7,107 research outputs found

    Entretien avec Georges Mink

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    « Entretien avec Georges Mink »,  entretien réalisé par Pascal Bonnard et Jana Vargovčíková, Revue d’études comparatives Est-Ouest, n°6-7« Entretien avec Georges Mink », entretien réalisé par Pascal Bonnard et Jana Vargovčíková, Revue d’études comparatives Est-Ouest, n°6-

    Brunet (Georges). Le pari de Pascal

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    Mortier Roland. Brunet (Georges). Le pari de Pascal. In: Revue belge de philologie et d'histoire, tome 37, fasc. 1, 1959. Antiquité — Oudheid. pp. 136-137

    Georges Brunet, Le pari de Pascal

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    Decerf Paul. Georges Brunet, Le pari de Pascal. In: Revue Philosophique de Louvain. Troisième série, tome 55, n°45, 1957. p. 132

    Georges Brunet, Le pari de Pascal

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    Decerf Paul. Georges Brunet, Le pari de Pascal. In: Revue Philosophique de Louvain. Troisième série, tome 55, n°45, 1957. p. 132

    Brunet (Georges). Le pari de Pascal

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    Mortier Roland. Brunet (Georges). Le pari de Pascal. In: Revue belge de philologie et d'histoire, tome 37, fasc. 1, 1959. Antiquité — Oudheid. pp. 136-137

    Samuel Beckett and the Writers of Port-Royal

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    It has been observed that ‘the literary influences on Beckett have been far more important than has been acknowledged, and more important indeed, than the philosophical influences’ (Smith 2002: 3). The truth of this statement is evidenced by the description that scholars have given of Samuel Beckett’s relationship to seventeenth century French classicism. To date, critical interest has been limited for the most part to the figure of the philosopher René Descartes on the (fragile) grounds that Beckett was exclusively concerned with the Cartesian imperative of clarity and order, the fundamental dualism between body and mind, and Nominalism. Together with the assumption that Beckett’s vision was essentially Cartesian, his literary filiation with Pascal was suggested by critics, but only in terms of Beckett’s formal approach to the theatre. In his short article on En attendant Godot in 1953, the playwright Jean Anouilh was among the first reviewers to suggest that Beckett’s drama synthesizes the encounter between ‘classicism’ and a ‘modern’ form of art. It is well known that Beckett retained a lifelong admiration for Pascal – indeed, Pascal was one of his ‘old chestnuts’ (Knowlson 1997: 653). Little attention has been paid, however, to the originality of Pascal’s thought, the specific nature of his prose, and the impact these might have had upon Beckett’s mature work, especially the trilogy and the subsequent short prose. Yet, in the literary and philosophical context of post-war France, Beckett’s filiation with Pascal, their corresponding preoccupations, were evident to his contemporaries, who identified Pascal as an underlying presence in his works

    Felouzis (Georges). - L'efficacité des enseignants

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    Bressoux Pascal. Felouzis (Georges). - L'efficacité des enseignants. In: Revue française de pédagogie, volume 124, 1998. Sociologie de l'éducation. pp. 169-171

    Pascal (Georges), L'idée de philosophie chez Alain

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    Weyembergh Maurice. Pascal (Georges), L'idée de philosophie chez Alain. In: Revue belge de philologie et d'histoire, tome 53, fasc. 2, 1975. Histoire (depuis l'Antiquité) — Geschiedenis (sedert de Oudheid) p. 498

    Alain, le philosophe enraciné

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    Pascal Georges. Alain, le philosophe enraciné. In: Études Normandes, 43e année, n°1, 1994. Trois Normands. pp. 7-16

    Corpus scriptorum latinorum Paravianum, moderante Carolo Pascal, Paravia

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    Lafaye Georges. Corpus scriptorum latinorum Paravianum, moderante Carolo Pascal, Paravia. In: Journal des savants. 17ᵉ année, Novembre-décembre 1919. pp. 324-325
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