1,246 research outputs found
Leksykon Archiwum Afektywnego
No full textLa pubblicazione, commissionata dall'Istituto Nazionale Audiovisivo Polacco (NInA), è il risultato di un progetto editoriale e critico che raccoglie 25 autori internazionali (critici, archivisti, curatori, artisti). Il tema è quello della relazione con l'archivio o con il gesto dell'archiviazione; l'approccio è quello che privilegia la performatività dell'archivio e l'impulso o affetto che ne determina il movimento, la trasmissione, l'accesso e la trasformazione. In questo modo, l'archivio - inteso in senso ampio - da deposito di materiali e oggetti si offre piuttosto come luogo di incontro, conflitto e memorazione sia di un passato che di un possibile futuro. L'introduzione di Pustianaz e Palladini, che hanno concepito il progetto, invitato gli autori e ordinato le voci secondo un proprio percorso associativo, chiarisce il processo di composizione del volume, la nozione di "archivio affettivo" e la metodologia adottata. Del volume è in preparazione l'edizione inglese
Lexicon for an Affective Archive
No full textTo study an archive or archival materials is to encounter an affective and critical practice involved in the construction of memory. Lexicon for an Affective Archive, edited by Giulia Palladini and Marco Pustianaz, is an international collection of these encounters, offering glimpses into the intimate relations inherent in finding, remembering (or imagining), and creating an archive. Bringing together voices from a variety of fields across the humanities, performance studies, and contemporary art, and engaging in a multidisciplinary analysis, this beautifully designed and fully illustrated volume advances the idea of an “affective archive” as a useful conceptual tool—a tool which contributes to an understanding of an expanded notion of an archive and its central role in contemporary visual and performing arts
Sobre coexistir, reparar e imaginar: notas acerca das domésticas da performance
Full text linkIn this essay, the Italian writer, researcher, and educator Giulia Palladini invites us to rethink the linguistic saturation resulting from the use of the binomial performance and politics, by proposing what she calls the domestics of performance. Therefore, the author resorts to non-domesticated notions of the domestic, with the aim of investigating ways to shift the politics of performance to the domestics of performance. Thus, the author intends to demonstrate that feeling at home can be a way of evoking the power of performance to invent other manners of imagining, repairing, and coexisting.En este ensayo, la escritora, investigadora y educadora italiana Giulia Palladini nos invita a repensar la saturación lingüística resultante del uso del binomio performance y política, proponiendo lo que ella llama doméstica del performance. Para ello, la autora recurre a nociones no domesticadas de lo doméstico, con el objetivo de investigar formas de mover la política del performance a la doméstica del performance. De esta manera, la autora pretende demostrar que sentirse como en casa puede ser una forma de evocar el poder de la performance para inventar otras maneras de imaginar, reparar y convivir.Neste ensaio, a escritora, pesquisadora e educadora italiana Giulia Palladini nos convida a repensarmos a saturação linguística decorrente do uso do binômio performance e política, ao propor aquilo que designa como domésticas da performance. Para tanto, a autora recorre a noções não domesticadas de doméstico, com o intuito de investigar modos de deslocar as políticas da performance para o âmbito das domésticas da performance. Dessa maneira, a autora pretende demonstrar que sentir-se em casa pode ser um modo de evocar a potência da performance de inventar outras formas de imaginar, reparar e coexistir
Domestics against domestication study day
Full text linkDomestics Against Domestication. A study day to rethink practices and politics of the domestic.
Thursday, 30 May 2019, University of Roehampton.
Convened by Dr. Valeria Graziano (Coventry University) and Dr. Giulia Palladini (University of Roehampton).
The starting point for this study day is the idea that the set of activities associated with organizing, maintaining and inhabiting a house constitutes a category in its own right. As much as the organizing, maintaining and inhabiting a polis, this category is not a given, but a field of struggle and imagination
Staging Decadence (salon)
No full textFor this event, we marked the dawn of a new year in the depths of winter, welcoming a fabulous array of ungodly glitterati in an unabashed celebration of decadence!
It was a salon-style collaboration between Rich Mix and Staging Decadence featuring performances by Lucy McCormick, Darkwah, Owen Parry and Nando Messias, talks by Giulia Palladini, Ben Walters, and Adam Alston, and the delectable sonorities and emceeing prowess of Sadie Sinner.
The event followed a panel discussion celebrating the launch of a special issue of the journal Volupté on ‘Decadence and Performance’
Archivi affettivi. Un catalogo (Vercelli-Torino, 11-13 novembre 2010). Ediz. italiana e inglese. Con DVD
No full textIl primo evento di Performance Studies international in Italia: un dialogo tra studiosi e artisti su archiviazione e circolazione degli affetti. Il resoconto puntuale di un evento storico, svoltosi tra Vercelli e Torino, narrato anche da un DVD allegato che racconta i pensieri, le parole e le immagini di una grande avventura contemporanea
Lexicon for an Affective Archive
No full textTo study an archive or archival materials is to engage in an affective and critical practice involved in the construction of memory. The Lexicon for an Affective Archive, edited by Giulia Palladini and Marco Pustianaz and published by Intellect/LADA (2017) is an international collection of these encounters, offering glimpses into the intimate relations developed in the process of finding, remembering, imagining, or creating an archive. Bringing together artistic and scholarly voices from a variety of fields, this volume proposes the idea of "affective archive" as a conceptual tool to interrogate an expanded notion of archive and its central role in the contemporary visual and performing arts. With contributions by: Alessandra Violi, Kateřina Šedá, Dorota Krakowska, Rabih Mroué, Claudia Castellucci Franz Anton Cramer, Elisabeth Lebovici, Bettina Knaup, Erik Göngrich, Zdenka Badovinac Annemarie Matzke, She She Pop, Tim Etchells, Paul Clarke, Małgorzata Szczęśniak, Małgorzata Dziewulska, Graeme Miller, Heidi & Rolf Abderhalden, Mapa Teatro, canecapovolto & Elisa Abela, Paola Di Cori, Joe Kelleher, Tina Campt Alina Marazzi, Paolo Vignolo Ann Cvetkovich, Antonia Baher & Karen Nathan
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