9,255 research outputs found
Jouer sur les mots pour contourner la loi : l’exemple de la domesticité madrilène aux XVIe siècle et XVIIe siècles
No full textInternational audienceUsing primary sources such as parish inventories from the late 16th century and notarial acts from the 17th century, this article explores how the Masters of high Madrilenian high nobility houses played on words in order to bypass the sumptuary laws which aimed at limiting the number of their servants. In order to transgress the law without actually dealing with it, the Masters adopted two kinds of strategies. The first one consisted in staying out of focus from the authorities about the real relations that united most of the people of the house to the Master. They would thus declare indefinable statuses to both census takers and notaries, mentioning for example criados, familiares, paniaguados and mozos, which enabled them to hide a great number of servants. On the contrary, the second strategy was inspired from treaties on economics which described the perfect organisation of an important house and relied on the employment of a maximum of different substantives to prove that each servant had a unique and essential part, with specific duties which were in no way redundant. In both cases, the potential of the lexicon was efficiently used and the authorities had great difficulties to eradicate these domestic microcosms of people whose existence and use would not be proved easily.En s’appuyant sur des sources d’archives – recensements de paroissiens de la fin du XVIe siècle et actes notariés du XVIIe siècle –, cet article met en évidence comment, au sein des maisons de la haute noblesse madrilène, les maîtres jouent sur les mots afin de contourner les lois somptuaires qui visent à limiter le nombre de domestiques. Ainsi, afin de transgresser la loi sans y toucher, les maîtres adoptent deux types de stratégies. La première stratégie consiste à rester dans le flou quant à la relation qui unit un grand nombre de personnes avec le maître de maison. Pour ce faire, ils déclarent aux recenseurs et notaires des statuts aux contours et limites indéfinissables – criados, familiares, paniaguados et mozos – ce qui cache le recrutement de nombreux serviteurs surnuméraires. La seconde stratégie, à l’inverse, s’inspire des traités d’économie domestique qui décrivent l’organisation idéale d’une grande maison et repose donc sur l’emploi d’un maximum de substantifs différents pour prouver que chaque domestique a une place unique et nécessaire, avec des tâches bien délimitées et absolument pas redondantes. Dans les deux cas, les potentialités du lexique sont efficacement mises à contribution et les autorités peinent à endiguer ces microcosmes domestiques dont il est aussi malaisé de démontrer l’existence que l’inutilité
Le Matériau historique dans les productions grand public (Espagne/Amérique)
No full textMathias Ledroit : membre ERLIS.Mathias Ledroit et Sarah Pech-Pelletier - ÉditorialStanis Perez Charles Quint, empereur « grand public » ? (XIXe XXIe siècle) Carlos Quinto, un Emperador para un “amplio público”? (ss. XIX y XX)Marie-Blanche Requejo Carrio La Balada del Norte de Alfonso Zapico : l’histoire d’une révolution entre texte et images, (Asturies-octobre 1934) La Balada del Norte de Alfonso Zapico: relatos e imágenes de una revolución (Asturias-1934)Roberta Previtera Goya entre dos guerras: biopic y reconstrucción histórica Goya entre deux guerres : biopic et reconstruction historiqueAnaïs Fabriol Prismes de l’Histoire de l’Espagne El Ministerio del Tiempo ou la constante reconstruction du passé Los prismas de la Historia de España: El Ministerio del tiempo (RTVE) u otra lectura del pasadoFrançoise Prioul Tango en Histoire majeure : l’écriture de l’Histoire dans les paroles du tango, des origines à Perón Tango en historia mayor: escritura de la historia en las letras de tango, de los orígenes a PerónPierre Civil Marie-Hélène Maux et Marc Zuili (dir.), Les traductions de la littérature espagnole (XVIe XVIIe siècle) / Las traducciones de la literatura española (siglos XVI-XVIII), Paris, L’Harmattan, 2021 Claudie Terrasson Albert Chartier, Une famille française dans l’Empire ottoman. Vie et pérégrinations (1858-1921)
Faculty recital series: Shiela Kibbe, piano with guest artists Bayla Keyes, violin, Sarah Pelletier, soprano, Julia Scolnik, flute, February 11, 2005
No full textThis is the concert program of the Faculty recital series: Shiela Kibbe, piano with guest artists Bayla Keyes, violin, Sarah Pelletier, soprano, Julia Scolnik, flute performance onFriday, February 11, 2005 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were "Cinq chansons de Venise," Op. 58 by Gabriel Fauré, Sonata No. 1 in A major for violin and piano, Op. 13 by G. Fauré, Sonata for flute and piano by Francis Poulenc, and "Tel Jour Telle Nuit" by F. Poulenc. Digitization for Boston University Concert Programs was supported by the Boston University Center for the Humanities Library Endowed Fund
Le travail des enfants au Siècle d'or
No full textVendredi 18 mai, à l'Université Paris 13 (salle D300, UFR LLSHS), Sarah Pech-Pelletier et Cristina Diego Pachego organisent une journée d'études sur le travail des enfants au Siècle d'or. Au programme: 9h Accueil des participants 9h15 Sarah Pech-Pelletier, PLEIADE / Cristina Diego-Pacheco, CESR, Présentation du projet Etre enfant au Siècle d’Or dans l’espace de la monarchie ibérique 9h30-11h Le travail des enfants : aspects sociaux et économiques Marie Christine Delaigue, Universidad de Gr..
The 'true use of reading' : Sarah Fielding and mid eighteenth-century literary strategies.
No full textPhDThe aim of this thesis is to explore, by examining her life and
works, how Sarah Fielding (1710-68) established her identity as an author.
The definition of her role involves her notions of the functions of
writing and reading.
Sarah Fielding attempts to invite readers to form a sense of ties
by tacit understanding of her messages. As she believes that a work
of literature is produced through collaboration between the writer and
the reader, it is an important task in her view to show her attentiveness
toward reading practice. In her consideration of reading, she has two
distinct, even opposite views of her audience: on the one hand a familiar
and limited circle of readers with shared moral and cultural values and
on the other potential readers among the unknown mass of people. The
dual targets direct her to devise various strategies. She tries to
appeal to those who can endorse and appreciate her moral values as well
as her learning. Her writings and letters testify that she is sensitive
to the demands of the literary market, trying to lead the taste of readers
by inventing new forms.
The thesis opens with an overview of Sarah Fielding's career,
followed by a consideration of her critical attention to the roles of
reading. I go on to examine the narrative structures and strategies
she deploys, with a particular emphasis on her use of the epistolary
method. The following chapter deals with her attention to the reading
of the moral message tangibly embodied in her educational writing. It
is followed by an analysis of the activity which earned her a reputation
as a learned woman. Various as the forms of her works are, they invariably
reflect her attempt to balance herself between the two demands of
inventiveness and familiarity
First person - Sarah Alghamdi
No full textABSTRACT
First Person is a series of interviews with the first authors of a selection of papers published in Disease Models & Mechanisms, helping early-career researchers promote themselves alongside their papers. Sarah Alghamdi is first author on ‘ Contribution of model organism phenotypes to the computational identification of human disease genes’, published in DMM. Sarah is a PhD student in the lab of Robert Hoehndorf at King Abdullah University of Science and Technology, Thuwal, Saudi Arabia, investigating artificial intelligence, specifically knowledge representation and reasoning over biomedical data
Portrait of the English anthropologist Gregory Bateson, New Guinea, 1929 [picture] /
No full textPart of the collection: Sarah Chinnery photographic collection of New Guinea, England and Australia.; Gregory Bateson, famous English anthropologist, New Guinea research in Bainings and Sepik, eventually lived and worked in the United States. Author of "Naven" and other works. -- Accompanying notes from family.; Inscription: "1929" -- On label. "Gregory Bateson, 'Naven' and other works" -- In red ink.; Sarah Chinnery no.: Part 2.; Also available in an electronic version via the internet at: http://nla.gov.au/nla.pic-vn4506462
Portrait of the anthropologist Professor Hortense Powdermaker from Queens, New York, in New Guinea, 1929 [picture] /
No full textPart of the collection: Sarah Chinnery photographic collection of New Guinea, England and Australia.; Inscriptions: "Professor Hortense Powdermaker, (Queens N.Y., U.S.A.) 'Life in Lesso [i.e. Lesu]' and other works" --In red ink. "1929" -- In pencil.; Professor Hortense Powdermaker, American anthropologist 1929 research in Lesu, New Ireland, New Guinea. Author of "Life in Lesu" and other works. -- Accompanying notes from family.; Sarah Chinnery no.: Part 2.; Also available in an electronic version via the internet at: http://nla.gov.au/nla.pic-vn4506463
Portrait of Bill Harney the "Keeper of Uluru", Black Rock, Victoria, ca. 1955, 3 [picture] /
No full textPart of the collection: Sarah Chinnery photographic collection of New Guinea, England and Australia.; Bill Harney, Patrol Officer, Northern Territory. Later was keeper of Uluru, poet, author, at Chinnery's Black Rock home. -- Accompanying notes from family.; Condition: Scratched.; Also available in an electronic version via the internet at: http://nla.gov.au/nla.pic-vn4554174
- …
