations/Trade,
An Economy-wide Analysis of Impacts of WTO Tiered Formula for Tariff Reduction on Taiwan
In this study we use Taiwan as a case study to provide an economy-wide analysis of impacts on Taiwan of WTO tariff reduction schemes with different combinations of thresholds and reduction rates. The model we utilized in this study is Taiwan General Equilibrium Model with a WTO module (TAIGEM-WTO, hereafter) that is a multi-sectoral computable general equilibrium (CGE) model of the Taiwan's economy derived from Australian ORANI model (Dixon, Parmenter, Sutton and Vincent, 1982). Simulation results show that results are more sensitive to the scheme of tariff-reduction (i.e., Category 1, 2, and 3) than the tiered levels (i.e., A, B, C, and D) and as a strategy we should pay more attention to the arguments related to the amounts of tariff-reduction. Moreover, changes in nominal average tariff rates are more sensitive and shocks to the economy are more severe when we change the tariff reduction categories rather than the tiered levels. This conclusion also applies to the tiered reduction case when only sensitive products are considered. Finally, simulations with sector's bound rate calculated using arithmetic means have bigger effects than those using import values as weights. Therefore, sector's bound rate using import values as weights would be preferred.Computable General Equilibrium (CGE), Tiered Formula, WTO, International Relations/Trade,
Characterizing the departure process of a single server queue from the embedded Markov renewal process at departures
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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