1,721,165 research outputs found
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Narrative Rhetoric in Representing the British Aristocracy: Julian Fellowes and Peter Morgan
The essay aims at analyzing the different narrative and rhetorical approaches of two prominent British screenwriters to the representation of British aristocracy. The works by Julian Fellowes and by Peter Morgan offer the recent most popular contributions to the representation of British aristocratic life-style and values in contemporary mainstream culture. Besides the global success of their stories, a reason of interest for going deep into the way the two writers tackle the topic resides in their different political and ideological perspectives. On the one side, Fellowes’s depiction of aristocracy in his hit prime time TV drama Downton Abbey (ITV, 2010-2015) draws on the open conservative mindset of the author (“The BBC wouldn’t have done that... They are not happy with dramas that do not reflect their own political and philosophical viewpoint”). On the other side, portraying the Royal Family first in the film The Queen (2006), then in the TV series The Crown (Netflix, 2016), Morgan’s believes – opposite to Fellowes’ ones – were spurred (“it’s absolutely scandalous that they should still exist in an egalitarian society”). The aim of my analysis is twofold. First, to highlight how both Fellowes and Morgan had to control and balance the expression of their ideological credo so that their narrative wouldn’t be felt as “preachy”. Second, to identify which thematic solutions allowed them to make aristocracy (a topic generally felt as remote and distant) engaging for contemporary audiences
‘Inaccurate but Truthful’: Q&A with Screenwriter Peter Morgan
In the spring of 2014, the University of Vienna in cooperation with the Ludwig Boltzmann institute for the history and Theory of Biography in Vienna organised an interdisciplinary lecture series “The Many faces of Biography”. This lecture series brought together scholars and practitioners of various historical and recent biographical forms, focusing on the specificities and challenges posed by different biographical media. One of them was Peter Morgan, a major name in contemporary biographical film-making (and playwriting), noted for his characteristic dual-structure approach to writing lives for the screen. During one of the sessions of the lecture series he was interviewed by Julia Novak and Werner Huber about some of his most famous work, such as The Deal (2003), The Queen (2006), Frost/Nixon (2008), The Other Boleyn Girl (2008), and Rush (2013). In this Q&A he shed light on the principles guiding the screenwriter-biographer’s work, his conflicting responsibilities towards biographee and audience, and the biopic’s potential to impact on the fame and after-fame of historical and contemporary celebrities.
This article was submitted to the European Journal of Life Writing on 28 Februay 2015 and published on 6 July 2015. A second version of this article was uploaded, with one minor alteration, on 12 August 2015
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
Author-wise bibliometric analysis based on entropy.</p
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