554 research outputs found
Roger Tessier, une histoire d'Itinéraire(s)
No full textInternational audienceLa musique dite « spectrale » apparaît en France au début des années 1970 autour de quatre jeunes musiciens : Tristan Murail, Michaël Lévinas, Roger Tessier et Gérard Grisey. Ils travaillent avec un collectif d'instrumentistes et fondent l'ensemble L'Itinéraire, avec la volonté de mettre sur le même plan ceux qui écrivent et ceux qui jouent. Leur musique s'inscrit en réaction aux grands courants de composition qui traversent l'époque depuis la fin des années 1940. C'est à l'un de ces fondateurs que l'ouvrage est consacré : Roger Tessier, compositeur, pédagogue, et maître d’œuvre d'un des plus grands festivals de musique contemporaine de son époque (Angers, Musiques du XX e siècle, 1982-1990). Une histoire d'Itinéraire(s)… riches et multiples
Roger Tessier, une histoire d'Itinéraire(s)
No full textInternational audienceLa musique dite « spectrale » apparaît en France au début des années 1970 autour de quatre jeunes musiciens : Tristan Murail, Michaël Lévinas, Roger Tessier et Gérard Grisey. Ils travaillent avec un collectif d'instrumentistes et fondent l'ensemble L'Itinéraire, avec la volonté de mettre sur le même plan ceux qui écrivent et ceux qui jouent. Leur musique s'inscrit en réaction aux grands courants de composition qui traversent l'époque depuis la fin des années 1940. C'est à l'un de ces fondateurs que l'ouvrage est consacré : Roger Tessier, compositeur, pédagogue, et maître d’œuvre d'un des plus grands festivals de musique contemporaine de son époque (Angers, Musiques du XX e siècle, 1982-1990). Une histoire d'Itinéraire(s)… riches et multiples
In memory of Paul Tessier, MD (1917-2008)
No full textThe Author traces the life and the surgical achievements of Paul Tessier, founder of craniofacial surgery
Rires et chuchotements de Roger Tessier: une didactique de la création musicale. Le son, un personnage en quête d'auteur.e.s
No full textInternational audienceIn his long career as a musician, Roger Tessier's activities have taken different forms: instrumentalist, composer, teacher, event organizer. Rires et Chuchotements, melodrama in a prologue and five scenes (2008), is a work composed as part of a training course for the State Diploma (D.E.) of music teacher. This study describes how this musical creation is also a pedagogical creation, as the training system elaborated by Tessier allowed the future musicians-teachers to deepen their musical and didactic knowledge and know-how.Dans sa longue carrière de musicien, les activités de Roger Tessier ont pris différentes formes : instrumentiste, compositeur, professeur, organisateur d’événements. Rires et Chuchotements, mélodrame en un prologue et cinq scènes (2008), est une oeuvre composée dans le cadre d’une formation au Diplôme d’État (D.E.) de professeur de musique. Cette étude décrit comment cette création musicale est aussi une création pédagogique, tant le dispositif de formation élaboré par Tessier a permis aux futurs musiciens-enseignants d’approfondir leurs savoirs et savoir-faire musicaux et didactiques
Bibliographie des ouvrages cités
No full textAgamben, Giorgio, Qu’est-ce que le contemporain ?, traduction de Maxime Rovere, Paris, Rivages, 2008. Amagatsu, Ushio, Dialogue avec la gravité, Arles, Actes Sud, 2000. Amblard, Jacques, Pascal Dusapin : l’intonation ou le secret, Paris, Musica Falsa, 2002. Badiou, Alain, Beckett, l’increvable désir, Paris, Hachette, [1995] 2006. Barbéris, Isabelle et Tessier, Gérard (éd.), Philippe Beck, un chant objectif aujourd’hui, actes du colloque de Cerisy, José Corti, Paris, 2014. Barnes, Julian, Le F..
UseListedError: a grammatical account of lexical exceptions in phonological acquisition
No full textThis paper presents an analysis of lexical exceptions in phonological acquisition – i.e. words that do not conform to a child’s currently-stable phonology – within an error-driven OT learning framework (Tesar and Smolensky 2000; Prince and Tesar 2004; Hayes 2004.) Two kinds of developmental lexical exceptions are discussed: 'fossilized' words that retain old pronunciations after the grammar has otherwise moved forward, and 'precocious' words that are pronounced more accurately than the rest of the grammar’s outputs.
The heart of the learning algorithm assumed here (see especially Tessier 2009) lies in its stored errors, which drive the learner to build each new grammar. Such a learner has two methods of producing words: using the current grammar to choose an optimal output among all the available options, or simply reproducing a stored error form, previously deemed optimal by an earlier grammar. The OT constraint proposed here to choose between these two methods is USELISTEDERROR (inspired by a different proposal in Zuraw 2000), which prefers the lazy option of reproducing stored errors.
The paper first walks through two examples to show how this error-rich learner, combined with the UseListed constraint, can derive both fossilized and precocious forms, and then discusses many of the outstanding questions on the topic.The definitive version of this paper was published in NELS 39: Proceedings of the North East Linguistic Society (2011) and is available at http://glsa.hypermart.net
Charles Tessier, Oeuvres completes/Complete Works: Chansons, Airs, Villanelles
No full textThe 93 Airs, Chansons and Villanelles, which represent the complete surviving works of Charles Tessier, are presented here for the first time in a critical but practical modern edition. The French, Italian, Spanish and "Turkish" songs for four or five voices, first published in Paris and London between 1595 and 1604, precede a unique autograph manuscript collection of airs for solo voice and lute, with an appendix of related music, including Parisian street-cries which the composer sent to an English gentleman in 1597. Some of the songs were admired and imitated by John Dowland, who met Tessier in Paris in 1580 and, like him, published his first book of Songes at London in 1597. The edition is the result of 30 years of study and meditation following the discovery of Tessier's autograph manuscript and letters in 1976 by the musicologist Frank Dobbins, Reader in musicology at London University, later Professor at Tours (Univ. F. Rabelais and Centre d'Etudes Superieures de la Renaissance) and currently Associate Professor at University of Montreal, author of Music in Renaissance Lyons (Oxford, 1991), many articles on Renaissance music, and editor of The Oxford Book of French Chansons (Oxford, 1987) and of music by G. Boni (1987), Janequin (1991), Monteverdi (2002) and Jacotin (2005)
Fears and conflicts in the selected novels of Thomas Tessier
No full textAbstract onlyThis study is a content analysis entitled Fears and Conflicts on the Selected Novels of Thomas Tessier namely: Finishing Touches and Wicked Things. Finishing Touches was published by Dorchester Publishing Co., Inc in New York and copyright in 1986. Wicked Things was published by Dorchester Publishing Co., Inc in New York and was copyright in 2007. The two novels were analyzed based on its characters, setting descriptions and the general truths about fears and conflicts portrayed in the two novels. Based on the findings, most of its characterization in the two novels of Thomas Tessier entitled Finishing Touches and Wicked Things portrayed the similarities in their physical appearance and their social status. While a few showed some differences on their mental aspect on how they react and survive to a certain situation. In the settings of the two novels entitled Finishing Touches and Wicked Things, it was observed that the setting was mainly happened in one country but there is also a specification if what part of a certain country. It was also observed that the author used a lot of locations on that certain country. In the general truths, in terms of conflicts in Finishing Touches and Wicked Things, conflict is visible in personal interaction and in societal conflicts. The Psychoanalytical Approach of Sigmund Freud and other psychologist were the theoretical basis of the study and it was found out that it was manifested in the characters and setting description and in the general truths about fears and conflicts. It has been recommended that when writing a horror novel, the writer should consider the reader’s impact about the content and in real life, fears and conflicts can be handled and it is up to a person if he or she will overcome or not.Includes bibliographical referencesBachelor of Arts major in Englis
Recent Canadian Theses in French Literature
No full textJohn Samuel Clouston, "L\u27Ingénu de Voltaire: La Raison et le sentiment au service de l\u27humanité," University of Western Ontario.Annette M. Hayward, "Le Conflit entre les régionalistes et les "exotiques" au Québec (1900-1920)," McGill University.Terrance Ryan Hughes, "Gabrielle Roy et Margaret Laurence: Deux chemins, une recherche," McGill University.Eva Jellinek, "Les Conférences du Bureau d\u27adresse de T. Renaudot et la réflexion morale (1633-1642)," McGill University.Hélène Terlinck McLenaghan, "De la Confession de Claude au Docteur Pascal: Le Thème de la mort dans l\u27oeuvre d\u27Emile Zola," University of Western Ontario.Constantina Thalia Mitchell, "L\u27Errance dans l\u27oeuvre poétique de Paul Verlaine," McGill University.Jean-Daniel Schneider, "Utopies et pédagogie dans la littérature du XVIIe siècle," McGill University.Jules Jacques Tessier, "Les Particularités de vocabulaire dans l\u27oeuvre de Félix-Antoine Savard," University of Toronto.Eugene Fredrick Willis, "Patrons ludiques dans l\u27oeuvre romanesque de Samuel Beckett," University of Toronto.John Samuel Clouston, "L\u27Ingénu de Voltaire: La Raison et le sentiment au service de l\u27humanité," University of Western Ontario.Annette M. Hayward, "Le Conflit entre les régionalistes et les "exotiques" au Québec (1900-1920)," McGill University.Terrance Ryan Hughes, "Gabrielle Roy et Margaret Laurence: Deux chemins, une recherche," McGill University.Eva Jellinek, "Les Conférences du Bureau d\u27adresse de T. Renaudot et la réflexion morale (1633-1642)," McGill University.Hélène Terlinck McLenaghan, "De la Confession de Claude au Docteur Pascal: Le Thème de la mort dans l\u27oeuvre d\u27Emile Zola," University of Western Ontario.Constantina Thalia Mitchell, "L\u27Errance dans l\u27oeuvre poétique de Paul Verlaine," McGill University.Jean-Daniel Schneider, "Utopies et pédagogie dans la littérature du XVIIe siècle," McGill University.Jules Jacques Tessier, "Les Particularités de vocabulaire dans l\u27oeuvre de Félix-Antoine Savard," University of Toronto.Eugene Fredrick Willis, "Patrons ludiques dans l\u27oeuvre romanesque de Samuel Beckett," University of Toronto.
Présentation d’un manuscrit ancien Histoire de Luc Vân Tiên en trois langues
No full text[ndlr] Présentation officielle de l'édition illustrée, commentée et trilingue du Luc Vân Tiên du grand poète Nguyên Dinh Chiêu (1822-1888). Félicitations à Pascal Bourdeaux, Nguyên Nha et Olivier Tessier pour cette redécouverte (en 2011) et cet admirable travail d'édition et d'érudition de l'EFEO . Ho Chi Minh-Ville (VNA) - L’École française d’Extrême-Orient a organisé, le 30 mai à la résidence du consul général de France à Hô Chi Minh-Ville, une cérémonie de présentation de l’ouvrage Histoi..
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