1,720,984 research outputs found
PHOTORESPONSIVE POLYMERS - PHOTOMODULATION OF THE MACROMOLECULAR STRUCTURE IN POLY(L-LYSINE) CONTAINING SPIROPYRAN UNITS
No full textPoly(L-lysine) was reacted with spiropyran reagents to give polypeptides containing 46 and 25 mol % spiropyran units in the side chains. The resulting modified polymers were soluble in hexafluoro-2-propanol (HFP), where they exhibited reverse photochromism. In pure HFP, the photochromic polymers were random coils and the structure was not affected by the photoisomerization of the side chains. When appropriate amounts of cosolvents such as triethylamine or methanol were added to the HFP solutions, exposure to visible light (500 nm) or to sunlight for a few seconds produced the coil --> alpha-helix transitions of the macromolecular chains. The back-reaction in the dark was accompanied by the progressive decrease of the a-helix content and recovery of the original disordered conformation. CD measurements showed that the photoisomerization of the photochromic side chains was able to trigger the coil --> helix transition of the macromolecules only in a very narrow range of HFP/NEt(3) or HFP/MeOH solvent composition; therefore, spiropyran-modified poly(L-lysine) can be considered a typical example of photoresponsive systems having a ''gated photoresponse''
Modulation of Chain Conformation of Spiropyran-Containing Poly(L-lysine) by the Combined Action of Visible Light and Solvent
No full textMolecular, supramolecular and environmental effects on the photoswitching of side chain photochromic macromolecules
No full textDehydro-dermorphins. III. Circular dichroism investigation of conformation in solution
No full textDehydropeptide analogs of dermorphin (H-Tyr-D-Ala-Phe-Gly-Tyr-Pro-Ser-NH2) and N-terminal fragments containing one or two dehydrophenylalanine residues in the 3rd and/or 5th position, have been investigated by means of CD spectroscopy. The results indicate that the above dehydropeptides can adopt different conformations in alcohol and water solutions. In methanol and trifluoroethanol, the CD spectra are mainly consistent with the presence of folded structures, probably stabilized by intramolecular hydrogen bonds. In water, conversely, CD data indicate disruption of ordered structures and formation of preferentially extended flexible conformations. Models of the involved folded structures are tentatively proposed, taking into account the geometric features of dehydro residues and their tendency to favor hydrogen-bonded 10-membered rings
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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