530 research outputs found
I nuovi musei: idee, strumenti, esempi per la programmazione, progettazione, partecipazione
No full textL'abstract è stato prodotto in occasione del Convegno " Il museo puoi di sé" promosso dalle proff. Patrizia Ferri e Tiziana Ferrante (coordinatrice del Dottorato di Ricerca in "Ingegneria dell'Architettura e dell'Urbanistica" nell'ambito delle iniziative culturali del Dottorato stesso, sul tema del museo e del rinnovato rapporto con la città.
Il convegno intende porgere spunti e sollecitazioni culturali sul nuovo ruolo dei musei. Un museo che è appunto "fuori di sé" non rimane chiuso in sé stesso, ma ricerca nuovi legami, rapporti relazioni con lo spazio urbano, con i cittadini e con tutti gli utenti attraverso un ruolo interattivo ed inclusivo
Introduzione. Il museo fuori di sé: da luogo deputato a spazio deflagrato
No full textIntroduzione al convegno "Il museo fuori di sé": da luogo deputato a spazio deflagrato" che affronta il tema del museo come dispositivo di trasformazione urbana e socio/territoriale per un nuovo paesaggio culturale
Multiscale and multidisciplinary method for plant selection to design green urban and peri-urban areas
No full textThe planning and design of urban and peri-urban green spaces necessitate careful consideration of various factors, encompassing climatic and agronomic parameters, botanical and eco-physiological characteristics of ornamental plants, and interactions between buildings and green elements. These green areas, along with their composition, play a crucial role in providing essential ecosystem services within urban environments. The process of designing and planning green spaces is a complex, multidisciplinary endeavor, involving professionals such as architects, agronomists, botanists, hydrologists, and civil engineers. The initial steps involve evaluating the area and its location and prioritizing environmental and municipal constraints in the analysis. The selection of plants is heavily influenced by soil and climate parameters. In cases where the area is already green, a meticulous assessment of each plant is essential to determine whether preservation or substitution is more appropriate. Upon completion of the site analysis, the design of the future green area must consider its environmental and social functions, potential ecosystem services, its role within the broader context, compositional aspects, and the judicious use of plant species and materials. This paper proposes a working method that is both multidisciplinary and multiscale, aiming to create sustainable, effective green areas that thrive even in challenging conditions linked to human impact and climate change
L’ibridismo linguistico nelle lettere autografe di Ferrante d’Aragona
No full textIl saggio espone le caratteristiche linguistiche degli autografi in volgare italiano di Ferrante I d’Aragona, nativo di Valencia. Dal corpus raccolto, è stata selezionata una lettera del 1458 per Pietro Fregoso: tenendo conto delle finalità e modalità compositive, si analizza il modo in cui si configura ed evolve, tra gli anni Sessanta e gli anni Ottanta del ’400, l’ibridismo della scrittura epistolografica del re di Napoli. I fenomeni linguistici presi in esame, tipici di una varietà avanzata di apprendimento, sono messi a confronto con il volgare della cancelleria napoletana e con esperienze coeve di catalani che scrivevano in una lingua italo-romanza
Characterisation of Pseudomonas syringae isolates from apricot orchards in north-eastern Italy.
No full textA set of 31 isolates were obtained from apricot (Prunus armeniaca L.) orchards showing symptoms of blast and gummosis in orchards located in north-eastern Italy, mostly during three subsequent growing seasons (2014–2016). These isolates were identified by means of their colony morphology, pathogenicity (hypersensitive reaction in tobacco leaves and the detection of both syringomycin and coronatine coding genes), genetic features (BLASTn analysis of the rpoD gene) and physiological tests (GATTa) as Pseudomonas syringae pv. syringae and P. syringae pv. morsprunorum race 1 and race 2 strains, respectively. Phylogenetic analysis based on the rpoD gene sequence showed that the two pathovars and two races are well separated and highlighted high intrapathovar/race variation for both P. syringae pv. syringae and P. syringae pv. morsprunorum race 2. Pseudomonas syringae pv. morsprunorum race 1 formed a unique clade that had high sequence homology. Repetitive element-based polymerase chain reaction fingerprinting analysis using the ERIC, REP and BOX primers again showed both high intra-pathovar variation within the P. syringae pv. syringae isolates, which grouped into six distinct clusters, and notable intra-race genetic diversity within both P. syringae pv. morsprunorum races. All 31 strains showed tolerance to copper at 200 ppm in vitro. Among these isolates, 13 were highly resistant (up to 500 ppm) and revealed the presence of the cusCBA gene cluster. All P. syringae pv. syringae strains showed ice nucleation activity, and nine were markedly active (up −3 °C) and characterised by the presence of the INAz gene. Finally, this study is the first report of the isolation of P. syringae pv. morsprunorum race 2 strains from apricot in Italy
Mujeres que escriben. Ferrante, Sapienza, Aleramo / Women who write. Ferrante, Sapienza, Aleramo
No full textLa escritura es un tema recurrente en la obra de Elena Ferrante. En sus artículos y entrevistas más recientes, la reflexión sobre el acto de escribir da paso a
una reflexión específica sobre las “escritoras”. El concepto que propone Ferrante
para describir la novedad que introducen las escritoras dentro de la tradición
literaria es el de “genealogía” (un concepto del feminismo de la diferencia sexual
formulado por Luce Irigaray y Luisa Muraro). Retomando la invitación de Ferrante
a fortalecer una “genealogía artística” femenina, este artículo propone un linaje que
conecta a la autora de las novelas napolitanas con Sibilla Aleramo, a través de Goliarda
Sapienza. Siguiendo el hilo de sus reflexiones sobre la escritura, se resaltarán una
serie de vínculos y cruces entre estos autores de diferentes generaciones entre ellos:
la pasión por la lectura, por la autobiografía y la metaficción. Finalmente, el artículo se centrará en cómo el fenómeno Ferrante ha ayudado a llevar la cuestión de la
escritura de las mujeres al centro del debate teórico feminista.
Writing is a recurring theme in Elena Ferrante’s work. In her more-recent articles and interviews, reflection on the act of writing opens up to a specific reflection on “women writers”. The concept that Ferrante proposes to describe the novelty that women writers introduce within the literary tradition is that of “genealogy” (a concept of the feminism of sexual difference formulated by Luce Irigaray and Luisa Muraro). Taking up Ferrante’s invitation to strengthen a female “artistic genealogy” this article proposes a lineage connecting the author of the Neapolitan Novels to Sibilla Aleramo, via Goliarda Sapienza. Following the thread of their reflections on writing, a series of links and cross-references between these authors of different generations will be highlighted including: the passion for reading, autobiographism, and metafiction. Finally, the article will focus on how the Ferrante phenomenon has helped bring the issue of women writing to the centre of feminist theoretical debate
Risk indexes evaluation in view of a new showcase designing of “L’Annunciata” by Antonello da Messina
No full textMuseums are often hosted by heritage buildings, where the indoor thermal conditions are usually subjected to a free-floating regime, due to the difficulty of equipping them with HVAC systems that, generally, are highly impacting tools from a visual point of view. These technological tools, in fact, could conflict with the established arrangement of the works of art. This would represent a problem, since the indoor physical conditions of these premises must fall within the ranges of values suitable to ensure the safety of the works of art there exhibited. In addition, the increasing time spent by visitors inside museums (now offering various possibilities of leisure, ranging from the book shops to the restaurants) calls for a new attention of their indoor microclimatic conditions to comply also with the thermal comfort requirements of visitors. In the paper, a stepwise procedure is proposed, that can be easily replicated to other situations characterized by the same order of problems. Starting from the thermo-hygrometric monitoring of the site and with reference to the thermal-hygrometer requirements for the exhibited works of art (as suggested by the in force standards and rules),
pertinent indicators of risk are computed. These parameters allow checking the current indoor situation and the possible needs for modifications. A discussion of these outcomes will lead to the proposal of a technical solution, suitable for the exhibition requirements of the considered site. The method is here applied to the “Palazzo Abatellis” museum building, where important artefacts are exhibited, like the famous painting of Antonello da Messina, “L’Annunciata”. It is currently displayed in a showcase specifically designed by the architect Carlo Scarpa, who established the original arrangement of the Gallery. The field application of the method
revealed that the indoor conditions of the room mainly fall outside the safety ranges for this oil on wood painting. Since the layout of the museum is almost unchangeable for artistic reasons, the proposed technological solution is a new showcase, inserted into the old one, able to ensure the needed thermo-hygrometric range of values for the analysed oil on wood
Applying General Impostors Method to the Ferrante Case
No full textElena Ferrante is the nome de plume of an anonymous writer who is highly successful on the international stage and whose success far exceeds that of other products of Italian contemporary literature. In this study we approach Ferrante’s authorship investigation as a verification problem since we cannot be sure whether the real author behind Ferrante’s pseudonym is among the candidates we have considered in previous studies. For this reason, we applied the General Impostors’ (GI) method using the Cosine Delta distance in both a corpus of 150 novels written by 40 authors (39 candidates and Elena Ferrante) and a non-literary corpus of 113 texts signed by 14 different entities (12 authors, a collective author and Elena Ferrante). In the literary corpus Starnone emerged as the most likely author of Ferrante’s novels. Results were quite different in the second case: Starnone was not the only possible author since in many non-literary texts Raja, Martone as well as the E/O publishing house staff and publishers seem to have authorial contributions. The GI method not only confirmed previous results but also improved our knowledge on this case since it provides a measure of the attribution strength
L'orario di lavoro fra presente e futuro
No full textThe essay’s subject matter is the discipline of working hours in relation to both the most recent rulings of the European Court of Justice and Directive no. 1152 of 2019. The author argues that in order to understand the meaning of the provisions, it is necessary to link wage to working time.
El ensayo trata de la disciplina de la jornada laboral en relación tanto con las sentencias más recientes del Tribunal de Justicia de la UE como con la Directiva núm. 1152 de 2019. El autor sostiene que para comprender el sentido de las disposiciones es necesario vincular el tema del salario al tema del tiempo de trabajo.Il saggio si occupa della disciplina dell’orario di lavoro in relazione sia alle più recenti pronunzie della Corte di Giustizia UE, sia alla direttiva n. 1152 del 2019. L’autore sostiene che per comprendere il significato delle previsioni delle norme è necessario collegare il tema del salario alla materia dell’orario di lavoro.
 
Recensione a E. Ferrante, L’azione di classe nel diritto italiano. Profili sostanziali
No full textL’autore commenta criticamente il libro di Ferrante sull’azione di classe nel diritto italianoThe author reviews critically Ferrante's issue regarding class action in Italian la
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