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The Architecture of Peter Muller
No full textPeter Neil Muller, born 1927, is the founding member and principal of "The office of Peter Muller, Sydney" (established 1953) and the more recent "Regional Design and Research, Consultants, Marulan, New South Wales" and “Peter Muller International". He is one of the most important Australian practitioners of organic architecture in the twentieth century. The work of Peter Muller during the period of 1952 to 1992 was predominantly domestic, and it is in this area that his major impact on architecture, particularly in the Sydney region, has been felt. However his latest realised design, which is on the island of Bali, has been acclaimed and publicised as a noteable example of a responsible approach to resort architecture throughout the Pan-Pacific region. The work of Frank Lloyd Wright and his organic philosophy of architecture of a harmonious union between buildings and sites was introduced to Sydney by the early houses of Peter Muller. He was also one of the first architects in the Sydney region to embody Japanese ideals in his work. In the domestic architecture he produced, Muller created a particular genre whose characteristic casual informality has been noteable to the present day. His buildings played a crucial role in the establishment of an indigenous Sydney and Australian architecture. Consequently, his influence on the so-called "Sydney School" must be noted. Peter Muller was the catalyst that was needed to set Sydney and Australian building design in a direction towards an appropriate regional architecture. He has continued this approach and stance into the international arena through his designs for hotel resorts in the Pan Pacific region. In this work Muller can be seen as a member of an elite group of responsible architects introducing a critical regionalism to this type of habitat
Peter Muller (Hrsg.) : Sturm und Drang. Weltanschauliche und ästhetische Schriften, 1978
No full textKrebs Roland. Peter Muller (Hrsg.) : Sturm und Drang. Weltanschauliche und ästhetische Schriften, 1978. In: Dix-huitième Siècle, n°12, 1980. Représentations de la vie sexuelle. pp. 495-496
Peter Muller (Hrsg.) : Sturm und Drang. Weltanschauliche und ästhetische Schriften, 1978
No full textKrebs Roland. Peter Muller (Hrsg.) : Sturm und Drang. Weltanschauliche und ästhetische Schriften, 1978. In: Dix-huitième Siècle, n°12, 1980. Représentations de la vie sexuelle. pp. 495-496
ANALISIS LAJU SEDIMENTASI PADA SUNGAI AIR SAMBAT KABUPATEN KAUR MENGGUNAKAN METODE MEYER PETER MULLER DAN VAN RIJN
No full textSungai Air Sambat terletak di Kecamatan Maje, Kabupaten Kaur, Provinsi Bengkulu. Sungai Air Sambat merupakan kawasan budidaya masyarakat, baik itu di wilayah Garis Sempadan Sungai (GSS) maupun wilayah tangkapan air. Kondisi aliran Sungai Air Sambat dikategorikan buruk, pada musim kemarau air dapat surut secara drastis dan pada musim hujan dapat menimbulkan banjir. Penelitian ini dilakukan untuk Mengetahui jenis sedimen dan Mengetahui laju angkutan sedimen dasar di Sungai Air Sambat bagian Hilir di Sungai Air Sambat Kabupaten Kaur, Provinsi Bengkulu. Data yang diperoleh di lapangan berupa data kecepatan aliran, kedalaman, dan sampel sedimen dasar (bedload). Sampel penelitian diuji di laboratorium untuk mengetahui jenis pasir dan memperoleh data yang digunakan untuk analisis. Metode perhitungan analisis yang digunakan dalam penelitian ini adalah metode Meyer Peter Muller dan metode Van Rijn. Hasil penelitian memberikan hasil Metode Meyer-Peter Muller cocok digunakan untuk menggambarkan kondisi pengendapan sedimen di area tinjauan dengan tingkat sedimentasi sebesar 3,057 105 ton/tahun. Kata kunci : Sedimentasi, Metode Meyer Peter Muller, Metode Van Rijn
Moral rights and 21st century designs : reconsidering the work of Peter Muller and Allan Correy in South Australia
No full textMoral rights and 21st century designs : reconsidering the work of Peter Muller and Allan Correy in South Australi
ANALISIS ANGKUTAN SEDIMEN DASAR DENGAN METODE MEYER-PETER MULLER AKIBAT DAMPAK AKTIVITAS PERTAMBANGAN (Studi Kasus Pada Sungai Sebayur)
No full textda daerah yang memiliki potensi pertambangan batu bara yang cukup besar.
Penelitian ini bertujuan menghitung angkutan sedimen dasar (bedload) dan
memodelkan pengendapan sedimen yang terjadi di Sungai Sebayur pada STA.
0+000–STA. 14+790 akibat dampak aktivitas pertambangan. Metode yang
digunakan untuk menghitung angkutan sedimen dasar pada sungai ini yaitu
menggunakan persamaan Meyer-Peter Muller (MPM) dan digunakan program
HEC-RAS versi 5.0.7 untuk memodelkan pengendapan sedimen. Hasil akhir
dari perhitungan analitik menggunakan persamaan MPM dan program
HEC-RAS 5.0.7 juga akan dibandingkan. Nilai angkutan sedimen yang terjadi
pada aliran Sungai Sebayur berdasarkan perhitungan analitik untuk STA.0+000
sebesar 4,875513 ton/hari, STA.4+343 sebesar 9,621565 dan STA.14+790
sebesar 20,425990 ton/hari. Berdasarkan program HEC-RAS untuk STA.0+000
sebesar 4,822239 ton/hari, STA.4+343 sebesar 9,610227 ton/hari dan STA
14+790 sebesar 20,424130 ton/hari. Hasil yang diperoleh dari penelitian ini
angkutan sedimen dasar Sungai Sebayur meningkat dari hulu ke hilir sungai, hal
ini dipengaruhi nilai debit atau luas penampang dan kecepatan yang terjadi di
aliran sungai. Selisih hasil angkutan sedimen yang diperoleh dari perhitungan
analitik menggunakan persamaan MPM dan program HEC-RAS versi 5.0.7
pada penelitian ini yaitu sebesar 0,022158 ton/hari.
Kata kunci: Pertambangan, Sedimen, Bed load, Meyer-Peter Muller, HEC-RA
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Moral rights, heritage and Australian contemporary architecture : thoughts & designs of Peter Muller
No full textPeter Muller is one of the most unique Australian architects of the 20th century possessing a passion for organic architecture realised in several significant Australian and Indonesian design exemplars. His inquiry in the organic style of architecture stylistically mirrors that of Frank Lloyd Wright whom wrote to Muller expressing his pleasure in his successful pursuit of this style in Australia.3 This paper considers the position of moral rights under the Australian Copyright Act 19684 having regard to the Australian exemplars of Muller. It considers recent Australian debates about moral rights and projects that implicate several architectural and landscape architecture projects, the interpretations the legal fraternity are taking in approaching this topic, and positions the ideas, values, and attitudes of Muller in this context. Muller’s personal opinion is expressed providing an insight into the thoughts of one senior contemporary Australia architect as to 'their' architecture and ‘heritage’.<br
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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