161,316 research outputs found
Gattin, Peric, Sablic, Seder
Pieghevole della mostra dei pittori jugoslavi Ivo Gattin (1926-1978), Sime Peric (1920-2019), Rudolf Sablic (1916-2012) e Dujro Seder (1927-2022), tenuta presso la Galleria Cadario, Milano, 19 - 27 aprile 1962.
Contiene: una nota biografica dei quattro artisti, un elenco delle mostre precedenti e delle opere di ciascuno, alcune immagini delle opere esposte. Sulla quarta di copertina sono presenti degli schizzi di volti tracciati in penna biro blu
Torchio a uno o due colpi? Primi elementi per una diagnosi
One-pull or two-pull press? Guidelines for a diagnosis. The transition from the one-pull to the two-pull press was a major technological improvement that took place between 1470s and 1480s in Renaissance printing houses. Since it had relevant consequences both on production procedures and on the treatment of the copy text, distinguishing the kind of press employed to print a specific edition may prove significant. The main source of evidence being the material evidence of the editions themselves, this article examines two main factors which can help with the diagnosis: the use of full or half-sheets in quarto editions and the pattern of impression and counter-impression. The research is based on a sample of editions, mainly Venetian, those listed in the Quaderneto, a 1480 list of incunabula for sale in the Padua bookshop of Antonio Moretto
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Larry O. Spencer, Conference Author Presentation
Gen. Larry O. Spencer, USAF (Ret.), author of Dark Horse: A Journey from the Horseshoe to the Pentago
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Author Under Sail The Imagination of Jack London, 1902-1907
In this second volume of Author Under Sail Jay Williams investigates the life of Jack London as a professional writer at the turn of the 1900s, as his publications spanned The Call of the Wild to The Iron Heel and The Road. While documenting key life events, especially his rising fame, this biography explores London's necessity to illustrate the inner workings of his own vast imagination through his socialist essays and fiction.Cover -- Title Page -- Copyright Page -- Contents -- Acknowledgments -- Introduction -- 1. Howl, O Heav'nly Muse! -- 2. Jesus in the Theater of Socialism -- 3. Jack London's Place in American Literature -- 4. Theater of War, Theater at Home -- 5. Revolution, Evolution, and the Scene of Writing -- 6. The Jack London Show Goes on the Road -- 7. Red Atavisms and Revolution -- 8. Earthquake Apocalypse and Building the City, Boat, and House Beautiful -- 9. The Future of Socialism and the Death of the Individual -- 10. The Road Never Ends -- Notes -- Bibliography -- IndexIn this second volume of Author Under Sail Jay Williams investigates the life of Jack London as a professional writer at the turn of the 1900s, as his publications spanned The Call of the Wild to The Iron Heel and The Road. While documenting key life events, especially his rising fame, this biography explores London's necessity to illustrate the inner workings of his own vast imagination through his socialist essays and fiction.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
GALENDE, Federico (2016). Comunismo del hombre solo. Un ensayo sobre Aki Kaurismaki. Chile: Catálogo Libros, 132 pp: Reseña de Ivana Peric M. (Universidad de Chile).
César Aira, como de costumbre, nos ofrece una frase excepcional sobre lo que es
un artista outsider diciendo que
[él] en cambio, tiene una vida, y la tiene
clamorosamente. Casi podría decirse que esa es su
definición, eso lo hace outsider. Su obra es expresión de
su locura o su manía o su perversión, viene envuelta en
la novela de su vida. Es un extremo, que deberíamos
rechazar por extremo. Van Gogh, Picasso también
tenían vidas, y sus obras las expresaban, pero esa
expresión estaba mediada por la historia del arte, por la
interacción con sus colegas, por la recepción de su
trabajo y la reflexión del arte sobre ese trabajo
entendido como Arte. El outsider no es un artista en
este sentido, no hay mediación. ¿Por qué nos atrae e
interesa ahora? Porque en él buscamos, o encontramos,
un paliativo al arte contemporáneo, que se ha vuelto
pura mediación, sin la fábula de los extremo
اسلم کولسری کی غزل:بیان و بدیع کے تناظر میں: ASLAM KOLSARY’S GHAZAL IN THE LIGHT OF BIAN-O-BADIE
Aslam kolsari is new significant and potentially well-known personality for contributing to modern Urdu ghazal. Being a mindful and multidimensional literary figure he has specific fame in poetry. A distinguish diction in poetry is individuality specifically connected with his name. His ghazal contains all attributes of Research and criticism. Communication of an ordinary concept in his poetry is reflection of Aslam kolasri. In this article the author has explored how poetic characteristics distinguished Aslam kolsari
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