13,769 research outputs found
Lincoln Silva, iconoclasta
No full textLincoln Silva, iconoclastLincoln Silva is one of the Paraguayan writers outshone by Augusto Roa Bastos and Gabriel Casaccia. Being an author of two novels, Rebelión después and General, general, he displays his belonging to Rafael Barrett’s “journalism of accusation,” originated at the beginning of the 20th century. In general, Silva can be considered an anarchist who does not agree with Alfredo Stroessner’s dictatorial system and criticizes the institution of the Church and its language. The proletarian revolution and politics itself become another subject of his criticism. Silva opposes the dictator but does not consider satisfactory the possible governance of the opposition. He ridicules the topics of the Paraguayan culture without offering concrete solutions. He refuses the concepts but does not intend to be constructive. Just as Cassacia’s protagonists, all the characters created by Silva are pulled into ethically ambiguous situations and they can be possibly interpreted as “esperpentic.”Lincoln Silva, iconoclastLincoln Silva is one of the Paraguayan writers outshone by Augusto Roa Bastos and Gabriel Casaccia. Being an author of two novels, Rebelión después and General, general, he displays his belonging to Rafael Barrett’s “journalism of accusation,” originated at the beginning of the 20th century. In general, Silva can be considered an anarchist who does not agree with Alfredo Stroessner’s dictatorial system and criticizes the institution of the Church and its language. The proletarian revolution and politics itself become another subject of his criticism. Silva opposes the dictator but does not consider satisfactory the possible governance of the opposition. He ridicules the topics of the Paraguayan culture without offering concrete solutions. He refuses the concepts but does not intend to be constructive. Just as Cassacia’s protagonists, all the characters created by Silva are pulled into ethically ambiguous situations and they can be possibly interpreted as “esperpentic.&rdquo
Ashley Judd and Candelaria Silva discuss, Bittersweet Humanitarianism at Ford Hall Forum, video recording, 4/8/2011
No full textAshley Judd, award-winning actress, humanitarian, and author of All That Is Bitter and Sweet joins moderator Candelaria Silva, author and Roxbury Film Festival founder, to discuss Judd\u27s experiences in feminist social justice work to discover the relationship between healing oneself and healing others.https://dc.suffolk.edu/fhf-av/1107/thumbnail.jp
¿Una nueva cuestión social?
No full textThe present article, as the author suggests, is a reviewed version of the conference held at Universidad Católica Cardenal Silva Henríquez, on the occasion of the celebration of the Social Worker's day, in November 2005. This celebration- organized by the Department of Social Work and whose invitation is deeply appreciated by the author- was presided over by a new performance on stage of Cantata Santa María de Iquique, by the recently deceased Chilean composer Luis Advis V., and which is, according to Aquín, "an extraordinary expression of the social concern", not only for Chile, but for the area of Latin America as well.El presente artículo, nos indica su autora, es una versión revisada de la conferencia desarrollada en la Universidad Católica Carden Raúl Silva Henríquez, con motivo de la celebración del dia del Trabajador Social, en noviembre de 2005. Dicha celebración -organizada por el Departamento de Trabajo Social y cuya invitación, la autora "agradece profundamente" - estuvo presidida por una nueva puesta en escena de la Cantata Santa María de Iquique, del compositor chileno recientemente fallecido, Luis Advis V., que resulta, según Aquín, "una extraordinaria expresión de la cuestión social", no sólo para Chile sino para el conjunto de América Latina
La situación de los derechos humanos en Chile, hoy. Desafíos para la construcción de una sociedad democrática
No full textThe essay-like reflection included here was presented at the inter-school seminar of Social Work, Sociology and Law courses of Catholic University Silva Henríquez (UCSH), held on March 28th, 2018 in Santiago, and which was entitled "After 70 Years of the Universal Declaration of Human Rights: Challenges of citizenship and the State in today's Latin America." In the text, some areas, themes and human groups are chosen for they, according to the author, make visible the main gaps and advances in human rights, constituting an opportunity to reflect and renew the commitment with human rights from different disciplines and from the role of citizens, in order to strengthen democracy, justice and freedom.La reflexión de corte ensayístico que aquí se presenta, se expuso en el seminario interescuelas de las carreras de Trabajo Social, Sociología y Derecho de la Universidad Católica Silva Henríquez (UCSH). Este encuentro, titulado "A 70 Años de la Declaración Universal de los Derechos Humanos: Retos de la ciudadanía y el Estado en la América Latina actual", se realizó en la sede central de la Universidad Silva Henríquez el 28 de marzo de 2018 en Santiago, Chile. En el texto se escogen algunos ámbitos, temas y grupos humanos que, a juicio de la autora, visibilizan las principales brechas y avances en materia de derechos humanos, lo que constituye una oportunidad de reflexionar y renovar el compromiso con los derechos humanos desde las distintas disciplinas y desde el papel de ciudadanos/as, en aras a fortalecer la democracia, la justicia y la libertad
Oriental: a importância do timbre na obra de Pattápio Silva
No full textThe flutist and composer Pattápio Silva (1880-1907) was one of the Brazilian interpreters that reached larger prominence and projection in the society of his time. In spite of the short career, interrupted by the premature death, when he was 26 years old, Pattápio was considered a great virtuoso of his instrument besides having participated in the historical recordings accomplished in 1902, pioneers in brazil. Influenced by the European flutists' composers, we can highlight in the work of Pattápio Silva his innovative spirit with relation to the exploration of the technique of his instrument, with emphasis in the sound possibilities of the flute. Under these aspects, his work of larger prominence was Oriental op.6 to flute and piano. Through the spectrographic analyses accomplished in the work, we can observe the importance of the variations of tone-color proposed by the author in this piece.O flautista e compositor Pattápio silva (1880-1907) foi um dos intérpretes brasileiros que alcançou maior destaque e projeção na sociedade de sua época. Apesar da curta carreira, interrompida pela morte prematura aos 26 anos, Pattápio firmou-se como grande virtuose de seu instrumento além de ter participado das históricas gravações realizadas em 1902, pioneiras no Brasil. Influenciado pelos compositores flautistas europeus, podemos destacar na obra de Pattápio Silva seu espírito inovador quanto à exploração da técnica de seu instrumento, com ênfase nas possibilidades sonoras da flauta. Sob estes aspectos, sua obra de maior destaque foi Oriental op. 6 para flauta e piano. Através das análises espectográficas realizadas neste trabalho, poderemos observar a importância das variações de timbre propostas pelo autor nesta peça
AUTHOR CONTRIBUTION
No full textConception or design of the study: Silva AC, Silva LG, Souza ARS, Martins, AKL, Gomes EB. Data collection: Silva AC, Silva LG, Souza ARS. Analysis and interpretation of the data: Silva AC, Silva LG, Souza ARS. Writing of the article or critical review: Silva AC, Gomes EB. Final approval of the version to be published: Silva AC, Martins, AKL, Oliveira CJ, Alencar AMPG, Gomes EB
AUTHOR CONTRIBUTION
No full textConception or design of the study: Silva AC, Silva LG, Souza ARS, Martins, AKL, Gomes EB. Data collection: Silva AC, Silva LG, Souza ARS. Analysis and interpretation of the data: Silva AC, Silva LG, Souza ARS. Writing of the article or critical review: Silva AC, Gomes EB. Final approval of the version to be published: Silva AC, Martins, AKL, Oliveira CJ, Alencar AMPG, Gomes EB
AUTHOR CONTRIBUTION
No full textConception or design of the study: Silva AC, Silva LG, Souza ARS, Martins, AKL, Gomes EB. Data collection: Silva AC, Silva LG, Souza ARS. Analysis and interpretation of the data: Silva AC, Silva LG, Souza ARS. Writing of the article or critical review: Silva AC, Gomes EB. Final approval of the version to be published: Silva AC, Martins, AKL, Oliveira CJ, Alencar AMPG, Gomes EB
Identification of author profiles through social networks
No full textThe aim of this paper is to compile dictionaries of slang words, abbreviations, contractions, and emoticons to help the pre-processing of texts published in social networks. The use of these dictionaries is intended to improve the results of the tasks related to data obtained from these platforms. Therefore, a hypothesis was evaluated in the task of identifying author profiles (author profiling).Silva, JesúsMaria Santodomingo, Nicolas EliasRomero, LigiaJorge, MarisolHerrera, MaritzaPineda Lezama, Omar Bonerg
Nuevas consideraciones sobre los "Cuentos Negros" de José Asunción Silva.
No full textIn 1996, the author attributed to José Asunción Silva a collection of anonymous or pen-named stories originally published in the 19th Century newspaper El Telegrama. Following an idea by Silva, the author published these stories in a volume entitled Cuentos negros. The author argues that they share Art Nouveau elements present in other well-known texts written by Silva, the melancholic and romantic atmosphere similar to Silva's "Nocturno," and other topographic and cultural elements.En 1996 el autor atribuyó a José Asunción Silva una colección de relatos anónimos o firmados con seudónimo que aparecieron originalmente en el periódico decimonónico El Telegrama. Obedeciendo a una idea de Silva, el autor publicó esos relatos con el título de Cuentos negros. Al atribuírselos a Silva, el autor se fundó en el hecho de que tales relatos corresponden a la estética del Art Nouveau empleada por Silva en textos más conocidos, comparten una atmósfera sombría y romántica como la del "Nocturno", o mencionan similares detalles topográficos o culturales
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