9,851 research outputs found
Alan Parsons' art & science of sound recording: the book
No full textTHE ART AND SCIENCE OF SOUND RECORDING THE BOOK More than simply the book of the award-winning DVD set, Art & Science of Sound Recording takes legendary engineer, producer, and artist Alan Parsons' approaches to sound recording to the next level. In book form, Parsons has the space to include more technical background information, more detailed diagrams, plus a complete set of course notes on each of the 24 topics, from "The Brief History of Recording" to the now-classic "Dealing with Disasters." Written with the DVD's co producer, musician, and author Julian Colbeck, ASSR offers readers a classic "big picture" view of modern recording technology in conjunction with an almost encyclopedic list of specific techniques, processes, and equipment. For all its heft and authority - authored by a man trained at London's famed Abbey Road studios in the 1970s - ASSR is also written in plain English and is packed with priceless anecdotes from Alan Parsons' own career working with the Beatles, Pink Floyd, and countless others. Not just informative, but also highly entertaining and inspirational, ASSR, the Book is the perfect platform on which to build expertise in the art and science of sound recording
Alan Parsons
No full textA color image of Alan Parsons at the soundboard.
Photo by Ed Rode.https://repository.belmont.edu/ownphotos/1050/thumbnail.jp
PSH&TC Newsletter, 2015
No full textVol 8.
Does not contain August newsletter
This internet resource contains newsletters issued throughout the year.
"The Hospital opened in 1903 as a State Hospital for Epileptics. In 1957 the Hospital was renamed Parsons State Hospital and Training Center and began providing programs for individuals with mental retardation. The Hospital occupies 43 buildings on 163 acres. Major components include residential services, the University Center on Developmental Disabilities and the Parsons Research Center for the University of Kansas, the Special Purpose School of the Southeast Regional Education Service Center, and the Southeast Kansas Agricultural Research Center of Kansas State University. " Agency WebsiteStella Wells Auction
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Landscape-painter as landscape-gardener : the case of Alfred Parsons R.A.
No full textIn 2 vols.Available from British Library Document Supply Centre-DSC:DXN016830 / BLDSC - British Library Document Supply CentreSIGLEGBUnited Kingdo
Alan Moore Comics as Performance, Fiction as Scalpel
No full textEclectic British author Alan Moore (b. 1953) is one of the most acclaimed and controversial comics writers to emerge since the late 1970s. He has produced a large number of well-regarded comic books and graphic novels while also making occasional forays into music, poetry, performance, and prose. In Alan Moore: Comics as Performance, Fiction as Scalpel , Annalisa Di Liddo argues that Moore employs the comics form to dissect the literary canon, the tradition of comics, contemporary society, and our understanding of history. The book considers Moore's narrative strategies and pinpoints the main thematic threads in his works: the subversion of genre and pulp fiction, the interrogation of superhero tropes, the manipulation of space and time, the uses of magic and mythology, the instability of gender and ethnic identity, and the accumulation of imagery to create satire that comments on politics and art history. Examining Moore's use of comics to scrutinize contemporary culture, Di Liddo analyzes his best-known works-- Swamp Thing, V for Vendetta, Watchmen, From Hell, Promethea , and Lost Girls . The study also highlights Moore?s lesser-known output, such as Halo Jones, Skizz , and Big Numbers , and his prose novel Voice of the Fire. Alan Moore: Comics as Performance, Fiction as Scalpel reveals Moore to be one of the most significant and distinctly postmodern comics creators of the last quarter-century.Intro -- Contents -- Preface and Acknowledgments -- Introduction -- CHAPTER 1. Formal Considerations on Alan Moore's Writing -- CHAPTER 2. Chronotopes: Outer Space, the Cityscape, and the Space of Comics -- CHAPTER 3. Moore and the Crisis of English Identity -- CHAPTER 4. Finding a Way into Lost Girls -- Conclusion -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- ZEclectic British author Alan Moore (b. 1953) is one of the most acclaimed and controversial comics writers to emerge since the late 1970s. He has produced a large number of well-regarded comic books and graphic novels while also making occasional forays into music, poetry, performance, and prose. In Alan Moore: Comics as Performance, Fiction as Scalpel , Annalisa Di Liddo argues that Moore employs the comics form to dissect the literary canon, the tradition of comics, contemporary society, and our understanding of history. The book considers Moore's narrative strategies and pinpoints the main thematic threads in his works: the subversion of genre and pulp fiction, the interrogation of superhero tropes, the manipulation of space and time, the uses of magic and mythology, the instability of gender and ethnic identity, and the accumulation of imagery to create satire that comments on politics and art history. Examining Moore's use of comics to scrutinize contemporary culture, Di Liddo analyzes his best-known works-- Swamp Thing, V for Vendetta, Watchmen, From Hell, Promethea , and Lost Girls . The study also highlights Moore?s lesser-known output, such as Halo Jones, Skizz , and Big Numbers , and his prose novel Voice of the Fire. Alan Moore: Comics as Performance, Fiction as Scalpel reveals Moore to be one of the most significant and distinctly postmodern comics creators of the last quarter-century.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
Intertextual Suspense: Echoes of Edgar Allan Poe in Alan Parsons Project Debut
No full textEl Taller de Lectura y Escritura I, dictado durante el primer año de la Licenciatura en Comunicación Social y de la Tecnicatura en Comunicación Pública y Política de la Facultad de Periodismo y Comunicación Social (UNLP), articula comunicación, contexto y lecto-escritura. Desde ese plano, el recurso pedagógico de la música y las canciones permiten construir un abordaje intertextual y recuperar, como en el caso del presente artículo, el contenido del álbum Tales of Mystery and Imagination, debut de Alan Parsons Project (1976) y homenaje conceptual a la primera colección de cuentos de Edgar Allan Poe (publicados en 1908).The Reading and Writing Workshop I, dictated during the first year of the Bachelor's Degree in Social Communication and the Technical Degree in Public Communication and Politics of the Faculty of Journalism and Social Communication (UNLP), articulates communication, context and reading-writing skills. From this point of view, the pedagogical resource of music and songs allows for building an intertextual approach and recovering, as is the case of this article, the content of Tales of Mystery and Imagination, debut album of Alan Parsons Project (1976) and a conceptual tribute to the first collection of short stories by Edgar Allan Poe (published in 1908).Bachillerato de Bellas Artes "Prof. Francisco A. De Santo
Suspenso intertextual: ecos de Edgar Allan Poe en el debut de Alan Parsons Project
No full textThe Reading and Writing Workshop I, dictated during the first year of the Bachelor\u27s Degree in Social Communication and the Technical Degree in Public Communication and Politics of the Faculty of Journalism and Social Communication (UNLP), articulates communication, context and reading-writing skills. From this point of view, the pedagogical resource of music and songs allows for building an intertextual approach and recovering, as is the case of this article, the content of Tales of Mystery and Imagination, debut album of Alan Parsons Project (1976) and a conceptual tribute to the first collection of short stories by Edgar Allan Poe (published in 1908).El Taller de Lectura y Escritura I, dictado durante el primer año de la Licenciatura en Comunicación Social y de la Tecnicatura en Comunicación Pública y Política de la Facultad de Periodismo y Comunicación Social (UNLP), articula comunicación, contexto y lecto-escritura. Desde ese plano, el recurso pedagógico de la música y las canciones permiten construir un abordaje intertextual y recuperar, como en el caso del presente artículo, el contenido del álbum Tales of Mystery and Imagination, debut de Alan Parsons Project (1976) y homenaje conceptual a la primera colección de cuentos de Edgar Allan Poe (publicados en 1908)
Missions and Meeting Houses, Chapels and Churches : Four Centuries of Faith in Castine, Maine
No full textBy Lynn Hudson Parsons, College at Brockport emeritus.
“An extraordinary contribution to Maine’s history, gleaned from remarkably detailed church records shared with Dr. Lynn Parsons by four disparate congregations, in celebration of a common interest: illuminating Four Centuries of Faith in Castine . . . a great read and a welcome resource.” — Alan Baker, Publisher The Ellsworth Americanhttps://digitalcommons.brockport.edu/bookshelf/1311/thumbnail.jp
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