1,721,329 research outputs found
Paolo Marchetti, Testis contra se. L'imputato corne fonte di prova processo penale dell'età moderna
No full textCerutti Simona. Paolo Marchetti, Testis contra se. L'imputato corne fonte di prova processo penale dell'età moderna. In: Annales. Histoire, Sciences Sociales. 51ᵉ année, N. 3, 1996. pp. 680-682
Paura in criminalibus: il problema penale tra sentimento umano e dinamiche sociali
Full text linkQuesto primo Quaderno del Laboratorio di storia del penale e della giustizia segnala un duplice debutto: del Laboratorio nato nel 2018 e del primo numero monografico – pubblicato on-line e ad accesso libero– che ne è il principale esito.Il Laboratorio nasce da una pluralità di esperienze di studio e di insegna- mento legate alla storia del diritto e della giustizia penale nel solco della riflessione condotta da Mario Sbriccoli (1941-2005), a lungo docente nell’Uni- versità di Macerata. È promosso da Luigi Lacchè, Massimo Meccarelli, Paolo Marchetti, Monica Stronati, Ninfa Contigiani e vuole offrire un nuovo “spa- zio” di elaborazione, ricerca e discussione a cadenza annuale
Lombroso a Teramo. Giudici, periti e notabilato locale nelle dinamiche di un processo per un'eredità contesa
No full text
Gli incerti confini dell'Io. Sdoppiamento della personalità, ipnosi e responsabilità penale in due romanzi di fine Ottocento
No full textSupplement_proLYOtin_product_information – Supplemental material for Clinical Impact of Highly Purified, Whey Proteins in Patients Affected With Colorectal Cancer Undergoing Chemotherapy: Preliminary Results of a Placebo-Controlled Study
No full textSupplemental material, Supplement_proLYOtin_product_information for Clinical Impact of Highly Purified, Whey Proteins in Patients Affected With Colorectal Cancer Undergoing Chemotherapy: Preliminary Results of a Placebo-Controlled Study by Federica Mazzuca, Michela Roberto, Giulia Arrivi, Elena Sarfati, Francesca Matilde Schipilliti, Edoardo Crimini, Andrea Botticelli, Marco Di Girolamo, Maurizio Muscaritoli and Paolo Marchetti in Integrative Cancer Therapies</p
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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