1,720,974 research outputs found
Copyleft & internauti pirati. Editoriale di Engramma 222
No full textThis issue of Engramma, titled Copyleft & internauti Pirati, critically examines the contemporary state of digital resource accessibility, the economic and legal frameworks governing knowledge infrastructures, and advocates for the unrestricted dissemination of knowledge. The editorial introduces the pirate as a symbol of resistance against traditional legal confines, drawing upon Carl Schmitt’s The Nomos of the Earth. The issue opens with two contributions that outline the theoretical and militant framework. Peppe Nanni, in ©Tutti i diritti riservati. Proprio tutti?Per un diritto costituente, critiques the contradictions of copyright in digital spaces, calling for a foundational rethinking of law; Engramma Open Access. Aperta origine by the Engramma editorial board, outlines the journal’s long-standing commitment to genuine, non-institutional open access.The issue is then divided in three sections: “Invenzione”, “Chiusura”, “Apertura”. The Section “Invenzione” presents Riprodurre il patrimonio culturale. Quando l’abuso diventa (la) regola in which Mirco Modolo traces the historical control over artistic reproduction; Lorenzo Gigante in Per un’iconografia della noia. Dal Cinquecento al meme: i notai e la xilografia, tra appropriazione e trasgressione explores early visual appropriation by notaries as a proto-meme culture; Maurizia Paolucci in A Tale of Two Misfits. The Sabbath/Shabbat across William Hogarth’s A Harlot’s Progress Series examines copyright’s origins via Hogarth’s fight against pirate copies; Bernardo Prieto presents the volume Yan Thomas, Il valore delle cose, Quodlibet [2002] 2022 with critical glosses. The section “Chiusura” includes Giorgiomaria Cornelio’s No logo? Sul plagio e la vita dei segni, da Melania Trump ai magazzini criminali del Medioevo, a reflection on the irreducibility of signs to ownership; in Il potere segreto. Wikileaks e la digitalizzazione dell’informazione Alessandro Visca interviews Stefania Mauriz about WikiLeaks, Assange, and freedom of information; Museums and the Enclosure of the Public Domain in the Digital Age by Douglas McCarthy denounces digital restrictions by museums on public domain art; Barbara Pasa in Piracy Shield, diritto d’autore e monopoli intellettuali: il caso italiano reconstructs Italy's anti-piracy system as reinforcing monopolies and limiting cognitive justice; in Note su alcune aperture giurisprudenziali al principio del “libero utilizzo” e sugli effetti nelle culture del riuso, Alessia Brandoni explores the jurisdictional horizons supporting creative reuse and transformative citation. In the section “Apertura”, Copyright e Copyleft nell’era dell’intelligenza artificiale. Scenari tecnologici e risposte normative, by Alessandro Del Ninno, analyzes how AI challenges outdated copyright frameworks; Contro il copyright. Pirateria, disobbedienza civile e creatività collettiva by Francesco D’Isa defends piracy and civil disobedience as collective cultural practices; Christian Toson and Elizaveta Kozina present Anna, the Universal Library, presenting Anna’s Archive, the project of a universal digital library; Per una liberazione della retorica dell’archivio. Verso una pratica dell’immagine come relazione is a dialogue with the artist Alessandro Gagliardo on rethinking the archive as a space of relation, not preservation. The “Dalla cambusa” appendix presents a selection of exemplary texts, with a particular focus on open access and copyleft: Corrispondenza con un editore, the epistolar exchange between the International Situationist and the publisher Feltrinelli; Guerilla Open Access Manifesto by the American scholar and activist Aaron Swartz; Elogio de la piratería by the Bolivian film critic Mauricio Souza Crespo; and 10 tesi sull’archivio by the pad.ma collective. This issue of Engramma is dedicated to the memory and work of Aaron Swartz
Live in Berlin! CCCP in DDDR Astra Kulturhaus, Berlin, 24, 25, 26 Februar 2024 e una nota sul prossimo concerto in Piazza Maggiore
No full textCCCP in DDDR, where DDDR stands for ‘Dismantled German Democratic Republic’. Filippo Perfetti and Giulia Zanon publish a series of interwoven notes on the three CCCP – Fedeli alla linea’s concerts that took place on 24th, 25th and 26th February at the Astra Kulturhaus in Berlin. Beginning with an impressionistic account, the reflection extends to a reflection on the controversy that arose from the announcement of the band’s summer tour, in particular about the first date in Bologna’s Piazza Maggiore
Le alternative del Moderno, Raffaello e Manet : Lettura di Mnemosyne Atlas, Tavola 55
No full textIn this contribution Filippo Perfetti and Giulia Zanon present the result of the research of Seminario Mnemosyne on Mnemosyne Atlas, Panel 55, The Judgement of Paris: Rise and Fall of the Gods. Starting from Warburg’s texts, this essay aims to reconstruct the genealogy that, from the Roman sarcophagi representing the Judgement of Paris, leads to Manet’s Déjeuner sur l’herbe, passing through Marcantonio Raimondi’s engraving Judgement of Paris from Raphael’s lost original. This reading opens up to fundamental issues in Warburg’s thought, such as the study of clothing as a symptom of a certain historical era and the warburgian concept of Pathosformel
Perfetti, Filippo
No full textProfilo biografico di Filippo Perfetti (1817-1878), ex sacerdote e professore di Diritto costituzionale alla Libera Università di Perugia
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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