1,720,952 research outputs found
"<<Die>> Bibel zu lesen ist ein reines Vergnügen" : biblische Bezüge in der Lyrik der Exilsdichterin Stella Rotenberg
No full textDas lyrische Werk der mehrfach ausgezeichneten österreichisch-jüdischen Exilautorin Stella Rotenberg ist Ausdruck der großen Tragödie des 20. Jahrhunderts, der Shoa. Stella Rotenberg schreibt einerseits gegen das Vergessen, andererseits um ihre eigenen traumatischen Erfahrungen zu verarbeiten. Geboren 1915 in Wien wurde sie schon früh mit Antisemitismus konfrontiert. Der ?Anschluss? 1938 bedeutete das Ende ihrer Existenz in Österreich. 1939 gelang ihr die Flucht in die Niederlande und nach Großbritannien, wo sie bis heute lebt. In ihrer Lyrik, die ab 1940 entstand, griff die Autorin in vielfältiger Weise auf biblische Texte, Themen und Figuren zurück. Ihrer Bibelrezeption ist diese Arbeit gewidmet.Einleitend wird in methodischer Hinsicht das Analyseinstrumentarium der Intertextualität vorgestellt und für die Untersuchung ausgewählter Bibelbezüge ein einschränkender Intertextualitätsbegriff gewählt. Weiters wird der Bibelrezeption in der deutschsprachigen Literatur, vor allem im 20. Jahrhundert, nachgegangen. Das zweite Kapitel setzt sich mit dem Leben und Werk Stella Rotenbergs auseinander. Das dritte Kapitel ist der exemplarischen Analyse zweier Gedichte gewidmet: ?Kain? (vgl. Gen 4,1?16) und ?Laß mein Volk ziehen? (vgl. Ex 5,1). Die Gedichtinterpretationen erfolgen in einer Zusammenschau von biblischem Referenztext, dessen literarischer Rezeptionsformen und der Biographie der Autorin. Stella Rotenbergs Bibelrezeption steht immer im Zeichen der Shoa, ist Ausdruck ihrer persönlichen Leid- und Verlusterfahrungen. In der Aufnahme biblischer Stoffe geht es Stella Rotenberg jedoch nicht nur um den Ausdruck der eigenen Erfahrungen. Gezielt nutzt sie die Bibel für ihr Plädoyer für ein friedliches Miteinander, für ein universelles Recht auf Leben.The lyric poetry of the exiled Austrian-Jewish author Stella Rotenburg, who has received several awards for her work, is an expression of the great tragedy of the 20th century, the Shoah. Stella Rotenberg writes partly to preserve the memory of the victims and partly to come to terms with her own traumatic experiences. Born in 1915 in Vienna, Rotenberg was confronted with anti-Semitism from an early age. The Anschluss of 1938 meant the end of her life in Austria. In 1939 she managed to flee to the Netherlands and to Great Britain, where she lives today. In her poetry, which was written from 1940 onwards, the author made widespread use of biblical texts, themes and figures. This study is devoted to the biblical references in her work.In the introductory part of this study the inter-textual analytical method is presented, and a limited model chosen for this survey of selected biblical references. Further, the use of biblical references in German-language literature, particularly in the 20th Century, is explored. The second chapter examines the life and work of Stella Rotenberg. The third chapter employs the above-mentioned method to analyse two poems: ?Kain? (see Gen. 4: 1-16) and ?Laß mein Volk ziehen? (see Ex. 5: 1). The interpretation of the poems is based on a synopsis of the biblical text, the literary form of the reference, and the biography of the author.Stella Rotenberg?s biblical references are always overshadowed by the Shoah, and express her personal experience of suffering and loss. However she does not use biblical material only to express her own experiences. She also uses the Bible purposefully in her plea for peace, and for a universal right to life.vorgelegt von Edith PetschniggGraz, Univ., Dipl.-Arb., 201
"<<Die>> Bibel zu lesen ist ein reines Vergnügen" : biblische Bezüge in der Lyrik der Exilsdichterin Stella Rotenberg
No full textDas lyrische Werk der mehrfach ausgezeichneten österreichisch-jüdischen Exilautorin Stella Rotenberg ist Ausdruck der großen Tragödie des 20. Jahrhunderts, der Shoa. Stella Rotenberg schreibt einerseits gegen das Vergessen, andererseits um ihre eigenen traumatischen Erfahrungen zu verarbeiten. Geboren 1915 in Wien wurde sie schon früh mit Antisemitismus konfrontiert. Der ?Anschluss? 1938 bedeutete das Ende ihrer Existenz in Österreich. 1939 gelang ihr die Flucht in die Niederlande und nach Großbritannien, wo sie bis heute lebt. In ihrer Lyrik, die ab 1940 entstand, griff die Autorin in vielfältiger Weise auf biblische Texte, Themen und Figuren zurück. Ihrer Bibelrezeption ist diese Arbeit gewidmet.Einleitend wird in methodischer Hinsicht das Analyseinstrumentarium der Intertextualität vorgestellt und für die Untersuchung ausgewählter Bibelbezüge ein einschränkender Intertextualitätsbegriff gewählt. Weiters wird der Bibelrezeption in der deutschsprachigen Literatur, vor allem im 20. Jahrhundert, nachgegangen. Das zweite Kapitel setzt sich mit dem Leben und Werk Stella Rotenbergs auseinander. Das dritte Kapitel ist der exemplarischen Analyse zweier Gedichte gewidmet: ?Kain? (vgl. Gen 4,1?16) und ?Laß mein Volk ziehen? (vgl. Ex 5,1). Die Gedichtinterpretationen erfolgen in einer Zusammenschau von biblischem Referenztext, dessen literarischer Rezeptionsformen und der Biographie der Autorin. Stella Rotenbergs Bibelrezeption steht immer im Zeichen der Shoa, ist Ausdruck ihrer persönlichen Leid- und Verlusterfahrungen. In der Aufnahme biblischer Stoffe geht es Stella Rotenberg jedoch nicht nur um den Ausdruck der eigenen Erfahrungen. Gezielt nutzt sie die Bibel für ihr Plädoyer für ein friedliches Miteinander, für ein universelles Recht auf Leben.The lyric poetry of the exiled Austrian-Jewish author Stella Rotenburg, who has received several awards for her work, is an expression of the great tragedy of the 20th century, the Shoah. Stella Rotenberg writes partly to preserve the memory of the victims and partly to come to terms with her own traumatic experiences. Born in 1915 in Vienna, Rotenberg was confronted with anti-Semitism from an early age. The Anschluss of 1938 meant the end of her life in Austria. In 1939 she managed to flee to the Netherlands and to Great Britain, where she lives today. In her poetry, which was written from 1940 onwards, the author made widespread use of biblical texts, themes and figures. This study is devoted to the biblical references in her work.In the introductory part of this study the inter-textual analytical method is presented, and a limited model chosen for this survey of selected biblical references. Further, the use of biblical references in German-language literature, particularly in the 20th Century, is explored. The second chapter examines the life and work of Stella Rotenberg. The third chapter employs the above-mentioned method to analyse two poems: ?Kain? (see Gen. 4: 1-16) and ?Laß mein Volk ziehen? (see Ex. 5: 1). The interpretation of the poems is based on a synopsis of the biblical text, the literary form of the reference, and the biography of the author.Stella Rotenberg?s biblical references are always overshadowed by the Shoah, and express her personal experience of suffering and loss. However she does not use biblical material only to express her own experiences. She also uses the Bible purposefully in her plea for peace, and for a universal right to life.vorgelegt von Edith PetschniggGraz, Univ., Dipl.-Arb., 201
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
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