662 research outputs found
MANAJEMEN SERTIFIKASI PROFESI OLEH LEMBAGA SERTIFIKASI PROFESI PIHAK PERTAMA (LSP P1) SEKOLAH MENENGAH KEJURUAN PARAMITHA JAKARTA
No full textPenelitian ini bertujuan: (1) Mengetahui perencanaan sertifikasi profesi
oleh Lembaga Sertifikasi Profesi Pihak Pertama (LSP P1) SMK Paramitha
Jakarta, (2) Mengetahui pelaksanaan sertifikasi profesi oleh Lembaga
Sertifikasi Profesi Pihak Pertama (LSP P1) SMK Paramitha Jakarta, dan (3)
Mengetahui evaluasi sertifikasi profesi oleh Lembaga Sertifikasi Profesi Pihak
Pertama (LSP P1) SMK Paramitha Jakarta. Penelitian ini menggunakan
pendekatan kualitatif dengan metode deskriptif. Teknik pengumpulan data
yang digunakan adalah wawancara, observasi, dan studi dokumentasi.
Hasil penelitian ini adalah (1) sebelum memulai sertifikasi kompetensi,
LSP P1 SMK Paramitha perlu membentuk organisasi yang solid serta
memiliki legalitas hukum berupa SK yang ditanda tangani oleh pimpinan. LSP
juga wajib menyiapkan segala dokumen, sarana, prasarana, dan perangkat
kerja asesmen juga harus dibutuhkan. Setelah semua persiapan itu selesai
maka LSP akan mengajukan izin lisensi kepada BNSP. Jika semua hal sudah
memenuhi sesuai dengan pedoman BNSP, maka LSP tersebut berhak
memperoleh izin lisensi dari BNSP. LSP yang sudah berlisensi sudah boleh
melakukan tugas asesmennya kepada peserta didik. (2) dalam pelaksanan
sertifikasi, LSP P1 SMK Paramitha selalu menjunjung tinggi prinsip
objektivitas dan ketidakberpihakan. Tahapan pelaksanaan sertifikasi LSP P1
SMK Paramitha Jakarta dimulai dengan adanya sosialisasi, peserta didik
wajib menyiapkan dan memenuhi segala persyaratan yang dibutuhkan,
verifikasi Tempat Uji Kompetensi (TUK), pelaksanaan asesmen, LSP
memberikan keputusan kepada asesi, kaji ulang, rapat pleno, dan pembagian
sertifikat hasil asesmen. (3) Pada tahap pengendalian dan evaluasi, LSP P1
SMK Paramitha memiliki 3 macam pengendalian. Pertama, yaitu dengan
melaporkan hasil asesmen kepada BNSP setiap selesai pelaksanaan
asesmen. Kedua, yaitu dengan mengadakan audit internal dengan sistem
audit menyilang. Ketiga, adanya survailan yang dilakukan BNSP terhadap
LSP
uji tingkat kesukaan tortilla substitusi abon ikan ayam-ayam
No full textRINGKASAN Paramitha, Devi Syahra. 2018. Uji Tingkat Kesukaan Tortilla Subsitusi Abon Ikan Ayam-ayam. Tugas Akhir, Program Studi DIII Tata Boga, JurusanPendidikanVokasi, Fakultas Teknik, Universitas Negeri Malang. Pembimbing : (I). Dr. Mazarina Devi, M.Si, (II) Dr.Ir. Soenar Soekopitojo, M.Si. Kata Kunci : Tortilla, Ikan Ayam-ayam, Uji Tingkat Kesukaan Tujuan penelitian ini adalah untuk mendapatkan formulasi yang sesuai dan mengetahui tingkat kesukaan panelis terhadap warna, rasa, aroma, dan tekstur pada pembuatan tortilla subsitusi abon ikan ayam-ayam. Uji coba pembuatan tortilla dengan penambahan abon ikan ayam-ayam, dilakukan sebanyak 3 kali. Uji coba pertama dengan subsitusiabon ikan ayam-ayam sebanyak 15% dengan total berat jagung 100 gram. Uji coba kedua dengansubsitusi abon ikan ayam-ayam sebanyak 25% dengan total berat jagung 100 gram. Uji coba ketiga menggunakan subsitusi abon ikan ayam-ayam sebanyak 35% dengan total berat jagung 100 gram. Formulasi yang digunakan untuk uji tingkat kesukaan adalah formulasi kedua dengan subsitusi abon ikan ayam-ayam sebanyak 25% dengan total berat jagung 100 gram. Formulasi ini menghasilkan tortilla yang memiliki warna kuning kecoklatan, aroma dan rasa yang dihasilakan lebih terasa daging dari ikan ayam-ayam, serta tekstur yang dihasilkan renyah. Metode perhitungan hasil uji hedonik yaitu dengan menggunakan persentase. Jumlah panelis yang melakukan uji hedonik yaitu sebanyak 35 panelis agak terlatih dengan dua kali pengulangan. Hasil uji hedonik warna tortilla subsitusiabon ikan ayam-ayam 54,3% panelis menyatakan suka. Hasil uji hedonik rasa tortilla subsitusiabon ikan ayam-ayam yaitu sebanyak 51,5% panelis menyatakan suka. Hasil uji hedonik aroma tortilla subsitusiabon ikan ayam-ayam yaitu sebanyak 44,3% panelis menyatakan suka. Hasil uji hedonik tekstur tortilla subtitusi abon ikan ayam-ayam yaitu 47,1% panelis menyatakan suka
Ananda Devi – pisarka skrzyżowania kultur
No full textAnanda Devi is a francophone-Mauritian writer who lives (and creates) near Geneva. She is the author of numerous novels, short stories and volumes of poetry. Although the stories of her characters are fictitious, Devi’s texts are strongly inspired by her native island, its history and its ethnic, cultural and linguistic heterogeneity. In her novels, Devi employs numerous stylistic devices to empower individuals who are regarded as worse, excluded from the society due to their deficits.Ananda Devi is a francophone-Mauritian writer who lives (and creates) near Geneva. She is the author of numerous novels, short stories and volumes of poetry. Although the stories of her characters are fictitious, Devi’s texts are strongly inspired by her native island, its history and its ethnic, cultural and linguistic heterogeneity. In her novels, Devi employs numerous stylistic devices to empower individuals who are regarded as worse, excluded from the society due to their deficits
Une interview avec Ananda Devi
No full textAn interview with Ananda Devi, which was conducted by Associate Professor Anna Czarnowus and Dr Marta Mamet-Michalkiewicz in 2019. The author talks about her own multilingualism, the novels where she dicusses violence, including sexual violence, her literary inspirations, the symbolism of her texts, female anger and feminism, the cultural meaning of cooking, and her novel 'The Living Days'.Wywiad z Anandą Devi przeprowadzony przez dr. hab. Annę Czarnowus i dr. Martę Mamet-Michalkiewicz z Uniwersytetu Śląskiego w 2019 roku. W wywiadzie autorka opowiada o swojej wielojęzyczności, powieściach, w których opisuje przemoc, również seksualną, swoich inspiracjach pisarskich, symbolice w swoich tekstach, kobiecym gniewie i feminizmie, kulturowym znaczeniu gotowania oraz powieści 'Les jours vivants'
Ananda Devi: a writer at the crossroads of cultures
No full textAnanda Devi is a francophone-Mauritian writer who lives (and creates) near Geneva. She is the author of numerous novels, short stories and volumes of poetry. Although the stories of her characters are fictitious, Devi’s texts are strongly inspired by her native island, its history and its ethnic, cultural and linguistic heterogeneity. In her novels, Devi employs numerous stylistic devices to empower individuals who are regarded as worse, excluded from the society due to their deficits
An Interview with Ananda Devi
No full textAn interview with Ananda Devi, which was conducted by Associate Professor Anna Czarnowus and Dr Marta Mamet-Michalkiewicz in 2019. The author talks about her own multilingualism, the novels where she dicusses violence, including sexual violence, her literary inspirations, the symbolism of her texts, female anger and feminism, the cultural meaning of cooking, and her novel \u27The Living Days\u27.Wywiad z Anandą Devi przeprowadzony przez dr. hab. Annę Czarnowus i dr. Martę Mamet-Michalkiewicz z Uniwersytetu Śląskiego w 2019 roku. W wywiadzie autorka opowiada o swojej wielojęzyczności, powieściach, w których opisuje przemoc, również seksualną, swoich inspiracjach pisarskich, symbolice w swoich tekstach, kobiecym gniewie i feminizmie, kulturowym znaczeniu gotowania oraz powieści \u27Les jours vivants\u27
Alpinist adaptive potential and the dynamics of adaptation in Janusz Klarner’s „Nanda Devi”
No full textWyprawa alpinistów na Nanda Devi była pierwszą polską pomyślnie zakończoną wędrówką w Himalajach. Nanda Devi była bardzo trudnym wyzwaniem dla polskiej ekipy, ale po wielu niebezpiecznych sytuacjach w końcu osiągnęli szczyt. W kolejnym kroku alpiniści chcieli zdobyć szczyt Tirsuli. Niestety, dwóch ekspedytorów zostało zasypanych lawiną na zboczach lodowca. Janusz Klarner (członek ekipy polskich alpinistów) po kilku latach napisał książkę Nanda Devi, opartą na jego prywatnym dzienniku ekspedycyjnym. Główną tezą artykułu jest to, że dotarcie do Nanda Devi było możliwe dzięki odpowiedniej szybkości adaptacji. Himalaje były zupełnie nieznanym miejscem dla polskich alpinistów. Okoliczności wymagały adaptacji do nowych, wymagających warunków. W artykule autor analizuje te adaptacje. Niektóre z nich miały wymiar symboliczny, inne: kulturowy, techniczny oraz aksjologiczny. Korzystając z ustaleń Deleuze'a z Bergsonizmu, autor uznaje, że zdolność do odpowiednio dynamicznej adaptacji jest wynikiem odpowiedniego uporządkowania występującego w danym momencie. Podsumowując, autor rozważa różne powiązania wzorców kulturowych, przyczynowości osobistej i względów środowiskowychAlpinist expedition to the Nanda Devi was the first Polish successfully ended hiking in the Himalaya. Nanda Devi was a very tough challenge for Polish team but after many dangerous situations they finally reached the peak. As a next step alpinists wanted to reach Tirsuli peak. Unluckily, two of the expeditors were buried in an avalanche on the slopes of a glacier. Janusz Klarner (the member of the Polish alpinists team) after few years wrote a book Nanda Devi which is based on his private expedition journal. The main thesis of the article is that reaching Nanda Devi was possible by the accurate speed of adaptation. The Himalaya was a completely different and unknown place for Polish alpinists. Alpinists were forced to various adaptations in many different situations. In the article author analyses emerging changes and adaptations. Among them are symbolic, cultural, technical and axiological adaptations. Using Deleuze's findings from Bergsonizm, the author recognizes that the capacity for appropriately dynamic adaptation is the result of an appropriate arrangement occurring at a point in time. To sum up, an author considers various connections between cultural patterns, personal causality and environmental considerations
Ananda Devi et certains de l’exil
No full textInspired by Devi’s Ceux du large (2017) and by authors connected to her, a performance has been created by the author, who was to conduct an oral creative workshop among whose participants were young immigrants. Trying to take into account both dimensions of such an artistic but also human experience, the text points out the links between Ananda Devi’s words and the young immigrants’ ones, and also the influence of having read them on the way to lead the workshop. But, above all, it shows how such a poetic writing is necessary not to reduce migration to a simple and measurable fact.Inspirée par des pages de Ceux du large (Ananda Devi, 2017) et des pages d’autres auteurs avec lesquels Ananda Devi est en lien, une performance été faite par un artiste-chercheur devant aussi animer un atelier de création sonore et à la même période. Parmi les participants se trouvaient de jeunes migrants. Essayant de prendre en compte toutes les dimensions d’une telle expérience aussi bien humaine qu’artistique, le texte fait apparaître les liens entre les mots d’Ananda Devi et ceux des jeunes migrants, et aussi l’influence de les avoir lus sur la façon de conduire l’atelier. Mais, par-dessus tout, il s’agit de montrer combien une telle écriture poétique est nécessaire pour ne pas réduire la migration à un simple fait mesurable
La quête identitaire dans l’œuvre romanesque d’Ananda Devi
No full textThis article examines three novels by Ananda Devi, a well‑known francophone novelist from Mauritius, the author of many novels, short stories and poetry books. In her novels, theauthor portrays the lives of women, the roles and norms that have been imposed on them, as well as their place in the conservative and patriarchal society in Mauritius and in India.The protagonists of Pagli, Le Voile de Draupadi and Indian tango, whilst searching for their identity, rebel against the society, their families and religion which marginalise them and deny their right to make decisions about their own lives. The protagonists of Devi’s novels by objecting to such a lifestyle, by violating the social norms and breaching bans, discover their identity. Pagli symbolically rediscovers her true name, Anjali freedom and Subhadra her body/sexuality.Key words: Ananda Devi, francophone novel, woman, identity, freedom, violation of social, religious and moral norm
La quête identitaire dans l’œuvre romanesque d’Ananda Devi
No full textThis article examines three novels by Ananda Devi, a well‑known francophone novelist from Mauritius, the author of many novels, short stories and poetry books. In her novels, theauthor portrays the lives of women, the roles and norms that have been imposed on them, as well as their place in the conservative and patriarchal society in Mauritius and in India.
The protagonists of Pagli, Le Voile de Draupadi and Indian tango, whilst searching for their identity, rebel against the society, their families and religion which marginalise them and deny their right to make decisions about their own lives. The protagonists of Devi’s novels by objecting to such a lifestyle, by violating the social norms and breaching bans, discover their identity. Pagli symbolically rediscovers her true name, Anjali freedom and Subhadra her body/sexuality.
Key words: Ananda Devi, francophone novel, woman, identity, freedom, violation of social, religious and moral norm
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